when I met Julia in Brussels, the weather was really dull, but I shot some film images anyway. Dull weather is technically less challenging than the harsh sun, at least if there is sufficient light. I had no excess light but could manage to shoot the film at box speed, with the widest aperture of the Rolleiflex, f/3.5 … rather tricky on the focussing, but some of the images came out really well. Hope you like them. Shot on Ilford HP5 Plus
Julia Yaroshenko on the balcony, in the series of hidden gems 2019
thank you for watching and be sure to check out this blog next week, I might have more interesting images coming up
Same as last week, you’re getting spoiled, aren’t you 🙂
Some results I managed to capture during my own workshop Model/lingerie photography with available light. Models during this workshop: Riona Neve and Sahri Nimi – behind the scenes video at the bottom of this post.
All images are available as a fine art print, inquiries please send me an email.
Hidden gems 2019, workshop Lingerie with available light
I have been neglecting my blog a little lately. I have had some print orders to take care of after the exhibit in August, and I have been busy getting some footage done for my youtube channel. Next to that, It’s been a busy couple of months at the institute where I teach, and it will still be so in the near future too.
I have collected some images from 2019 that I have not shown you yet, and that might be forgotten if I don’t do it soon. Hidden gems from the recent past, so to say.
Enjoy this first series of ‘forgotten marvels’ with Julia, you might have seen some of my images of her already here and here but well, here’s some more:
Thank you for watching, and remember, all images are available as a fine art print!
Another set will be released next Sunday, put your alarm or subscribe to my post so you don’t miss it!
I have been rather busy at school lately and this will probably continue for some more time, since we are working on a project for distant learning that starts September 2020.
I still managed to make a short behind the scene’s movie from some clay sessions I did last summer. I had taken some footage on one of the shoots, and have made a short intro and wrapup video last Friday, to make it a complete movie.
You can see the movie here or on Youtube, where you can immediately subscribe to my channel:
Some final images of the sessions I did here below:
Really fun to do, it makes models ageless at the spot, and also quite anonymous, and sometimes even Facebook accepts this kind of nudity.
It was a fun day, I didn’t really adapt my shooting to the cameraman, but still, there was some influence at least. I’m quite pleased with the results of this day, look for yourself, you’ll probably recognise some of the scenes from the video. The film shots are black framed.
Shot on film: (Rolleiflex Tlr 3.5 Planar on Ilford Film)
and then one more, as a tribute to the cameraman Franswa. You can see me make this shot at 4.52 in the film!!
thanks for looking, If you want to make sure to see everything I publish, you might consider subscribing to my blog. You can do this on the bottom of the welcome page, click the + sign.
Shot from above the cliffs, somewhere in Exmoor National Park, UK. Note how you can see not only the gentle waves coming up on the coast but also the light breeze softly caressing the top of the waves.
I was on a campsite near Lynton discussing the Brexit, now more than a year ago. The person I was talking to called them fools. Nobody knows what’s gonna happen if the UK leaves the European community, all protagonists are playing high games, and the people will suffer the most of it. … It was an agitated discussion, …
The next day I went for an all-day walk. I was able to empty my mind and enjoy the fresh breeze at the coast. Europe was suffering from another heatwave, but here temperatures were moderate and bearable. Even in the climate matter the British Isles differ from the mainland.
I was with my family in the French Ardennes during the Christmas holidays in 2018.
The weather had been grey and misty all day, and this is typically the weather you’ll be after for intimate landscape photography, so I love to stroll around on my own on these days.
This old, gnarled, crooked apple tree must have been here for decades. He probably felt how the village got deserted over the years, and there’s only a couple of families left here. But you won’t hear him complain, he silently carries the passing time, bent forward, he patiently submits to the rhythm of the seasons passing along.
Who knows how many years already, who knows how many years to come.
You’ve seen the first image with Julia a couple of weeks ago. The process of selecting and fine-tuning the images often is slow, but in this case, it took me even longer, since I had to finish all evaluations for my evening class students. All is done now, and vacation has officially started. A good moment to show you the first series from this collaboration.
• In bed with Julia •
What I often seek in models, is the ability to give me a natural, relaxed look. Julia is perfectly able to do so. And of course, she is stunningly beautiful! I’ve enjoyed this afternoon in Brussels a lot, and I hope the images give you an idea of the atmosphere and get you in a similar mood.
thanks for passing by, I hope to see you soon again!
English followers, this is for my local audience, so in Dutch only.
De workshops zijn al een tijdje aangekondigd, maar ik was vergeten ze hier eveneens te vermelden, … tsss shame on me.
Deze workshops zijn NIET voor beginners bedoeld, maar voor mensen die al een tijdje met Lightroom aan de slag zijn, en niet meer helemaal zeker zijn of ze bepaalde functies helemaal goed gebruiken, OF zich even willen bijscholen in de nieuwste gereedschappen uit de Lightroom CC software. Met de eigen laptop kan je stap voor stap meevolgen wat ik doe. We overlopen alle gereedschappen, met nadruk op de nieuw bijgekomen functies.
Eéntje gaat over kleur-ontwikkeling, de andere specifiek toegespitst op ontwikkelen in zwart-wit.
a have recuperated two prints from a previous exhibit that I can’t store, so they go for sale. Only one of each available.
100×150 cm (approx 50×75″) fine art archival print,
10 cm white edge (within the 100x150cm size)
the back has a mounting pad on top, a weight pad on the bottom, so the print can hang as is, though it has no protection.
to give you an idea of the size of the prints, you can see them here in the exhibit, first shot left and right, second shot left image: (requires Facebook account) https://www.facebook.com/zinkae/videos/402924687154651/?v=402924687154651
if you are interested, or if you want to know about pricing/framing options, please contact me: ludwig-at-ludwigdesmet.com
I have never met her before, except on the internet. She’s all around the internet, google her and you’ll know what I mean: Julia Yaroshenko.
We worked together a couple of weeks ago, I rent an Airbnb in Brussels and we did an afternoon session. A first image as a little preview.
This weekend I’m giving the first two of my workshops, about working with available light in portrait/boudoir/art-nude photography. The above portrait was created in a small bedroom with only one window. Not everything is possible, but a lot can be done with a little creativity and bounced light. If you’re interested, there are still two spots available for next Saturday (01/06), tomorrows workshop is fully booked.
a long time ago I made some studio setup diagrams for this blog, … time to make a new one. First the image, it dates from a while ago, last fall I invited two friends to do some studio work. I rarely use my studio equipment for light, but in winter times it can be handy to have an alternative to available light sometimes.
I wanted Steven to get some sort of gangster look, cool looking, hood, sunglasses …
I wanted a soft light and deep shadows under the hood, so I went for some sort of symmetrical light setup, using two studio flashes with 60x60cm softboxes, and two large reflector panels to even enlarge the light source.
it was only a matter of finding the good ‘depth’ position of the model, to create just enough light on the face, and keep the light only on the front.