Michelle at the flight club

Analog, beauty, location

from this summer, early in July, I was in the Netherlands with my wife and I could spend some time there photographing. I had a meeting with Michelle, and in a last minute arrangement I could shoot at the local glider plane club. Michelle had this very classy, classic looking set, a slim fitting skirt and a beautiful blouse, and there was this plane waiting for the thermal to build up. I shot a couple of rolls in this setting, this is my selection.

• Michelle at the flight club •

I had the film developed by a local lab here in Belgium, but I was not really pleased with the quality of the development, and the care they have (not) given to the films. Lesson learnt, better take time to do my own developing at home. This has cost me a lot of retouching spots, dust, scratches, and the results are only ‘just good enough’ for publishing on the web.

best regards,

come again soon, and if you feel like, subscribe to my blog!

Ludwig

 

Strolling trough Paris with the Rolleiflex part III – talking about film photography (again)

Analog, street, Uncategorized

no I haven’t been to Paris recently, so these images are, well, from a while ago (late 2017), I have published a single image from this trip already, but here is a more complete set. All taken with the Rolleiflex 3.5 TLR, in dark and difficult light this time (interior, winter, …)

What is it that convinces me to shoot film from time to time? I talked about this before, but here’s one other reason, I started thinking about it listening to an vlog about Photokina, and how this is all about gear and how the big brands have missed the revolution on the mirrorless camera’s and now need extra marketing efforts (and lies) to get to pace with the competition etcetera, etcetera. … (Michael Zelbel from goodlightmag)

when shooting analog it makes me feel that I am not running into this treadmill of commercial marketing ‘have to sell’ rush that the mainstream photography world has become since it became a mass-product. Look at the average photography magazine on the book store shelf. Half of the pages will be about new gear that has reached the market, how the latest gear has reached new levels of ‘better’ since the last best camera. How it will improve your photography, become an extension of your eye, and even bring you the ultimate shooting experience. blah blah blah, I have been in marketing for a while myself … The other half will be divided in ‘how to’s’ on the use of the latest software updates to make that perfect camera shot even better, or how to use the latest lighting gear to enhance your vision and creativity. Duh. … If you are lucky, there is a small section in the magazine that will cover large exhibitions, and maybe some portfolio’s from photographers (a couple of pages from the 100+ total number of pages)

I am sure that the Rolleiflex came with its own sauce of marketing blahblah at the time it was launched, but that’s a long time ago and I’m not bothered with it. Even now, new film camera’s are still made, but have you ever seen an add for one? They don’t really push, they wait till you go looking for them and then you’ll find them.

I shoot this antique Rolleiflex camera, with black and white 120 film that exists for ages now, and no accessories. When I use it, I simply can not feel the need to rush to get my images on the web (FB, Insta, … ) because that is literally impossible, with the film needing to be developed. I don’t get stressed on having to recharge batteries, because it has no batteries. I do not have to decide which lens or focal length to use, because it comes with a fixed focal lens that is not removable. I even don’t have to decide to shoot horizontal or vertical, because the image format is square. I can allow myself to just observe my environment, look at what people do, try to capture moments, details, … that come to my attention. If I miss a shot because my gear isn’t up to date, well I missed it, maybe I will be lucky next time. …

long live simplicity (maybe I’m getting old 😉 )

The pictures, with a little word, so you can find out where I’ve been strolling.

107 cubic inches, this one has been published before on my blog. Waiting for service at the Harley-Davidson shop in Boulevard Beaumarchais.

the queue for the Irving Penn exhibit that ran in the Grand Palais in Paris

part of the exhibit on Irving Penn

preparing for a kite flight on the Esplanade des Invalides

taking a break from cooking – the chef at Café de Mars – Rue du gros Caillou

plagiarism at Fondation Louis Vuitton

smooth curves architecture by Frank Ghery (Fondation Louis Vuitton)

people enjoying the audio-installation at  Fondation Louis Vuitton

Me taking a self portrait at Fondation Louis Vuitton

time to prune the plants maybe? – artisan fleuriste at Rue Vieille-du-Temple

 

cheers, hope you come back here soon.

If you want to see more images taking with the Rolleiflex in Paris, look here

If you want to re-read a previous article about shooting on film, this is the place: shooting film

cheers,

Ludwig

 

Lilith in Brussels – the film files

beauty, location, Nude

Travelling art-nude models mostly rent very small rooms, to make their travelling as cheap as possible. Shooting in their room is most often not an option. This one was different. Some other photographer booked her a spacious and very well lit room in the centre of Brussels, and for some reason he only booked the model for a very short period of time, so she had a couple of days available for other photographers. A bit of a last minute arrangement and I was of to Brussels. The room had a line of windows facing south/west, and every widow had its own curtains. A perfect spot for a shoot.

