Another series of images I did with Riona Neve last summer, the one and only model shoot I did this summer, in between two periods of lockdown there was not much time and I was very busy finishing off the studio room …
We had this beautiful modern house with swimming pool at our disposal for the afternoon, and started with some classy images with long black pants and a black blazer, paired with the inevitable sunglasses of course.
I have finally decided to create a studio space in an old factory building that is situated in my own garden. The building is not really in good shape, but it is more or less weather-proof and this should be enough to keep me running for the next couple of years.
What I did: Within the volume of the first floor (approximately 8 x 12 meters) I created a smaller volume, approx 4.5 x 8 meters that I have completely ‘re-finished’. I got rid of the roller shutters in the windows, I re-plastered the brick walls with natural clay, I put up a new wall in timber structure and re-painted the whole thing. I just finished a large double barn door this week. This ensures the poly-valence of the space. In case I need to bring in large items, that’s perfectly possible.
I wanted to keep the space as simple as possible, and I divided the long side in two halves, a dark side and a bright side. The dark side is handy if you want to have full control over your light, with virtually no light spill off the walls/ceiling. The bright half is interesting whenever you are looking for fill light on your subject.
There’s still a lot to be done, but last week I could do a first shoot in this new space, and I’m very glad my client Sofie has approved to use some of the images in this blog post. The session took about 3 hours and I’m sure you’ll be as impressed with these results as I was. Sofie never posed before, she’s a natural! Thank you Sofie for your enthusiasm and your confidence!
Some of the images were taken with studio light (studio flash) and others were taken with available light only. All were taken with the help of ambient music 🙂
First a series with a single flash head, standard reflector with 20° grid aimed at a white wall. The grid limits the width of the light beam and creates a nice falloff on the wall. It creates a rather hard shadow. The flash light overrules any available light there might be in the space.
I found them to be very fashionable.
We continued with the same setup, single flash but I’m using another wall as background.
Below the white wall reacts as a perfect reflector for the models face. The shadow gets harder the closer the model comes to the wall.
As I have a dark side and a white side, I have one sharp black/white edge. I used a styrofoam board as a second white surface behind the model. Single flash with 100 cm octa softbox.
From the garden shed I recovered this old work bench, cleaned it up and it will now serve a second life as studio prop. Full of character, a ton of possibilities and well contrasting with the female curves. Two flash heads left and right, small square softbox 66 cm each. By removing the subject from the back wall I can keep the background perfectly black.
Another setting at the dark side, a single softbox slightly higher than the model, model laying down on a black trunk. Using the light as a feather light over the body. Styrofoam panels on the opposite site give just a hint of volume in the shadow areas.
And then at last, over to the bright side again, using available light only, and with the help of the white wall for fill light I get a beautiful overall light.
And last but not least, did we have fun? Yes, of course, we had a lot of fun.
Sofie wrote me in a message afterwards ‘Ludwig, thank you for making this such a wonderful experience … ‘ . Well, I guess that’s what this is all about. Making women feel great about their body, giving them the space they need to build self-confidence and then, as a privileged witness capture this beautiful moment in images.
Thank you for reading this blog post, If you are a photographer and interested in building your own space, I hope you’ve learnt something. If you are thinking about booking a shoot session yourself but you are not really sure what to expect, here you have it. In an afternoon’s time, you can have yourself depicted in beautiful, sensual, intimate images and never forget that moment!
On the carved wood box:
and a bonus image because you took the effort to come look on this page
when I met Julia in Brussels, the weather was really dull, but I shot some film images anyway. Dull weather is technically less challenging than the harsh sun, at least if there is sufficient light. I had no excess light but could manage to shoot the film at box speed, with the widest aperture of the Rolleiflex, f/3.5 … rather tricky on the focussing, but some of the images came out really well. Hope you like them. Shot on Ilford HP5 Plus
Julia Yaroshenko on the balcony, in the series of hidden gems 2019
thank you for watching and be sure to check out this blog next week, I might have more interesting images coming up
I have been neglecting my blog a little lately. I have had some print orders to take care of after the exhibit in August, and I have been busy getting some footage done for my youtube channel. Next to that, It’s been a busy couple of months at the institute where I teach, and it will still be so in the near future too.
