valentine shoots available 😉
not safe for work, except of course if you work in an open-minded place, which I hope everyone does. A little edgy maybe, glossy and slippery, these nudes I did with Sara Scarlet.
I’m enjoying the studio in these cold winter days. Shooting outdoors is not really handy now, especially if you want to do glamour or nude work … I put up the heating a little higher in the studio, and I can work at ease, without my model turning blue … so the blue you see here is purely a post-processing effect.
• Slippery •
and he left me with some nice images.
I love walking the boundaries of erotica and art, I’m not sure how and where the limits are, but I kind of like these images. For me they are erotic, artsy, tasteful, beautiful. It’s winter in Belgium, and the weather forces me to work in the studio more than I would like, but this session boosted my confidence in the studio a lot. Some things could have gone better, I should have paid more attention to my light levels overall, but the division of light and the addition of water and the poses and the model worked out all very well. Working in the studio is a completely different game than working with available light outdoors, it has other challenges, it needs a totally different approach. I used a couple of different light setups, all based on minimal lighting, creating only highlights on the models body. I was inspired by the nude work from Andreas Bitesnich, and wanted to experiment within his style. I especially love the way he works with highlights accentuating the body shapes, and I was not really able to recreate what he did, but then I didn’t really care, since I created something new 🙂
Thanks to my great model, Charisse again 🙂 small and pretty, she never thought she could become a model due to her size, but is making her way trough faster than she could imagine I guess.
Thank you for visiting, I will soon have my own Patreon page, where you will be able to financially support my work! You will be able to choose between a set of tiers that I’m sure will please any of tastes. Be it just supporters, apprentice photographers, or collectors of art-nude!
Please don’t hesitate to leave a comment!
Two weeks ago I did a model call for a freestyle shooting session in the studio, just to try out some light setups and to not forget about working with studio strobes. Remember, 90% of my work is purely based on available light.
I had two models coming over, one male that I never worked with (lets call him Steven) , one female that I had regular cooperations with since about two years, lets call her Charisse 😉
Steven never modelled, he said the day before he came to me. Ok great, I told him, that’s cool, so we can find out if newbies can lead to great results. And he did, 200% he did. See for yourself:
the images above are all made with two studio strobes.
Then that same morning, after this first session I had Charisse arriving at the train station for pickup, and we started shooting early in the afternoon. A totally different setup, with both nude and non-nude work, of which I will show you only a small teaser for now. We did a lot of different things, with a lot of good results, so make sure you come back again soon.
thank you for stopping by, visitor of this blog. Consider subscribing if you like what you see. Come back again soon.
thank you Steven and Charisse, for being my interim models for the day, for your patience and your trust!!
ps. I: soon I will be on Patreon, where you can support my activities and get extra behind the scenes video’s, how to tips, and other benefits! Watch out!
ps. II: video: me cleaning the studio afterwards, here you can see more or less all I have in the studio. Limited stuff, a lot of creativity.
Sorry if you have been trying to reach this site and blog in the last 24 hours, it has been down due to a PhP update on the host’s side, and I am by far not a web-tech-geek, so it took me a moment to figure out what happened, and to fix things accordingly.
to compensate, a single image post.
I had this first collaboration with Emily two weeks ago, and we made some nice images. We worked in the studio first, to continue after that on the local city-square, where there was this fair going on. I shot two rolls of film on the Yashica 635. A first glimpse at the developed films shows that either there is something wrong with the film transport mechanism, either I have not paid attention and unintentionally double exposed some of the frames. To be continued.
• The treasurer •
thanks for watching, please come again soon.
I had some very good news last week. I have received an invitation to be the guest artist for a rather well known exhibit next summer. All expenses paid. That is a première for me, and a pleasant one.
I have been checking out the list of guest photographers that have passed in the previous years of this very same exhibit. … some well known names, some great artists, some who I esteem way above my league. Then doubts started coming up … is my work up to this level, will I not be blown away by the other participants (selected by jurors and curated by someone known in the field of art photography) … It struck me rather hard, to be honest.
