for you to decide, tell me about it in your comments!
With Sofie P. as my gorgeous model.
Images always have a little extra when there’s a little storytelling involved I think.
I had this magnificent garden at my disposal and then I -per accident- found a set of pétanque balls, you know, the game that originates in the French ‘Provence’ where you have to aim heavy metal balls at a little ‘piggy’ ball. …
And that was that, I had my story • how about a game of pétanque •
thank you Sofie for being my perfect model that warm and sunny day.
thanks for watching!
Some of you may or may not know the series of children’s illustrated books about the life of tiny (no caps), a little girl going trough all kinds of adventures, domestic or somewhere in a near/far garden.
It was very popular at the time I was a kid, and very beautifully illustrated. Titles were very varied but always started with the name tiny, check out the titles below on the www and you’ll see what I’m talking about. They were largely translated and distributed worldwide.
tiny op de boerderij (tiny on the farm)
tiny vindt een poes (tiny finds a kitty)
tiny doet aan sport (tiny does sports)
tiny viert feest (tiny has a party)
and that inspired me to do my own series of images, with a girl named Lily (Lilith actually, but to make the story complete I call her Lily) In my stories Lily is not the overly enthusiast girl from the original series but a ‘nothing ever happens here’ version of her, sometimes showing boredom or unhappiness. I made this series during the summer workshop week in August 2019, Lilith stayed overnight and we had an hour left before the participants would show up. I used the Rolleiflex TLR to make these shots. Enjoy!
• Lily cleans the workshop •
• Lily goes cycling •
• Lily feeds the chickens •
• Lily gets firewood •
• Lily plays ping-pong •
• Lily makes firewood •
• Lily helps the plasterers •
• Lily gives water to the vegetables •
hope you enjoyed viewing this little fun series as much as we did making it, and sorry for not cleaning the dust speckles.
thanks to Lilith Etch for being my ‘stand-in tiny’
see you soon,
thanks for visiting,
some images from last summer.
all taken with the Rolleiflex 3.5 TLR on Ilford film (FP4 and HP5plus)
• too hot for Uber •
• Split interests •
• Follow the guide •
• The Hoop •
• Are we lost? •
• A goodbye moment •
• The gang •
• Tagging on command •
Soon I will post some images of Paris in colour, taken on Kodak Portra 160, a première in my film-photography career! Stay tuned.
Thanks for watching,
I have been neglecting my blog a little lately. I have had some print orders to take care of after the exhibit in August, and I have been busy getting some footage done for my youtube channel. Next to that, It’s been a busy couple of months at the institute where I teach, and it will still be so in the near future too.
I have collected some images from 2019 that I have not shown you yet, and that might be forgotten if I don’t do it soon. Hidden gems from the recent past, so to say.
Thank you for watching, and remember, all images are available as a fine art print!
Another set will be released next Sunday, put your alarm or subscribe to my post so you don’t miss it!
Shot from above the cliffs, somewhere in Exmoor National Park, UK. Note how you can see not only the gentle waves coming up on the coast but also the light breeze softly caressing the top of the waves.
I was on a campsite near Lynton discussing the Brexit, now more than a year ago. The person I was talking to called them fools. Nobody knows what’s gonna happen if the UK leaves the European community, all protagonists are playing high games, and the people will suffer the most of it. … It was an agitated discussion, …
The next day I went for an all-day walk. I was able to empty my mind and enjoy the fresh breeze at the coast. Europe was suffering from another heatwave, but here temperatures were moderate and bearable. Even in the climate matter the British Isles differ from the mainland.
• Peace of mind •
I was with my family in the French Ardennes during the Christmas holidays in 2018.
The weather had been grey and misty all day, and this is typically the weather you’ll be after for intimate landscape photography, so I love to stroll around on my own on these days.
This old, gnarled, crooked apple tree must have been here for decades. He probably felt how the village got deserted over the years, and there’s only a couple of families left here. But you won’t hear him complain, he silently carries the passing time, bent forward, he patiently submits to the rhythm of the seasons passing along.
Who knows how many years already, who knows how many years to come.
• Silent witness •
You’ve seen the first image with Julia a couple of weeks ago. The process of selecting and fine-tuning the images often is slow, but in this case, it took me even longer, since I had to finish all evaluations for my evening class students. All is done now, and vacation has officially started. A good moment to show you the first series from this collaboration.
• In bed with Julia •
What I often seek in models, is the ability to give me a natural, relaxed look. Julia is perfectly able to do so. And of course, she is stunningly beautiful! I’ve enjoyed this afternoon in Brussels a lot, and I hope the images give you an idea of the atmosphere and get you in a similar mood.
thanks for passing by, I hope to see you soon again!
I have a huge problem, literally huge …
a have recuperated two prints from a previous exhibit that I can’t store, so they go for sale. Only one of each available.
100×150 cm (approx 50×75″) fine art archival print,
10 cm white edge (within the 100x150cm size)
the back has a mounting pad on top, a weight pad on the bottom, so the print can hang as is, though it has no protection.
to give you an idea of the size of the prints, you can see them here in the exhibit, first shot left and right, second shot left image: (requires Facebook account) https://www.facebook.com/zinkae/videos/402924687154651/?v=402924687154651
if you are interested, or if you want to know about pricing/framing options, please contact me: ludwig-at-ludwigdesmet.com
I have never met her before, except on the internet. She’s all around the internet, google her and you’ll know what I mean: Julia Yaroshenko.
