Another series of images I did with Riona Neve last summer, the one and only model shoot I did this summer, in between two periods of lockdown there was not much time and I was very busy finishing off the studio room …
We had this beautiful modern house with swimming pool at our disposal for the afternoon, and started with some classy images with long black pants and a black blazer, paired with the inevitable sunglasses of course.
On the carved wood box:
and a bonus image because you took the effort to come look on this page
when I met Julia in Brussels, the weather was really dull, but I shot some film images anyway. Dull weather is technically less challenging than the harsh sun, at least if there is sufficient light. I had no excess light but could manage to shoot the film at box speed, with the widest aperture of the Rolleiflex, f/3.5 … rather tricky on the focussing, but some of the images came out really well. Hope you like them. Shot on Ilford HP5 Plus
Julia Yaroshenko on the balcony, in the series of hidden gems 2019
thank you for watching and be sure to check out this blog next week, I might have more interesting images coming up
I have been neglecting my blog a little lately. I have had some print orders to take care of after the exhibit in August, and I have been busy getting some footage done for my youtube channel. Next to that, It’s been a busy couple of months at the institute where I teach, and it will still be so in the near future too.
I have collected some images from 2019 that I have not shown you yet, and that might be forgotten if I don’t do it soon. Hidden gems from the recent past, so to say.
Thank you for watching, and remember, all images are available as a fine art print!
Another set will be released next Sunday, put your alarm or subscribe to my post so you don’t miss it!
You’ve seen the first image with Julia a couple of weeks ago. The process of selecting and fine-tuning the images often is slow, but in this case, it took me even longer, since I had to finish all evaluations for my evening class students. All is done now, and vacation has officially started. A good moment to show you the first series from this collaboration.
• In bed with Julia •
What I often seek in models, is the ability to give me a natural, relaxed look. Julia is perfectly able to do so. And of course, she is stunningly beautiful! I’ve enjoyed this afternoon in Brussels a lot, and I hope the images give you an idea of the atmosphere and get you in a similar mood.
thanks for passing by, I hope to see you soon again!
or at least I often think about quitting …
… because when I think about all the costs I have been making – for photography gear, for exhibition prints, for locations, models, make-up artists – then I must realize that it does not generate any money, quite the contrary.
Then I sit down, try gathering all my courage for the next shoot, try to find a good location, a model, a make up artist, find a moment that fits for everybody involved, phone calls, emails, messenger … and then after the shoot I get home, more or less exhausted. But then when scrolling trough hundreds of images from that day, I see that again we could make some beautiful shots and I think, ‘come on, just hang on a little longer, things will turn out ok one day’ …
thanks to Sahri Nimi Modelpage for being my model once again, thanks Isabelle Eeckhout for making her look gorgeous again, thank you Vergucht Franswa for joining us for making a reportage about me during this shoot, and a big thank you to the family that opened their fabulous house for me as if it were my house. And last but not least, thank you to my wife, who has even more patience with me than I have myself, that even pushes me harder than I could do so myself, and that still believes 200% in what I do.
• Bath with a view •
Hi, it’s been a while since my last post, I think this one will make it worth the wait.
• MUST READ •
you probably have noticed I worked together with Charisse a lot last year, I would like to show you some pictures from our first collaboration to our last one, as some sort of a tribute to this young woman, that in front of my lens, evolved from a shy and uncertain person, to a very self-aware and confident model.
I asked her yesterday to write down in her own words about our cooperations, and she did, Italic words is her writing.
We met at an exhibition in Damme, Belgium, she seemed interested in my work. She flipped trough my book ‘Women’ and showed even greater interest after that. We agreed to keep in touch.
Ludwig and I met on an exhibit in Damme, May 2016. He gave me a business card so that I could contact him if I would be interested in working with him. At that time I was an insecure model with limited experience, but the pictures he was exposing and the atmosphere they contained were very into my liking.
First shoot together, June 20, 2016. We met at Godshuis in Sint-Laureins, Belgium, and we shot a couple of rolls of 120 film, and a digital session. She was very shy at the moment, and there were too many people running around at the Godshuis, so we moved outdoors for the rest of the day.
Not much later, we agreed on doing a photoshoot at Godshuis in Sint-Laureins. He arranged a MUA because I wasn’t skilled in make up back then. I felt pretty nervous but he immediately put me at ease during my posing. He was very tranquil, careful, polite and made me adjust my poses in a very respectful way. He never made me do anything I wasn’t comfortable with. So it became pretty easy to feel comfortable and my confidence was slightly growing. This first shoot resulted in pretty images and we were both feeling content.
Second shoot together, she came to my place, I have an old, small confectioners workshop in my garden, and we did an afternoon session there. She showed more courage and confidence already. She hurt her leg while smashing the radiators with a big sledgehammer. April 5, 2017.