Take a deep breath, listen to my wife’s saying ‘you have been asked to be the guest photographer, so what are you still worrying about’ … I guess she’s right, so let’s go, … I enrolled in a mentorship program that starts next week. I had confirmed to this before this invitation came in. To be honest I had no real item to work on, till now. I will use this program to fine-tune my work, discuss my work, discuss the selection of images that will be exposed, maybe prepare a book that will go with the exhibit, … exciting times to come, I will keep you updated.
More great news came in this week, when the organizers of the ‘fashion nudes’ contest run by Normal Magazine (France) contacted me to send them the high resolution files of the images I sent in for the contest. This means I got selected in the pre-selection, and my work will be printed for the final jury. Jippiieeeee!!
One of the images I entered for the contest:
• girl with an attitude •
A rough carpet, a little bit of sun, and a big black curtain to block te rest of it. That is all that was needed for this series with Charisse. I had a bit forgotten about this series, it was made the same day as we did ‘an apple a day’, and I was so fond about that series that this one got a bit lost. Here we go, all images taken with Canon 5Ds and 50mm f1.4 from Sigma.
The settings are very similar between images, shutter speeds varying between 1/400 and 1/500 and aperture f:3,5 or f:4.0. ISO is at 100.
Charisse feels confident enough to generate a series of sensual, intimate poses, and she hardly needs direction, except for keeping the sun ray in the right place on her body and face. The light is hard to manage in this kind of situations, only one rule: measure for the highlights, and don’t care about the shadows. This gave me these nice, contrasty images, with a little room for imagination and mystery. Thank you Charisse, for this very fruitful day!!
• Sunrays •
Want to get a shoot for yourself, contact me now for your life-changing experience!!
Charisse was here again today,
and people who have been following my or her work, know that this is about 100% guaranteed to deliver some stunning images.
We took benefit of the hot weather we have in Belgium these days and made a little mess with some leftover clay I had from the walls of the boys’ rooms on the attic.
Charisse is always in for a little experiment and I had been talking about the clay shoot earlier, so she sent me a text message a couple of days ago ‘about the hot weather and da da da … ‘ . A hint not to be misunderstood.
this image is just a preview of the preparation, a preparation that I gladly took as a photoshoot occasion …
it got even messier than this, and much better as well 😉
make sure to come again soon, for the rest of this magnificent series, again.
The exhibit at Godshuis Sint Laureins (B) has started last Saturday, make sure to visit it if you can, more details in my previous post.
have a nice day,
last weekend I had a meetup with Lisa and her friend, both dancers, she’s more into the classic dance, he’s more of a break-dancer.
I will show you some images, but I would also love to talk about the technique that I used to get to these.
first some images:
nice hey 🙂
thanks to both athletes, they had a good exercise session.
How is it done?
We wanted both the movement, and a good image of the static phase. I rarely work with flash but here it is absolutely needed.
this is the setup: I have one studio flash with large softbox on the left of the scene, providing the main illumination of the stationary phase. (flash) I have a second studioflash at the right side of the scene, providing a rim light at the moment of flash. I have a third flash on the camera, Canon does not allow to fire remote flashes at the end of the shutter time without a dedicated Canon flash. This is a Canon 580EX II and is used in manual settings at 1/64th of full power. It is merely used as a ‘master’ or ‘trigger’ for the studio flashes, synchronising on the second curtain, this means just before the shutter closes. I have available light from the right side, just behind me. (outside light, strong enough to make the motion trails during shutter time, but not to strong to overly brighten the environment. This is actually better done with a strong continuous light like a 500W halogen spot, but I don’t have one.)