I have collected some images from 2019 that I have not shown you yet, and that might be forgotten if I don’t do it soon. Hidden gems from the recent past, so to say.
Thank you for watching, and remember, all images are available as a fine art print!
Another set will be released next Sunday, put your alarm or subscribe to my post so you don’t miss it!
I have been away for a long time, I know, …
I have been rather busy at school lately and this will probably continue for some more time, since we are working on a project for distant learning that starts September 2020.
I still managed to make a short behind the scene’s movie from some clay sessions I did last summer. I had taken some footage on one of the shoots, and have made a short intro and wrapup video last Friday, to make it a complete movie.
You can see the movie here or on Youtube, where you can immediately subscribe to my channel:
Some final images of the sessions I did here below:
Really fun to do, it makes models ageless at the spot, and also quite anonymous, and sometimes even Facebook accepts this kind of nudity.
thanks for reading!
As a registered 18+ Youtube user you can see the video on my Youtube channel, but for your convenience I’ll put it here trough Vimeo:
It was a fun day, I didn’t really adapt my shooting to the cameraman, but still, there was some influence at least. I’m quite pleased with the results of this day, look for yourself, you’ll probably recognise some of the scenes from the video. The film shots are black framed.
Shot on film: (Rolleiflex Tlr 3.5 Planar on Ilford Film)
and then one more, as a tribute to the cameraman Franswa. You can see me make this shot at 4.52 in the film!!
thanks for looking, If you want to make sure to see everything I publish, you might consider subscribing to my blog. You can do this on the bottom of the welcome page, click the + sign.
You’ve seen the first image with Julia a couple of weeks ago. The process of selecting and fine-tuning the images often is slow, but in this case, it took me even longer, since I had to finish all evaluations for my evening class students. All is done now, and vacation has officially started. A good moment to show you the first series from this collaboration.
• In bed with Julia •
What I often seek in models, is the ability to give me a natural, relaxed look. Julia is perfectly able to do so. And of course, she is stunningly beautiful! I’ve enjoyed this afternoon in Brussels a lot, and I hope the images give you an idea of the atmosphere and get you in a similar mood.
thanks for passing by, I hope to see you soon again!
5 minutes past 2
Shot in a beautiful house somewhere in Belgium.
Model: Sahri Nimi model
Camera: Rolleiflex tlr 3.5
Film: Ilford HP5 plus 400 – developed in Ilfotech LC29
and a couple of minutes earlier it was exactly 2 O’clock and the behind the scene’s cameraman was looking at what I was about to be doing 😉
sorry it took me so long to post again, I have been working on a lot of different things lately, and I’m having my first ‘available light’ workshop in about a week now, so things have been busy.
see you again soon, I have some wonderful images on the shelf.
still working on my workshop program for this summer, and I have the honor to announce an exclusive Art-Nude 4 day workshop on a unique location:
Together with 2 professional models, I will guide you through the entire process of doing art-nude photography. From the location scouting, over measuring light, viewing your composition, working with and guiding models up to images selection and post-processing. A condensed all-in-one workshop for the enthusiast photographer.
Who is this workshop meant for: You are an enthusiast hobbyist and you are looking to upgrade your skills. You like to work with people in your photography, and you enjoy the female subject. You always wanted to try sensual art-nude in your photography but never found a way to get started. You want to taste the privilege of working with professional models, under controlled and safe circumstances. You fancy a nice castle and park as a shooting environment and you prefer the looks of natural light. If your answer is yes to the majority of these allegations, then this is meant for YOU!