The year after that, we agreed on shooting a second time, this time in his “studio in progress” in Ronse at his place. Great, because no potential peeping toms. We started working in a similar theme like the first shoot, but after a while he asked me if I wanted to help him smash the studio. I got to put dirt on my face and Ludwig handed me a sledge hammer that was almost my own height in size. “Knock yourself out”, he said. So I smashed the huge radiator with it, resulting in a bruise and scratch on my leg. Ludwig was taking pictures of me doing so, on a safe distance. The images were very cool and tough looking, something a lot different than the romantic, elegant moods we worked on first. It felt good to work on different themes.
Third time around, I still had to get my ways around the studio, and we worked there for the first time. It was a very fruitful day, with an apple as desert 🙂 Charisse had changed, she had become very much aware of her female figure, and the sensuality in her poses was suddenly obvious. Februari 22, 2018.
Another year later, in February 2018, we decided to do a shoot once more, in his new studio. This time he asked me what I wanted to do, and I felt like taking the next step. Something more sensual, maybe even a little erotic. In the 2 months before that, I had the chance to express that side of me in poses and expressions, because I had worked with another photographer intensively. Now I wanted to do something with it in Ludwig’s style. Grown strongly and without any obligations coming from Ludwig, I got in an endless flow of poses, and he just let me work by myself, he let me be myself. It all resulted in an awfully long day for the both of us. Exhausted but extremely happy about the resulting images, we agreed upon working together a lot more in the future. Those mutual satisfied feelings gave me an enormous boost.
Shortly after that we met again, for a shoot in the castle I’m able to use as a location if I want to, here we shot ‘the beauty and the beast’, ‘the great great granddaughter’, and a lot more beautiful images. We are march 23d, 2018
Only 2 months after that, we got together again to shoot, this time in a beautiful little castle in Tournai. The shoot went like all previous shoots, except now we started to understand each other more and communicating got even better. It got easier to get into eachother’s minds and create images fitting in a certain theme.
5th shoot together, a hot summer day last year, and not really arranged long before, I just called to find out if she was available, and ready for an experiment, and a day later she took the train to Ronse again. Shot in my garden workshop, and outdoors. ‘when things get messy’ and ‘statue’ … July 3d, 2018.
After that shoot we had another shoot on a hot summer dat where we experimented with some leftover clay he had in his garage. The shoot contained the preparation (me mixing the clay powder with water in a big pot, with my bare hands), the execution (me rubbing the mixture all over my body, including my face, neck and hair) and the result (the drying of the clay on my body while I was sitting still on a big cube). The whole process was a lot of fun to do, getting all dirty and feeling like a child. Again, Ludwig made beautiful images of it. Afterwards I first got a cold shower from the garden hose and then I could take a warm shower.
And hopefully not the last collaboration, and certainly not the least, again in the studio on October 30th, 2018. Long time since I used flash light, so let’s get up-to speed again with some different settings. Charisse is always ready for some new things, she is physically limited due to a muscle disease, but she has never let me down in her efforts of making every shoot successful and worthwhile, she understands what I want to achieve as a result, but she’s not afraid of giving input if she things it would make images even better,
After that we had another shoot in the studio on a cold and rainy day, working on images based on the work of Andreas Bitesnich, but also a heavy make up and water combination theme. That’s what I like about the collaborations I’m having with Ludwig: the exchange and being open towards each other’s ideas, always trying new things in a style we both like, but especially the mutual trust we built in these past few years.
We have a very good relation with each other, but the professional level we work in stays very well maintained. In the mean time I got to know a lot of photographers with whom I got to work together as well, but Ludwig stays an absolute favourite to me. Because of his professional attitude, easy personality, and the endless respect he has towards his models and their limits and conditions.
Thank you very much Ludwig, for this amazing journey. I’m looking forward to keep working with you in the future.
Thank you Charisse, it is a pleasure working with you! I might do a book on you some day!
Some images you might have seen before, but I tried to show you some previously unpublished pictures too, as from a session there’s always a lot of material, so I cannot publish all, sometimes I forget about a series, sometimes when I review, new ‘keeper’s get my attention …
thanks for reading, maybe you might consider buying a large print from any of these? …
She can be found on facebook now as Sahri Nimi – https://www.facebook.com/sahrinimi/
not safe for work, except of course if you work in an open-minded place, which I hope everyone does. A little edgy maybe, glossy and slippery, these nudes I did with Sara Scarlet.
I’m enjoying the studio in these cold winter days. Shooting outdoors is not really handy now, especially if you want to do glamour or nude work … I put up the heating a little higher in the studio, and I can work at ease, without my model turning blue … so the blue you see here is purely a post-processing effect.