The camera is set to bulb, on a tripod, and with a cable release. This is all part of a relatively simple preparation phase. 😉
Now comes the tricky part, how to get just the good shot? Simple: You activate the shutter time by pressing and holding the shutter button, let the movement roll and close the shutter when the movement has finished. Simple? Yeah, think again. Some movements only take a blink of an eye before they are gone, finished, over and out. For some movements you need to have the flash triggered exactly at the end of the movement, and you have to be aware that there’s a little ‘delay’ between pressing the button and the actual start of the shutter time. My best images came with shutter times between 1/5th and 2/5th of a second!
to illustrate the process of the Bulb-shutter time:
Easy, isn’t it. Well, both dancers have at least 20 times repeated every move, before I could define the right starting moment, and the right moment to stop. Then 10 more times to get the one lucky shot we needed. Maybe I’m getting old, or slow in reactions. 🙂
Make sure to have your models wear dark clothing, otherwise you’ll get a lot of messy blotches from the movement phase. You want them to wear light coloured clothing at hand or feet, unfortunately they did not have white gloves. The brighter, the more visible the movement trail will be.
no movement visible – too little continuous light, only the flash fixes the image
cable release gets stuck, way too long exposure
start too early, left foot clearly visible in starting point, stop also a little too late, left foot is coming down already.
start and stop too late, left foot is almost up at start, and way over the best position at stop.
thanks for reading, it was fun to do, and I learned a lot about dancing
cheers, come back again soon.
I published a new video to my Vimeo and Youtube channel today, you can see it here:
this is a condensed summary of a 45 minutes session of the shoot day I did with Charisse, you can figure out some of the light situations I make, see which poses get it to the final selection of images, etcetera. Learn by looking 🙂
for your info, all images were shot at f1.6, ISO100, Shutter speed 1/80 or 1/100s.
you can find more details about the reflector panels I use ‘by clicking here’
thanks for watching, if you liked the video, you might as well give it a thumbs up or subscribe to my channel(s)
I’ts been about a month that I have the new studio space available, it took me a couple of days to get the walls freshened up (two coats of paint) and a couple of weeks before I got some furniture and props ready and moved in, but I’m about to call it ‘ready’ for work.
I think it probably never be a steady setup, because I want to keep some variation in my images, and variation will probably mean that I will bring in some new stuff from time to time and get rid of some ‘used’ furniture in the same pace.
Some observations so far just in case you think about setting up your own studio space:
• I have windows (large) only on one side of the room. Not easy to work with, so get yourself some large reflectors to bring some light back from the non-window side of the room. I use styrofoam boards 120x180cm, painted black on one side.
• The wooden floor gives me a particular white balance in the space, some warm tone that is not easy to get right all the time.
• Too much light will kill you, or at least will often create overly bright images. I love to work with light and shadow equally, sometimes even more shadow than light. So I bought a large theatre cloth (6x3m) to cover up 2/3 of the windows when needed. I use additional styrofoam boards if needed to cover up even more window area.
• The space has sun-screens, I didn’t even notice when I agreed to rent it. These are great to work with when there’s direct sun falling in. The screens are fine woven, so they create no patterns, and they lower the light level not too much. They help evening out the hard contrasts in sunny situations. They are neutral in color. Perfect!
• The wooden parquet is kind of slippery, very good for moving around mattresses and large carpets without too much of an effort. For furniture I have a wheeled board for easy moving.
• The ceiling is at 2.90m, that is an absolute minimum. I have some curtain rails hanging up, they are kind of permanent, and sometimes they are hindering my viewing angles.
• I have an adjacent stock room, where I can move all unnecessary items (flash lights and their tripods when I don’t need them, drinks, clothing, background system, paint, cleaning materials, … Perfect again!
• I have brought in a large trunk (some kind of monastery huge heavy dark wood piece) that I use for quick storage nearby. It makes your stored stuff invisible, it is useful as a decor piece, there’s always something you might need in a minute, it’s there.
some images taken in the new studio:
2 white walls, a black wall, a wall with plenty of windows, and some creativity …
more to come,
quite a while since my last post, great news, exciting changes.
no more doubts
no more last minute panics
no more goosebumps
no more begging other people
I’ve got my own dedicated shooting studio !