It’s a tedious process, developing, scanning, retouching the dust …

… but when the results are good, it’s all worthwhile. From a shoot I did in the beginning of june, taken with the Rolleiflex, on Ilford HP5 plus film (ISO400).

 

• Lilith •

 

with Vita outdoors – why I still love shooting film from time to time.

Analog, beauty, erotic, location, Nude

from a while ago,

I shot with Vita Goncharuk in a public park near Brussels earlier this year. I was a bit worried about not having a location with full and agreed access, so we shot outside. The park is open to the public, and you might wonder if there are no risks of being caught. There is actually not really a problem as long as you are not shooting porn or really shocking the eventual witnesses. If you get caught by the owner of the place, you might get expelled from the premises, but they can’t file a complaint unless they can prove you did harm to their person/business/property.

Some people have been asking about public wandering around. First of all, get this agreed upon with your model. Most professional models don’t care much, some don’t like it. Vita didn’t mind at all. When somebody shows more interest than normal, I just go to them an say hello. I do a little chit-chat and then I give them one of my business cards and mostly they disappear after that, or they take some more (comfortable) distance. Some even send me an email about my website or my work afterwards. I even had one person sending me some behind the scenes images. (with Erika in Brussels)

The weather was splendid, the camera did very well, All shot on Ilford film, with the Rolleiflex TLR camera. I love the look of film, it gives a soft, rich tonality and it has some imperfections that are creating a romantic atmosphere. It has a natural grain, that adds to the softness of the images. The medium format (6x6cm) camera has a great shallow depth of field, (hard to focus though) and enough detail in the negatives for really big enlargements. It can’t beat the current 50Mpx camera’s, but its very close. I also love the time-span between shooting the images and having the developed film ready for scanning. The fact that you do not see results is a benefit for working slowly. When shooting digital, I get a little overwhelmed by the immediate results, which stresses me to shoot more and more and more. When shooting analog, I thing about every image, about light, about framing, about what to leave out of the frame and what to get into it, about pose, about a possible story, … I feel that I do not take the same amount of time when shooting digital. You shoot far less images when shooting film, but you get as many good ones than when shooting hundreds of digital images. … I experience a great feeling of joy when seeing the images on the developed film for the first time. They are a physical result, they have a more ‘real’ presence in my opinion than digital files. Film is not dead, at least not for me, and I’m sure for a lot of people with me. 🙂

I have about ten more films that just have been developed, but need scanning and retouching … come back again soon,

Ludwig

 

 

Strolling trough Cambridge with the Rolleiflex

Analog, street, travel

in my series ‘strolling trough … ‘ a new chapter, coming South from Scotland last summer I had a stop in Cambride, where I shot a couple of rolls of 120 film with my Rolleiflex.

I find the Rolleiflex to be a fairly good camera for street photography. Since you are looking down as a photographer, people don’t really notice you as being one, and you can stay unnoticed a little longer, enhancing the chances of taking a good shot. I got trapped once in this series, you’ll see 🙂

All shot with Kodak TMax 400 film, on a grey day.

 

Selfie time

Graveyard

Aftermarket

Mall security

Sale

Arbitrage

EAT.

Trapped 😮

Enjoyable time with friends. Not.

Cows on the bike path

 

And two more shots from a village called Osmotherley, near North York moors National Park (UK), where I camped the night before.

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Chinese warriors

107 Cubic Inches

Analog, Personal Pictures, street

well yeah, next to beauties of the human race, I also tend to have a certain adoration for mechanical beauties. …

Early november I was strolling the Paris Boulevard Beaumarchais, to look for camera shops, both secondhand an new, to see if I could find some information on view camera’s and to look out if there was something else that interested me, when I came across the Harley dealership situated in this same boulevard. I’m not especially fond of this particular brand of motorbikes, but the boulevard seems to have almost as much motorcycle dealerships as it has camera stores. I happen to like both equally 🙂 . I am however quite charmed about the beautiful finish of the Milwaukee brand, with the chrome, the air cooling fins, the valve push rods and so on. This is mechanics and beauty, and it expresses both power and lifestyle.

I just snapped a small detail of just a random bike parked outside, probably a customer’s bike, before or after servicing. It is in that understanding not polished and it has some weather marks on the chrome, let’s say it’s alive.

I took this picture with my Rolleiflex TLR, probably older than the history of the ‘low rider’ Harley Davidson model. Square frame image format, which I like the best. Image shot on Kodak T-Max 400 film, developed in Ilfotec 29 developer.