What will be the setting? The setting will be a splendid privately owned castle near Tournai (Belgium) with surrounding green areas and annex buildings. The entire location (except a small private area in the castle) is available for shooting. An ideal place to work at ease and enjoy a vast amount of photography possibilities. Study the light and work with models. Talking about models, I will have 2 professional art-nude models present for three days. (one extra model may be added if the number of participants exceeds 5. They are easy to work with and know a lot about posing, if you are not so familiar with that part, they will guide you. The number of photographers is kept very limited, to allow every photographer individual time with the models.
If you are interested in this workshop or one of the other workshops: CLICK HERE
hi there, (Nederlandse tekst hieronder)
thanks for being still here, after my little rant in the previous post. …
I have the honour to announce a first-ever event in my photography career: I will give tuition in three one-day workshops this spring/summer, about working with available light only, and in the different subjects I tackle: Glamour portraits, ladies in fine lingerie, art-nude photographs.
Who are these workshops meant for: You are an enthusiast hobbyist and you are looking to upgrade your skills. You like to work with people in your photography, and you enjoy the female subject. You always wanted to try the nude in your photography but never found a way to get started. You prefer the look of natural light or you are not able and not willing to invest in a complete studio, and you want to learn more about working with available light only, then these are meant for YOU!
What will be the setting? The setting will be my own studio and annex rooms. I occupy a studio space in Ronse (Belgium) and this studio is part of a larger complex containing all empty rooms. An ideal place to study the light and work at ease with models. Talking about models, I will have 2 professional models present at each workshop. They are easy to work with and know a lot about posing, if you are not so familiar with that part, they will guide you. The number of photographers is kept very limited, to allow every photographer individual time with the models.
If you are interested in one or more workshops: CLICK HERE
Bedankt om hier nog te komen zien na mijn korte klaagzang in de vorige post. …
Ik heb de eer en het genoegen u in première mijn zomer-workshop programma voor te stellen: Drie ééndaagse workshops rond het werken met beschikbaar licht, opgedeeld in de drie onderwerpen die ik zelf in mijn fotografie heb: Glamour portretten, vrouwen in fijne lingerie, en kunstig naakt.
Voor wie zijn deze workshops bedoeld? Je bent een enthousiaste hobbyist en je wil graag je kennis bijspijkeren. Je hebt altijd al zin gehad om eens met naaktfotografie aan de slag te gaan, maar nooit echt de stap durven zetten om te starten. Je houdt er van om mensen te fotograferen, en je hebt een bijzondere voorkeur voor dames voor je lens. Je verkiest het om met natuurlijk licht te werken, of je bent niet in de mogelijkheid om een complete studio in te richten, dus wil je het maximum halen uit werken met aanwezig licht. Dan is deze workshop voor JOU bedoeld!
Hoe ziet de setting van de workshop er uit? De workshop gaat door in m’n eigen studio in Ronse. Hierin bekijken we wat verschillende setups, de manier van licht meten, hoe omgaan met je model, enzovoort, … na de middag is een groter deel van het gebouw beschikbaar om op zoek te gaan naar ideaal licht, waar je de modellen kan fotograferen. Over modellen gesproken, voor elke workshop zullen 2 professionele modellen aanwezig zijn, die zelf heel goed weten hoe ze horen te poseren. Dus als jij met dit deel niet echt vertrouwd bent, zij helpen je er wel door. Het aantal deelnemers is heel beperkt gehouden om elke fotograaf individuele tijd te geven met elk model.
Als je interesse hebt in het volgen van één of meer workshops, KLIK DAN HIER
or at least I often think about quitting …
… because when I think about all the costs I have been making – for photography gear, for exhibition prints, for locations, models, make-up artists – then I must realize that it does not generate any money, quite the contrary.
Then I sit down, try gathering all my courage for the next shoot, try to find a good location, a model, a make up artist, find a moment that fits for everybody involved, phone calls, emails, messenger … and then after the shoot I get home, more or less exhausted. But then when scrolling trough hundreds of images from that day, I see that again we could make some beautiful shots and I think, ‘come on, just hang on a little longer, things will turn out ok one day’ …
thanks to Sahri Nimi Modelpage for being my model once again, thanks Isabelle Eeckhout for making her look gorgeous again, thank you Vergucht Franswa for joining us for making a reportage about me during this shoot, and a big thank you to the family that opened their fabulous house for me as if it were my house. And last but not least, thank you to my wife, who has even more patience with me than I have myself, that even pushes me harder than I could do so myself, and that still believes 200% in what I do.