I’ve rent a space in my home town, 6 x 11 meters open space, 3m ceiling height … nice oakwood parquet floor, big windows south side …
Started gathering decor elements and painting about two weeks ago, and yesterday I had my first shoot there. It takes a bit of getting used to, where do I have good light, what are the best looking lines, etcetera, but I’ll manage to make this into a fine shooting space!
enjoy this first image of yesterday’s shoot
• inspiration •
thanks Valérie, for being my ‘test’ model in this new space.
thanks Joyce, for being my make up artist,
settings: 1/100 f2.8 ISO250 – Canon 5Ds with Canon 100mm f2.8 L Macro IS
I have invited two people to my studio and did a small analog vs. digital test.
I have, for the first time ever, linked my studio flashes with my old Rolleiflex 6×6 camera, and shot a roll of images with it, next to my Canon 5Ds with 100mm Macro lens.
What about the outcome, is high res digital better than medium format analog?
I think quality wise that is a no-brainer, our new camera’s and lenses are waay, no waaaaaaaay better than the old stuff, they are sharper, AF is spot on every time, they have less grain (or noise) (films shots done on Ilford FP4 Plus 125) and for sure less dust to retouch. Digital is more convenient, more flexible, more secure (with immediate feedback) … it seems to be more of everything.
Then why still use analog? To me it is more fun, more concentration, at the same time more relaxing, it lets you look forward to the results, it’s more challenging, … people react differently when shooting with a 60 year old camera, they are curious, they are amused, wondering what might be the result, … I also find the images to have some sort of ‘alive’ feeling, the out of focus area’s are more interesting, the framing is square by nature, which I love … although the last arguments might all be nostalgia.
Here are the images, the square ones are analog:
… and then she started wondering, why she didn’t get these letters he promised to send her. Was he killed in battle? Had he forgotten about her, or probably he couldn’t find the time to write to her. These questions filled her with doubt and restlessness, even more because she was unable to reach to him …
Shot on a one-to-one workshop with Sacha Leyendecker in his available light studio.
Model and make up: Rubia Stri
Photography: me for sure.
shot on canon 5Ds with Sigma 50mm f1.4 DG A
settings for the main image: 1/80s f2.0 at ISO800
and then especially for Valentine’s day, complete series:
What I’ve learnt from the workshop:
Don’t be afraid to shoot at higher ISO settings if you need to to keep your shutter speeds safe. Play with light to create volume and atmosphere. Get some music into your studio to set a good mood. Create visual triangles in your images for dynamic compositions. Use props to create a setting and invite the viewer to imagine his/her way into the story.
What I didn’t agree on with Sacha (sorry Sacha, I think our styles are rather different, so the approach is different too): he told me to just have the model do whatever she likes to do, and what she feels comfortable with. I tend to interfere more with my model, and direct in certain ways (I also often work with non-professional models, maybe that’s why. Pro models are very much aware of what they look like, and how to move to get good shots).
I was very pleased with the results of the workshop. I was happy to meet Rubia, who is from Brussels by the way, and I had a very pleasant day for sure! Thank you Sacha, thank you Rubia!
thank you for watching.
Continuation of my series of ‘portfolio shoot images’ Behind the scene’s.
For this setup I used only one studio flash, with reflector.
In order to create a really small light bundle, you need to work with solid elements blocking the light.
For this I use some of those huge styrofoam boards (they can be bought in the build supply shops, they are used for insulation, crappy for this purpose, but very handy in studio) of 120x220x6 cm. I paint them black on one side, and around the edges. I made some simple stands from fibre wood panels to hold them upright.