We worked together a couple of weeks ago, I rent an Airbnb in Brussels and we did an afternoon session. A first image as a little preview.
This weekend I’m giving the first two of my workshops, about working with available light in portrait/boudoir/art-nude photography. The above portrait was created in a small bedroom with only one window. Not everything is possible, but a lot can be done with a little creativity and bounced light. If you’re interested, there are still two spots available for next Saturday (01/06), tomorrows workshop is fully booked.
a long time ago I made some studio setup diagrams for this blog, … time to make a new one. First the image, it dates from a while ago, last fall I invited two friends to do some studio work. I rarely use my studio equipment for light, but in winter times it can be handy to have an alternative to available light sometimes.
I wanted Steven to get some sort of gangster look, cool looking, hood, sunglasses …
I wanted a soft light and deep shadows under the hood, so I went for some sort of symmetrical light setup, using two studio flashes with 60x60cm softboxes, and two large reflector panels to even enlarge the light source.
it was only a matter of finding the good ‘depth’ position of the model, to create just enough light on the face, and keep the light only on the front.
another one without the hood:
thanks for watching, come again soon,
5 minutes past 2
Shot in a beautiful house somewhere in Belgium.
Model: Sahri Nimi model
Camera: Rolleiflex tlr 3.5
Film: Ilford HP5 plus 400 – developed in Ilfotech LC29
and a couple of minutes earlier it was exactly 2 O’clock and the behind the scene’s cameraman was looking at what I was about to be doing 😉
sorry it took me so long to post again, I have been working on a lot of different things lately, and I’m having my first ‘available light’ workshop in about a week now, so things have been busy.
see you again soon, I have some wonderful images on the shelf.
or at least I often think about quitting …
… because when I think about all the costs I have been making – for photography gear, for exhibition prints, for locations, models, make-up artists – then I must realize that it does not generate any money, quite the contrary.
Then I sit down, try gathering all my courage for the next shoot, try to find a good location, a model, a make up artist, find a moment that fits for everybody involved, phone calls, emails, messenger … and then after the shoot I get home, more or less exhausted. But then when scrolling trough hundreds of images from that day, I see that again we could make some beautiful shots and I think, ‘come on, just hang on a little longer, things will turn out ok one day’ …
thanks to Sahri Nimi Modelpage for being my model once again, thanks Isabelle Eeckhout for making her look gorgeous again, thank you Vergucht Franswa for joining us for making a reportage about me during this shoot, and a big thank you to the family that opened their fabulous house for me as if it were my house. And last but not least, thank you to my wife, who has even more patience with me than I have myself, that even pushes me harder than I could do so myself, and that still believes 200% in what I do.
• Bath with a view •
Hi, it’s been a while since my last post, I think this one will make it worth the wait.
• MUST READ •
you probably have noticed I worked together with Charisse a lot last year, I would like to show you some pictures from our first collaboration to our last one, as some sort of a tribute to this young woman, that in front of my lens, evolved from a shy and uncertain person, to a very self-aware and confident model.
We met at an exhibition in Damme, Belgium, she seemed interested in my work. She flipped trough my book ‘Women’ and showed even greater interest after that. We agreed to keep in touch.
First shoot together, June 20, 2016. We met at Godshuis in Sint-Laureins, Belgium, and we shot a couple of rolls of 120 film, and a digital session. She was very shy at the moment, and there were too many people running around at the Godshuis, so we moved outdoors for the rest of the day.
Second shoot together, she came to my place, I have an old, small confectioners workshop in my garden, and we did an afternoon session there. She showed more courage and confidence already. She hurt her leg while smashing the radiators with a big sledgehammer. April 5, 2017.
Third time around, I still had to get my ways around the studio, and we worked there for the first time. It was a very fruitful day, with an apple as desert 🙂 Charisse had changed, she had become very much aware of her female figure, and the sensuality in her poses was suddenly obvious. Februari 22, 2018.
Shortly after that we met again, for a shoot in the castle I’m able to use as a location if I want to, here we shot ‘the beauty and the beast’, ‘the great great granddaughter’, and a lot more beautiful images. We are march 23d, 2018
5th shoot together, a hot summer day last year, and not really arranged long before, I just called to find out if she was available, and ready for an experiment, and a day later she took the train to Ronse again. Shot in my garden workshop, and outdoors. ‘when things get messy’ and ‘statue’ … July 3d, 2018.
And hopefully not the last collaboration, and certainly not the least, again in the studio on October 30th, 2018. Long time since I used flash light, so let’s get up-to speed again with some different settings. Charisse is always ready for some new things, she is physically limited due to a muscle disease, but she has never let me down in her efforts of making every shoot successful and worthwhile, she understands what I want to achieve as a result, but she’s not afraid of giving input if she things it would make images even better,
Thank you Charisse, it is a pleasure working with you! I might do a book on you some day!
Some images you might have seen before, but I tried to show you some previously unpublished pictures too, as from a session there’s always a lot of material, so I cannot publish all, sometimes I forget about a series, sometimes when I review, new ‘keeper’s get my attention …
thanks for reading, maybe you might consider buying a large print from any of these? …
She can be found on facebook now as Sahri Nimi – https://www.facebook.com/sahrinimi/