• Bath with a view •
Hi, it’s been a while since my last post, I think this one will make it worth the wait.
• MUST READ •
you probably have noticed I worked together with Charisse a lot last year, I would like to show you some pictures from our first collaboration to our last one, as some sort of a tribute to this young woman, that in front of my lens, evolved from a shy and uncertain person, to a very self-aware and confident model.
I asked her yesterday to write down in her own words about our cooperations, and she did, Italic words is her writing.
We met at an exhibition in Damme, Belgium, she seemed interested in my work. She flipped trough my book ‘Women’ and showed even greater interest after that. We agreed to keep in touch.
Ludwig and I met on an exhibit in Damme, May 2016. He gave me a business card so that I could contact him if I would be interested in working with him. At that time I was an insecure model with limited experience, but the pictures he was exposing and the atmosphere they contained were very into my liking.
First shoot together, June 20, 2016. We met at Godshuis in Sint-Laureins, Belgium, and we shot a couple of rolls of 120 film, and a digital session. She was very shy at the moment, and there were too many people running around at the Godshuis, so we moved outdoors for the rest of the day.
Not much later, we agreed on doing a photoshoot at Godshuis in Sint-Laureins. He arranged a MUA because I wasn’t skilled in make up back then. I felt pretty nervous but he immediately put me at ease during my posing. He was very tranquil, careful, polite and made me adjust my poses in a very respectful way. He never made me do anything I wasn’t comfortable with. So it became pretty easy to feel comfortable and my confidence was slightly growing. This first shoot resulted in pretty images and we were both feeling content.
Second shoot together, she came to my place, I have an old, small confectioners workshop in my garden, and we did an afternoon session there. She showed more courage and confidence already. She hurt her leg while smashing the radiators with a big sledgehammer. April 5, 2017.
The year after that, we agreed on shooting a second time, this time in his “studio in progress” in Ronse at his place. Great, because no potential peeping toms. We started working in a similar theme like the first shoot, but after a while he asked me if I wanted to help him smash the studio. I got to put dirt on my face and Ludwig handed me a sledge hammer that was almost my own height in size. “Knock yourself out”, he said. So I smashed the huge radiator with it, resulting in a bruise and scratch on my leg. Ludwig was taking pictures of me doing so, on a safe distance. The images were very cool and tough looking, something a lot different than the romantic, elegant moods we worked on first. It felt good to work on different themes.
Third time around, I still had to get my ways around the studio, and we worked there for the first time. It was a very fruitful day, with an apple as desert 🙂 Charisse had changed, she had become very much aware of her female figure, and the sensuality in her poses was suddenly obvious. Februari 22, 2018.
Another year later, in February 2018, we decided to do a shoot once more, in his new studio. This time he asked me what I wanted to do, and I felt like taking the next step. Something more sensual, maybe even a little erotic. In the 2 months before that, I had the chance to express that side of me in poses and expressions, because I had worked with another photographer intensively. Now I wanted to do something with it in Ludwig’s style. Grown strongly and without any obligations coming from Ludwig, I got in an endless flow of poses, and he just let me work by myself, he let me be myself. It all resulted in an awfully long day for the both of us. Exhausted but extremely happy about the resulting images, we agreed upon working together a lot more in the future. Those mutual satisfied feelings gave me an enormous boost.
Shortly after that we met again, for a shoot in the castle I’m able to use as a location if I want to, here we shot ‘the beauty and the beast’, ‘the great great granddaughter’, and a lot more beautiful images. We are march 23d, 2018
Only 2 months after that, we got together again to shoot, this time in a beautiful little castle in Tournai. The shoot went like all previous shoots, except now we started to understand each other more and communicating got even better. It got easier to get into eachother’s minds and create images fitting in a certain theme.