For the noobs, 107 cubic inches is the cylinder displacement volume of this particular engine, or 1753 cc, in other words, this is a big engine for a motorbike. It has plenty of torque, and as we now from H-D, “more than enough” horsepower.

thank you for watching and reading, come again soon, I have other images from Paris that I would like to show you.

 

Ludwig

With the Rolleiflex in Scotland – Part III – Ardrossan harbour

Analog, travel

I still had time to spend, same day as part II – Dunure

I had a ferry at about 18:30 hrs, for good three hours to Campbeltown. Waiting time always inspired me to take pictures, for me it is a perfect pastime, and it might result in some nice souvenir images. I tried to check in at 16:15, but they didn’t take checkin for my ferry until half an hour before departure time, because they have very limited waiting lines. One at a time is their slogan 🙂

I had parked my motorbike along the harbour quay, quite deserted at that time, except for two young men fishing. Time to eat a bit and look around. Always something to discover in a harbour. It’s an important traffic hub, and it mostly has plenty of character. It started raining and I pulled my motor into the open garage for shelter, I shouldn’t have done that, because the floor was full of oil and diesel smudge, and almost caused me a crash late in the evening, because my tyres were all slippery. (didn’t realise it until I took a sharper bend). What you see in the images: the local fuel store, the ferry before mine, waiting to be loaded, the harbour, a boat workshop more of the harbour.

After shooting and waiting for a couple of hours I could check in, but not board yet. Rain started pouring again, now for real. I got wet, I got cold, couldn’t go anywhere because I was stuck in the waiting line. The ferry went well but I didn’t really get warm again. I managed to put up my tent at about 22:30hrs, in the dark. Happy to have a good warm down sleeping bag. (I slept at Peninver Sands – I hadn’t seen the owner in the evening, so in the morning I called him to pay my bill. ‘I’ll be there in 3 minutes he said’ when he arrived we did a little chat, when I asked him how much I owed him, ‘a bike and a tent’ hes said, he thought a bit and made a little calculation and then said ‘Oh, never mind, a lot of people wouldn’t even bother calling me’ and he wished me a good trip. Scottish hospitality I presume.

One roll of Kodak TMax400, shot with the Rolleiflex 3,5. All images of this film shown.

next I had three days of bad, really cold weather ahead, I left the Rolleiflex in the bag till my arrival at Osmotherly, back south (North York Moors NP.) for a village stroll. Soon to come.

thank you for watching,

Ludwig

The study

Analog, beauty, Nude, portrait

there is a collection in this house, of wild boar’s, in all shapes and sizes, on paintings, sculptures, drawings, teeth, … everything that reminds of the wild animal living in the heart of the Belgian Ardennes has received its place on these walls, in this castle …

the study is the most quiet space in the castle, where one can stay all day without being disturbed. Old books are being well taken care of, and this place is not influenced by day-to-day matters.

Meet Eva Evian, my model for this day, experiencing the atmosphere of the place, enjoying the quite and calm of the day.

All shot on Kodak TMax400, with Rolleiflex 3.5 camera.

#everypictureastory

 

thank you for watching,

Ludwig

With the Rolleiflex in Scotland – Part I – Glentrool

Analog, landscapes, photo gear

I have been on a motortrip to Scotland last summer, and I had quite some doubts for taking the Rolleiflex (analog camera from the late 50’s) with me, for sake of luggage space, camera safety, etcetera. I have to say that it gave me a lot of pleasure during my trip. It helped me to literally stay still from time to time, and to take the time to enjoy the landscape.

I have stopped in several places with the aim to shoot an entire roll of film in each place.

These images are from my first picture stop.

This place called Glentrool, and Loch Trool, and is located in Galloway forest park, Scotland. Here I shot a roll of Kodak Tmax400 film on a late sunny evening, I had pitched up my tent, cooked a simple but welcome meal after a day of riding (from York that day, over Barnard Castle, trough the North Pennines, along the Hadrian Wall into Dumfries and then Galloway forest park. The bike was filled up with gas for next day and I had some time left before the sun would set. First some images near the Glentrool Visitor Centre, just next to the river ‘Water of Minnoch’, where I met the first midges, then up on my motorbike again I followed a small and bumpy road up to Loch Trool. Despite literally a million midges by the lake, I kept going 😉 . I had my mini tripod with me on the trip, and a wire shutter release, so I could shoot till late in the evening (the lake shots).

there’s more to come from this trip, stay tuned.