They weigh virtually nothing and are easily stowed away.
here you can see one white side front, one back side front (I pushed exposure a bit here, because they are really nicely black):
So a very simple setup here:
one flashlight on the left, with standard reflector, two styrofoam panels, black side towards the flash (you don’t want light bouncing of the white side, don’t you?)
model standing right in the middle, a little further back. Because the reflector is a quite big light source, you’ll need to put your panels really close to eachother (2 cm apart for instance) and you’ll still have the light spreading out further away from the panels.
two images with this setup:
thank you for reading, see you soon for a new post.
I’m planning on a series of posts with some explanation of the studio setups I’ve used for my portfolio shoots.
Here’s te first one. The model has some massage oil on her body, just very slightly. A slightly colored setup.
A triple light setup for a body shape portrait.
Model is laying down on a black velvet cloth, which literally absorbs all light. It is positioned in a infinite floor to wall shape.
1. On the left, studio flash with reflector, gridded. Gridded to keep the light from spilling all over in the studio. Reflector for those nice highlights on the body.
2. On the right, studio flash with small softbox (60x60cm) partially covered with a red cloth, for a slight color shift. I discovered that the use thin colored cloth works in a similar way as gels, and it is easy to just move the cloth a little bit (a wooden clothespin works just fine) to have a stronger or weaker effect. I currently work with some kind of very thin colored cloth pieces, like a magician would use. This second flash not as strong as the first one and aimed a little more off the model
3. just next to the camera, I’ve put an additional flash (Speedlite 580), again with a colored cloth in front (blue-ish) to slightly fill in the shaded areas.
Camera is just above the floor (me lying down).
85mm – 1/125th – f3.2
I probably would have been better of aiming for a smaller aperture for larger depth of field, but this is the way it is 😉
hope you’ve found some inspiration here.
see you soon,
last weekend seemed like a roller coaster of happenings and emotions.
last friday evening, I’ve built up the exhibit for my ‘end of studies’ project Nude (In)cognito.
Saturday morning I had my Jury presentation at 9:30. The jury was rather severe, and focused mainly at the weaknesses of the project/the selection/the presentation.
That’s the best thing they can do, show you the possible points of attention, but it left me full of doubts and questions. Had I not worked 5 months within the idea of presenting a very good body of work?
After that we had a funeral to attend to, unfortunately. Very strong emotions of sadness and helplessness. A very good friends grandchild died after being born prematurely, and a short life of only 8 weeks. Tears and deep deep sorrow.
Saturday evening came the reception, where I had the opportunity to speak to some of the jurors, and already better rumors came my way. (about my work presented) This helped me understand the questioning I had had early that morning. A glass of sparkling bubbles and a fine meal afterwards, and then off to bed.
Sunday, at about 10 am the exhibit opened, and we literally had to search for an escape route at midday, to get some food in between. An overwhelming amount of people have come to visit the exhibition. Rightfully, absolutely. I think there were about 23 students who presented their work. I have seen a lot of beautiful work, and I’ve met a lot of enthusiastic people, both photographers and visitors.
I would like to thank all the people who have attended the exhibit, thank you for your warm reactions, your attentions and the good talks.
I hope you’ve all enjoyed the exhibit. I enjoyed it for sure. Literally broken yesterday evening, but happy after all.
I’ll include a picture of my part of the exhibit, and I will probably post some more detailed ‘making of’ articles on the different shoots I did for this project.
For all those interested in posing nude, I’m rather sure that I will continue this project, so please do contact me if you feel like taking part in this.
today was an important day for my photography career.
I had to present my work Nude (In)cognito to the jury for final evaluation.
I’m still impressed with the arguments they brought, severe, focusing on details, questioning the approach, etc. …
I hope I will finally get the official degree of photographer next thursday – proclamation day.
Tomorrow the exhibit is open for everyone, I would be happy to welcome you all to see my work, and that of my fellow students. There’s really good work to be seen.
Adress: CC Meulestede, Meulesteedsesteenweg 515, Gent.
as an appetizer, one of the images I selected for the book. (not for the exhibit, those images remain secret till after the exhibit)
see you soon,