5th shoot together, a hot summer day last year, and not really arranged long before, I just called to find out if she was available, and ready for an experiment, and a day later she took the train to Ronse again. Shot in my garden workshop, and outdoors. ‘when things get messy’ and ‘statue’ … July 3d, 2018.
After that shoot we had another shoot on a hot summer dat where we experimented with some leftover clay he had in his garage. The shoot contained the preparation (me mixing the clay powder with water in a big pot, with my bare hands), the execution (me rubbing the mixture all over my body, including my face, neck and hair) and the result (the drying of the clay on my body while I was sitting still on a big cube). The whole process was a lot of fun to do, getting all dirty and feeling like a child. Again, Ludwig made beautiful images of it. Afterwards I first got a cold shower from the garden hose and then I could take a warm shower.
And hopefully not the last collaboration, and certainly not the least, again in the studio on October 30th, 2018. Long time since I used flash light, so let’s get up-to speed again with some different settings. Charisse is always ready for some new things, she is physically limited due to a muscle disease, but she has never let me down in her efforts of making every shoot successful and worthwhile, she understands what I want to achieve as a result, but she’s not afraid of giving input if she things it would make images even better,
After that we had another shoot in the studio on a cold and rainy day, working on images based on the work of Andreas Bitesnich, but also a heavy make up and water combination theme. That’s what I like about the collaborations I’m having with Ludwig: the exchange and being open towards each other’s ideas, always trying new things in a style we both like, but especially the mutual trust we built in these past few years.
We have a very good relation with each other, but the professional level we work in stays very well maintained. In the mean time I got to know a lot of photographers with whom I got to work together as well, but Ludwig stays an absolute favourite to me. Because of his professional attitude, easy personality, and the endless respect he has towards his models and their limits and conditions.
Thank you very much Ludwig, for this amazing journey. I’m looking forward to keep working with you in the future.
Thank you Charisse, it is a pleasure working with you! I might do a book on you some day!
Some images you might have seen before, but I tried to show you some previously unpublished pictures too, as from a session there’s always a lot of material, so I cannot publish all, sometimes I forget about a series, sometimes when I review, new ‘keeper’s get my attention …
thanks for reading, maybe you might consider buying a large print from any of these? …
She can be found on facebook now as Sahri Nimi – https://www.facebook.com/sahrinimi/
not safe for work, except of course if you work in an open-minded place, which I hope everyone does. A little edgy maybe, glossy and slippery, these nudes I did with Sara Scarlet.
I’m enjoying the studio in these cold winter days. Shooting outdoors is not really handy now, especially if you want to do glamour or nude work … I put up the heating a little higher in the studio, and I can work at ease, without my model turning blue … so the blue you see here is purely a post-processing effect.
• Slippery •
and he left me with some nice images.
I love walking the boundaries of erotica and art, I’m not sure how and where the limits are, but I kind of like these images. For me they are erotic, artsy, tasteful, beautiful. It’s winter in Belgium, and the weather forces me to work in the studio more than I would like, but this session boosted my confidence in the studio a lot. Some things could have gone better, I should have paid more attention to my light levels overall, but the division of light and the addition of water and the poses and the model worked out all very well. Working in the studio is a completely different game than working with available light outdoors, it has other challenges, it needs a totally different approach. I used a couple of different light setups, all based on minimal lighting, creating only highlights on the models body. I was inspired by the nude work from Andreas Bitesnich, and wanted to experiment within his style. I especially love the way he works with highlights accentuating the body shapes, and I was not really able to recreate what he did, but then I didn’t really care, since I created something new 🙂
Thanks to my great model, Charisse again 🙂 small and pretty, she never thought she could become a model due to her size, but is making her way trough faster than she could imagine I guess.
Thank you for visiting, I will soon have my own Patreon page, where you will be able to financially support my work! You will be able to choose between a set of tiers that I’m sure will please any of tastes. Be it just supporters, apprentice photographers, or collectors of art-nude!
Please don’t hesitate to leave a comment!