I have never met her before, except on the internet. She’s all around the internet, google her and you’ll know what I mean: Julia Yaroshenko.
We worked together a couple of weeks ago, I rent an Airbnb in Brussels and we did an afternoon session. A first image as a little preview.
This weekend I’m giving the first two of my workshops, about working with available light in portrait/boudoir/art-nude photography. The above portrait was created in a small bedroom with only one window. Not everything is possible, but a lot can be done with a little creativity and bounced light. If you’re interested, there are still two spots available for next Saturday (01/06), tomorrows workshop is fully booked.
still working on my workshop program for this summer, and I have the honor to announce an exclusive Art-Nude 4 day workshop on a unique location:
Together with 2 professional models, I will guide you through the entire process of doing art-nude photography. From the location scouting, over measuring light, viewing your composition, working with and guiding models up to images selection and post-processing. A condensed all-in-one workshop for the enthusiast photographer.
Who is this workshop meant for: You are an enthusiast hobbyist and you are looking to upgrade your skills. You like to work with people in your photography, and you enjoy the female subject. You always wanted to try sensual art-nude in your photography but never found a way to get started. You want to taste the privilege of working with professional models, under controlled and safe circumstances. You fancy a nice castle and park as a shooting environment and you prefer the looks of natural light. If your answer is yes to the majority of these allegations, then this is meant for YOU!
What will be the setting? The setting will be a splendid privately owned castle near Tournai (Belgium) with surrounding green areas and annex buildings. The entire location (except a small private area in the castle) is available for shooting. An ideal place to work at ease and enjoy a vast amount of photography possibilities. Study the light and work with models. Talking about models, I will have 2 professional art-nude models present for three days. (one extra model may be added if the number of participants exceeds 5. They are easy to work with and know a lot about posing, if you are not so familiar with that part, they will guide you. The number of photographers is kept very limited, to allow every photographer individual time with the models.
If you are interested in this workshop or one of the other workshops: CLICK HERE
hi there, (Nederlandse tekst hieronder)
thanks for being still here, after my little rant in the previous post. …
I have the honour to announce a first-ever event in my photography career: I will give tuition in three one-day workshops this spring/summer, about working with available light only, and in the different subjects I tackle: Glamour portraits, ladies in fine lingerie, art-nude photographs.
Who are these workshops meant for: You are an enthusiast hobbyist and you are looking to upgrade your skills. You like to work with people in your photography, and you enjoy the female subject. You always wanted to try the nude in your photography but never found a way to get started. You prefer the look of natural light or you are not able and not willing to invest in a complete studio, and you want to learn more about working with available light only, then these are meant for YOU!
What will be the setting? The setting will be my own studio and annex rooms. I occupy a studio space in Ronse (Belgium) and this studio is part of a larger complex containing all empty rooms. An ideal place to study the light and work at ease with models. Talking about models, I will have 2 professional models present at each workshop. They are easy to work with and know a lot about posing, if you are not so familiar with that part, they will guide you. The number of photographers is kept very limited, to allow every photographer individual time with the models.
If you are interested in one or more workshops: CLICK HERE
Bedankt om hier nog te komen zien na mijn korte klaagzang in de vorige post. …
Ik heb de eer en het genoegen u in première mijn zomer-workshop programma voor te stellen: Drie ééndaagse workshops rond het werken met beschikbaar licht, opgedeeld in de drie onderwerpen die ik zelf in mijn fotografie heb: Glamour portretten, vrouwen in fijne lingerie, en kunstig naakt.
Voor wie zijn deze workshops bedoeld? Je bent een enthousiaste hobbyist en je wil graag je kennis bijspijkeren. Je hebt altijd al zin gehad om eens met naaktfotografie aan de slag te gaan, maar nooit echt de stap durven zetten om te starten. Je houdt er van om mensen te fotograferen, en je hebt een bijzondere voorkeur voor dames voor je lens. Je verkiest het om met natuurlijk licht te werken, of je bent niet in de mogelijkheid om een complete studio in te richten, dus wil je het maximum halen uit werken met aanwezig licht. Dan is deze workshop voor JOU bedoeld!
Hoe ziet de setting van de workshop er uit? De workshop gaat door in m’n eigen studio in Ronse. Hierin bekijken we wat verschillende setups, de manier van licht meten, hoe omgaan met je model, enzovoort, … na de middag is een groter deel van het gebouw beschikbaar om op zoek te gaan naar ideaal licht, waar je de modellen kan fotograferen. Over modellen gesproken, voor elke workshop zullen 2 professionele modellen aanwezig zijn, die zelf heel goed weten hoe ze horen te poseren. Dus als jij met dit deel niet echt vertrouwd bent, zij helpen je er wel door. Het aantal deelnemers is heel beperkt gehouden om elke fotograaf individuele tijd te geven met elk model.
Als je interesse hebt in het volgen van één of meer workshops, KLIK DAN HIER
… and then she started wondering, why she didn’t get these letters he promised to send her. Was he killed in battle? Had he forgotten about her, or probably he couldn’t find the time to write to her. These questions filled her with doubt and restlessness, even more because she was unable to reach to him …
Shot on a one-to-one workshop with Sacha Leyendecker in his available light studio.