All images shot with Rolleiflex 3.5 on Kodak TMax-400 film. Shutter speeds and aperture settings vary.

thank you for watching,

Ludwig

part II – Dunure

The last ray

Analog, beauty, erotic, location

• The last ray •

 

shot with Rolleiflex 3,5 on Ilford Delta Pro 100 film

model and make up: Eva Evian

thank you for watching, I scanned about 170 negatives this week, so there’s much more images coming (Scotland analog, and several beauty shoots analog)

see you soon,

Ludwig

Strolling trough Paris part II – shooting with the Rolleiflex

Analog, street

this is from a while ago.

Visiting Paris is something I love a lot. I have been there many times now, and I feel no real urge anymore in visiting particular places or monuments, and I enjoy more and more just being there, and observing people, looking at things happening, or seeing things being just things.

Documenting with the old Rolleiflex helps me being a more attentive observer. Trying to shoot whatever presents itself is a challenge, but is also fun and maybe a bit contradictory, a very relaxing thing to me. It is a mixture of being an observer, and in a certain way being part of the city life.

Next to this, it is also a way to get socially engaged in a certain way. I get many conversations when shooting with this old camera, from people interested in what camera it is, how it works, if it is still able to find film etcetera etcetera. I try to go unnoticed, but that is difficult sometimes, and I don’t mind.

All shot on Rolleiflex 3.5 and Kodak TMax 400/100 film.

thank you for passing by.

 

Ludwig

 

Strolling trough Antwerp with the Rolleiflex

Analog, street

sometimes you find a roll of film you didn’t remember anymore taking it.

I found one a couple of weeks ago, in a corner of my desk … I had no clue of what was on it. I’m still missing a roll of Paris, (must have been lost in luggage somewhere) but this was not it. This is Antwerp. I remember having dropped of Nathalie for an appointment, near Antwerp train station, an ideal opportunity to shoot a roll of film with the Rolleiflex, just to learn to observe, have fun, enjoy slow shooting.

All shot on my Rolleiflex 3.5, with Kodak TMax400 film.

thank you for watching.

come again soon for some more Paris strolling with the Rolleiflex.

Ludwig

Hey Taxi ! …

Analog, beauty, Personal Pictures, street

I cannot prevent this happy feeling coming back when I start thinking about this session.

We were all in a great mood, the weather was excellent (remember, way too hot today) and Erika was more than happy playing the roles I gave her. I asked her to be the lazy tourist in our Brussels most upscale shopping lane, the Avenue Louise.

Nathalie managed to fix a taxi driver willing to cooperate for some nice shots too.

All images shot on Rolleiflex 3.5, Kodak T-Max100

Thanks to Erika Albonetti for being my model, her manager for carrying all the stuff she had, my wife Nathalie for being a splendid assistant and hairdresser …

Remember, all my images are available as a fine art print, so if you are still looking for a lasting present for Christmas or New Year, don’t look any further, scroll trough my blog, take a look at my portfolio pages and take your pick!

 

Hey Taxi ! …

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thank you for watching,

see you again soon,

 

ludwig

 

Erika – a little bit of fashion – in Brussels

Analog, beauty, location, people

I shot this entire day with my 60 year old Rolleiflex camera. Kind of stressy and awkward feeling to get home with nothing but some rolls of film. … I only found out in the evening that I didn’t even have a memory card in my digital camera. … I must have had some kind of enlightenment when I decided in the morning to go ‘all analog’ that day.

Vic Toria – preview

Analog, beauty, people, Personal Pictures, portrait

I photographed this young lady in the grey and dull city of Charleroi, on a grey and dull day, but she proved to be all except grey and dull, we had a wonderful morning session, and made some great images together! Thank you Victoria!

– Victoria –

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Rolleiflex 3,5 with Ilford FP4 Plus film

thank you for watching,

ludwig

La dame du château – preview

beauty, location, Nude, Personal Pictures, portrait

a first one from a series of analog images I did with Ava

too hot outside, we fled for the cool interior of the chateau. The atmosphere was great, the castle was quiet, Ava was feeling comfortable. Some of the main ingredients for a great shoot. The models, although more accustomed to getting undressed than any other person, still prefer a quiet, unbothered atmosphere. There’s nothing more disturbing than people hopping in at unforeseen moments. A kind of understanding builds between model and photographer (and eventually assistants, make up artists etc …) and this makes intimate pictures possible.  Thank you Ava for your confidence, and for being my model during this shoot.

 

• La dame du château •

LudwigDesmet_AL-

model and make up: Ava Lacour

Hair and assistance: Nathalie

Shot on location in Tournai, Belgium

Rolleiflex 3,5 TLR on Kodak T-Max400 film.

all images © ludwig desmet

thank you for watching.