• Slippery •
and he left me with some nice images.
I love walking the boundaries of erotica and art, I’m not sure how and where the limits are, but I kind of like these images. For me they are erotic, artsy, tasteful, beautiful. It’s winter in Belgium, and the weather forces me to work in the studio more than I would like, but this session boosted my confidence in the studio a lot. Some things could have gone better, I should have paid more attention to my light levels overall, but the division of light and the addition of water and the poses and the model worked out all very well. Working in the studio is a completely different game than working with available light outdoors, it has other challenges, it needs a totally different approach. I used a couple of different light setups, all based on minimal lighting, creating only highlights on the models body. I was inspired by the nude work from Andreas Bitesnich, and wanted to experiment within his style. I especially love the way he works with highlights accentuating the body shapes, and I was not really able to recreate what he did, but then I didn’t really care, since I created something new 🙂
Thanks to my great model, Charisse again 🙂 small and pretty, she never thought she could become a model due to her size, but is making her way trough faster than she could imagine I guess.
Thank you for visiting, I will soon have my own Patreon page, where you will be able to financially support my work! You will be able to choose between a set of tiers that I’m sure will please any of tastes. Be it just supporters, apprentice photographers, or collectors of art-nude!
Please don’t hesitate to leave a comment!
Two weeks ago I did a model call for a freestyle shooting session in the studio, just to try out some light setups and to not forget about working with studio strobes. Remember, 90% of my work is purely based on available light.
I had two models coming over, one male that I never worked with (lets call him Steven) , one female that I had regular cooperations with since about two years, lets call her Charisse 😉
Steven never modelled, he said the day before he came to me. Ok great, I told him, that’s cool, so we can find out if newbies can lead to great results. And he did, 200% he did. See for yourself:
the images above are all made with two studio strobes.
Then that same morning, after this first session I had Charisse arriving at the train station for pickup, and we started shooting early in the afternoon. A totally different setup, with both nude and non-nude work, of which I will show you only a small teaser for now. We did a lot of different things, with a lot of good results, so make sure you come back again soon.
thank you for stopping by, visitor of this blog. Consider subscribing if you like what you see. Come back again soon.
thank you Steven and Charisse, for being my interim models for the day, for your patience and your trust!!
ps. I: soon I will be on Patreon, where you can support my activities and get extra behind the scenes video’s, how to tips, and other benefits! Watch out!
ps. II: video: me cleaning the studio afterwards, here you can see more or less all I have in the studio. Limited stuff, a lot of creativity.
things are calming down a little here, with fall offering less possibilities for shooting outdoors, I have to get back behind the computer to finish some series shot earlier. You might have seen a first image here.
From the series I did with Charisse, early this summer. It was very hot that day, and I decided to play around with some natural plaster (easy and soft on the skin) outdoors.
this is my final series, definitely something I want to explore more when the weather allows for it.
• Statue in my garden •
thank you for watching!!
I had some very good news last week. I have received an invitation to be the guest artist for a rather well known exhibit next summer. All expenses paid. That is a première for me, and a pleasant one.
I have been checking out the list of guest photographers that have passed in the previous years of this very same exhibit. … some well known names, some great artists, some who I esteem way above my league. Then doubts started coming up … is my work up to this level, will I not be blown away by the other participants (selected by jurors and curated by someone known in the field of art photography) … It struck me rather hard, to be honest.
Take a deep breath, listen to my wife’s saying ‘you have been asked to be the guest photographer, so what are you still worrying about’ … I guess she’s right, so let’s go, … I enrolled in a mentorship program that starts next week. I had confirmed to this before this invitation came in. To be honest I had no real item to work on, till now. I will use this program to fine-tune my work, discuss my work, discuss the selection of images that will be exposed, maybe prepare a book that will go with the exhibit, … exciting times to come, I will keep you updated.
More great news came in this week, when the organizers of the ‘fashion nudes’ contest run by Normal Magazine (France) contacted me to send them the high resolution files of the images I sent in for the contest. This means I got selected in the pre-selection, and my work will be printed for the final jury. Jippiieeeee!!
One of the images I entered for the contest:
• girl with an attitude •
A rough carpet, a little bit of sun, and a big black curtain to block te rest of it. That is all that was needed for this series with Charisse. I had a bit forgotten about this series, it was made the same day as we did ‘an apple a day’, and I was so fond about that series that this one got a bit lost. Here we go, all images taken with Canon 5Ds and 50mm f1.4 from Sigma.
The settings are very similar between images, shutter speeds varying between 1/400 and 1/500 and aperture f:3,5 or f:4.0. ISO is at 100.
Charisse feels confident enough to generate a series of sensual, intimate poses, and she hardly needs direction, except for keeping the sun ray in the right place on her body and face. The light is hard to manage in this kind of situations, only one rule: measure for the highlights, and don’t care about the shadows. This gave me these nice, contrasty images, with a little room for imagination and mystery. Thank you Charisse, for this very fruitful day!!
• Sunrays •
Want to get a shoot for yourself, contact me now for your life-changing experience!!
from a while ago,
I shot with Vita Goncharuk in a public park near Brussels earlier this year. I was a bit worried about not having a location with full and agreed access, so we shot outside. The park is open to the public, and you might wonder if there are no risks of being caught. There is actually not really a problem as long as you are not shooting porn or really shocking the eventual witnesses. If you get caught by the owner of the place, you might get expelled from the premises, but they can’t file a complaint unless they can prove you did harm to their person/business/property.
Some people have been asking about public wandering around. First of all, get this agreed upon with your model. Most professional models don’t care much, some don’t like it. Vita didn’t mind at all. When somebody shows more interest than normal, I just go to them an say hello. I do a little chit-chat and then I give them one of my business cards and mostly they disappear after that, or they take some more (comfortable) distance. Some even send me an email about my website or my work afterwards. I even had one person sending me some behind the scenes images. (with Erika in Brussels)
The weather was splendid, the camera did very well, All shot on Ilford film, with the Rolleiflex TLR camera. I love the look of film, it gives a soft, rich tonality and it has some imperfections that are creating a romantic atmosphere. It has a natural grain, that adds to the softness of the images. The medium format (6x6cm) camera has a great shallow depth of field, (hard to focus though) and enough detail in the negatives for really big enlargements. It can’t beat the current 50Mpx camera’s, but its very close. I also love the time-span between shooting the images and having the developed film ready for scanning. The fact that you do not see results is a benefit for working slowly. When shooting digital, I get a little overwhelmed by the immediate results, which stresses me to shoot more and more and more. When shooting analog, I thing about every image, about light, about framing, about what to leave out of the frame and what to get into it, about pose, about a possible story, … I feel that I do not take the same amount of time when shooting digital. You shoot far less images when shooting film, but you get as many good ones than when shooting hundreds of digital images. … I experience a great feeling of joy when seeing the images on the developed film for the first time. They are a physical result, they have a more ‘real’ presence in my opinion than digital files. Film is not dead, at least not for me, and I’m sure for a lot of people with me. 🙂
I have about ten more films that just have been developed, but need scanning and retouching … come back again soon,
the tomatoes need a lot of water in this warm weather don’t they?
second shooting location after • flight club • the garden of the AirBnB where we stayed. Michelle is ready to do some role playing, and gladly gives the gardener a hand.
• taking care of the vegetables •
thanks to Michelle Alba for being my model on this very hot day, in a very hot glasshouse.
thanks to Bas for lending me her garden as a shoot location and for the hospitality all over the weekend.
somewhere in the Netherlands, I could say, they have a very particular flight club, with nude hostesses and so on, … but alas, it was only for this single occasion that Michelle posed nude at the gliders hangaar.
I had no clue as to where to shoot, just up to two days before we had our meeting. I started looking on Google Maps, just to get an idea of the surroundings, and to look for an eventually interesting spot. I could find three possible locations: 1. the place where we stayed (I accompanied my wife to The Netherlands since she wanted to take a weekend course there) had a big garden, with a very funny glasshouse (to be seen in the next image I will be posting) so that could become interesting. 2. There was a very beautiful garden and antique glasshouse at a event location just next doors. 3. I noticed a gliding plane terrain at about 5kms distance from where we stayed.
I didn’t really have to contact the first possible location, I would see it the next day, and could find out that in fact the glasshouse was particular, and interesting. The event location responded me within the hour that they had a marriage event the day I would meet Michelle, so this was a no-go. The flight club chairman responded me that he was ok with the idea, and that I could meet him the morning I had my appointment with the model, but that it would be difficult to shoot after midday because then they have a lot of flights going on. We met at 11:00 am and shot till about 1:00 pm, first clothed, on the runway with a parked plane (film photography, so not yet available) then nude at the hangaar. We had a willing assistant during the time of shooting and nobody else seemed to care. The assistant also figures in this image, together with two other club members. His daughter used to work as a striptease girl in theater shows. They are chatting about the club and I thought they might make an excellent backdrop. Michelle didn’t care either, as long as nobody started staring or taking pictures with cellphones … All went well, we said goodbye afterwards and went on shooting in the garden after that.
• flight club •
a huge thanks to the chairman and the assistant of the flight club, both requested not to mention the name of the club for privacy reasons.