Model and make up: Rubia Stri
Photography: me for sure.
shot on canon 5Ds with Sigma 50mm f1.4 DG A
settings for the main image: 1/80s f2.0 at ISO800
and then especially for Valentine’s day, complete series:
What I’ve learnt from the workshop:
Don’t be afraid to shoot at higher ISO settings if you need to to keep your shutter speeds safe. Play with light to create volume and atmosphere. Get some music into your studio to set a good mood. Create visual triangles in your images for dynamic compositions. Use props to create a setting and invite the viewer to imagine his/her way into the story.
What I didn’t agree on with Sacha (sorry Sacha, I think our styles are rather different, so the approach is different too): he told me to just have the model do whatever she likes to do, and what she feels comfortable with. I tend to interfere more with my model, and direct in certain ways (I also often work with non-professional models, maybe that’s why. Pro models are very much aware of what they look like, and how to move to get good shots).
I was very pleased with the results of the workshop. I was happy to meet Rubia, who is from Brussels by the way, and I had a very pleasant day for sure! Thank you Sacha, thank you Rubia!
thank you for watching.
These images were taken on a ‘available light’ workshop with Sacha Leyendecker in Köln.
He has a great available light studio, and gives plenty workshops throughout the year. Be sure to check his site here. Main goal of this one on one training day was to review my habits and to try to learn some more about light usage. I made use of the available -lockers-on-wheels for this setting and Rubia acted perfectly as a stand in worker. All images Canon 5Ds with Sigma 50mm f1.4 DG A. All images f1.6 at 1000ISO, varying shutter speeds.
Model and make up: Steffi Rubia Stringsi
photography by me
thank you for watching.
as a final setup on the Sacha Leyendecker workshop (yes, I can still learn a lot too) we had a mattress and some white bed linen and a very enjoyable – wasn’t it Rubia? – down bed cover.
I tried to create an atmosphere of comfortable well being in this series. Rubia is a professional model and she understood the idea well. The advantage of professional models is that they know very well how to move to have a good looking pose, the downside of it can be that they are very hard to be photographed as their real personality. They often get some kind of ‘model layer’ that gets in front of their person. This was not the case with Rubia. We had a long talk before the shoot, that helps to get barriers down. We both got very relaxed before the shoot started. I rather have the habit of giving quite some direction to my models, Sacha asked me to try to let Rubia do her own thing, easier said than done, this set is the result of a mixture of ‘self induced posing’ and ‘directed posing’. See here for the technique used to create the high key effect.
Bad lighting conditions (dark) which means high ISO settings, but a nice set after all.
All images Canon 5Ds with Sigma 50 mm f1.4 A DG
1/60 f2.2 ISO 2000
Thank you for watching, come again soon,
A short summary about a workshop I did last year.
I finally found the time to make a short clip from the footage that was shot during the workshop.
You’ll see in this video:
A short briefing round, where I explain some different lighting situations
A behind the scene’s montage from the participants at work
Some resulting images from the workshop.
I just announced a new workshop for starting photography enthusiasts. It will run over 4 saturday afternoons, and will cover the basics you’ll need to improve your summer holiday pictures. More information on www.charlemagne-art.be .
If you happen to know somebody who’s interested in improving his/her photography skills, this is the occasion. Spread the word.
Last week I had the chance to follow the workshop ‘advanced speedlight techniques’ with Bert Stephani, contemporary portrait and fashion photographer from Steenokkerzeel, near Brussels.
There were three participants, of the four spots available. We had some coffee to start with, typically Bert I guess. 😉
Bert is easy going, cool, relax and above all, willing to share his experience. We had an interesting day, full of practical tricks and tips.
Some of the lessons learnt:
• When setting up a light situation, use your hand as a stand in for your model. It’s freely available, and never bored with your tweaking lights over and over again. In the meantime, your model can freshen up or relax a while.
• When setting up a combined available/flash light setting, first expose for the available light, then the flash, and last but not least, take pictures.
• When taking pictures with a model, encourage your model, talk it trough the shoot, give clear posing instructions, … introduce mini-breaks from time to time to make your model relax, and to offer yourself some time to think about new ideas. Don’t break the posing flow or the contact between yourself and your model by looking at the results. When your light setup has been setup well, all images should be fine afterwards.
• Be relaxed and confident as a photographer. Whatever your mental status is, it reflects on your subject and in your images.
• Work your light situation in function of the story you want to tell.
• Don’t give workshop instructions and bake sandwiches at the same time. (first bakery products got carbonized)
Some of the strong points of the workshop:
• Bert has a large studio space – the barn – , offering plenty of possibilities, different light situations, props, …
• We could freely ask for personal advice on challenging projects and thus influence on the content of the workshop.
• The atmosphere is cool and informal
Some of the weak points of the workshop: Sorry Bert if this bothers you, I feel like I need to be complete for my readers.
• The workshop seemed not prepared and rather un-structured and slow-paced. I don’t know if this is typical for Bert’s workshops, or just on this particular occasion.
• Workshop was marketed ‘including teaching, model fee and bread lunch’, the teaching was there, the bread lunch too, but there was no model, so participants had to stand in as a model for the other participants. I have no problem with modeling as such, but it limits your ‘photography time’ during the day, and on our last ‘assignment’ only one person could be the photographer, so neither me nor the third participant had images from this setup. As a participant I felt I had not the same level of ‘hands on experience’ during the teaching, when I was acting as a subject.
some images taken during the workshop: