… to break up monotony of everyday’s scheme …
Lilith Etch in Brussels,
Shot on my 1958 Rolleiflex TLR with Kodak TMax100
you are welcome to comment, see you again soon,
Travelling art-nude models mostly rent very small rooms, to make their travelling as cheap as possible. Shooting in their room is most often not an option. This one was different. Some other photographer booked her a spacious and very well lit room in the centre of Brussels, and for some reason he only booked the model for a very short period of time, so she had a couple of days available for other photographers. A bit of a last minute arrangement and I was of to Brussels. The room had a line of windows facing south/west, and every widow had its own curtains. A perfect spot for a shoot.
It’s a tedious process, developing, scanning, retouching the dust …
… but when the results are good, it’s all worthwhile. From a shoot I did in the beginning of june, taken with the Rolleiflex, on Ilford HP5 plus film (ISO400).
from a while ago,
I shot with Vita Goncharuk in a public park near Brussels earlier this year. I was a bit worried about not having a location with full and agreed access, so we shot outside. The park is open to the public, and you might wonder if there are no risks of being caught. There is actually not really a problem as long as you are not shooting porn or really shocking the eventual witnesses. If you get caught by the owner of the place, you might get expelled from the premises, but they can’t file a complaint unless they can prove you did harm to their person/business/property.
Some people have been asking about public wandering around. First of all, get this agreed upon with your model. Most professional models don’t care much, some don’t like it. Vita didn’t mind at all. When somebody shows more interest than normal, I just go to them an say hello. I do a little chit-chat and then I give them one of my business cards and mostly they disappear after that, or they take some more (comfortable) distance. Some even send me an email about my website or my work afterwards. I even had one person sending me some behind the scenes images. (with Erika in Brussels)
The weather was splendid, the camera did very well, All shot on Ilford film, with the Rolleiflex TLR camera. I love the look of film, it gives a soft, rich tonality and it has some imperfections that are creating a romantic atmosphere. It has a natural grain, that adds to the softness of the images. The medium format (6x6cm) camera has a great shallow depth of field, (hard to focus though) and enough detail in the negatives for really big enlargements. It can’t beat the current 50Mpx camera’s, but its very close. I also love the time-span between shooting the images and having the developed film ready for scanning. The fact that you do not see results is a benefit for working slowly. When shooting digital, I get a little overwhelmed by the immediate results, which stresses me to shoot more and more and more. When shooting analog, I thing about every image, about light, about framing, about what to leave out of the frame and what to get into it, about pose, about a possible story, … I feel that I do not take the same amount of time when shooting digital. You shoot far less images when shooting film, but you get as many good ones than when shooting hundreds of digital images. … I experience a great feeling of joy when seeing the images on the developed film for the first time. They are a physical result, they have a more ‘real’ presence in my opinion than digital files. Film is not dead, at least not for me, and I’m sure for a lot of people with me. 🙂
I have about ten more films that just have been developed, but need scanning and retouching … come back again soon,
from the same series as ‘Cyperus Papyrus’ with Kate_Ri as a model.
• Rainforest Girl •
I started experimenting with painted edges, I think I like the result in combination with this image in a ‘wild’ environment. I posted this image to FB with the question to like it, in order to support a ‘natural behaviour towards simple nudity’, … I’m still having a problem with the hypocrite attitude of ‘general society’ towards nudity, where facebook will not stand posting nudity of any kind, where I see that cases of abuse and incest are daily matter in the psychotherapist practise of my wife, where porn industry has never ceased to increase, but where a bare nipple is subject to scandal … I still don’t get it, at least I hope YOU like the image.
1/60s f2.0 ISO800 Canon 5Ds with Sigma 50m f1.4
thank you for watching, for following, for your support
one more before Christmas …
a tribute to feminine beauty, to art, to nature
• my body my double •
See you next week with an overview of my year in photography, some numbers and memories from 2016. Happy Christmas everybody and take care!
image details: Canon 5Ds with Canon 17-40mm f4 – 1/50s f4.0 ISO200
shot on location in the Brussels area, model and make up: Kate Ri
I cannot prevent this happy feeling coming back when I start thinking about this session.
We were all in a great mood, the weather was excellent (remember, way too hot today) and Erika was more than happy playing the roles I gave her. I asked her to be the lazy tourist in our Brussels most upscale shopping lane, the Avenue Louise.
Nathalie managed to fix a taxi driver willing to cooperate for some nice shots too.
All images shot on Rolleiflex 3.5, Kodak T-Max100
Thanks to Erika Albonetti for being my model, her manager for carrying all the stuff she had, my wife Nathalie for being a splendid assistant and hairdresser …
Remember, all my images are available as a fine art print, so if you are still looking for a lasting present for Christmas or New Year, don’t look any further, scroll trough my blog, take a look at my portfolio pages and take your pick!
Hey Taxi ! …
thank you for watching,
see you again soon,
I shot this entire day with my 60 year old Rolleiflex camera. Kind of stressy and awkward feeling to get home with nothing but some rolls of film. … I only found out in the evening that I didn’t even have a memory card in my digital camera. … I must have had some kind of enlightenment when I decided in the morning to go ‘all analog’ that day.