valentine shoots available 😉
not safe for work, except of course if you work in an open-minded place, which I hope everyone does. A little edgy maybe, glossy and slippery, these nudes I did with Sara Scarlet.
I’m enjoying the studio in these cold winter days. Shooting outdoors is not really handy now, especially if you want to do glamour or nude work … I put up the heating a little higher in the studio, and I can work at ease, without my model turning blue … so the blue you see here is purely a post-processing effect.
• Slippery •
things are calming down a little here, with fall offering less possibilities for shooting outdoors, I have to get back behind the computer to finish some series shot earlier. You might have seen a first image here.
From the series I did with Charisse, early this summer. It was very hot that day, and I decided to play around with some natural plaster (easy and soft on the skin) outdoors.
this is my final series, definitely something I want to explore more when the weather allows for it.
• Statue in my garden •
thank you for watching!!
Do you remember this one? I do, I was wet and cold to the bone, and then I discovered this moss overgrown forest, and the rain calmed down a little. Something I couldn’t resist to.
• Ariundle National Nature Reserve – Strontian – Scotland •
0,3 sec f11 ISO100 Canon 5Ds with Canon 17-40mm @19mm
The Zinkae exhibit I took part in has ended yesterday,
a lot of people were a bit surprised not to see my women, well, I think it’s good to surprise people from time to time. 😉 See you there next year!
from a while ago,
I shot with Vita Goncharuk in a public park near Brussels earlier this year. I was a bit worried about not having a location with full and agreed access, so we shot outside. The park is open to the public, and you might wonder if there are no risks of being caught. There is actually not really a problem as long as you are not shooting porn or really shocking the eventual witnesses. If you get caught by the owner of the place, you might get expelled from the premises, but they can’t file a complaint unless they can prove you did harm to their person/business/property.
Some people have been asking about public wandering around. First of all, get this agreed upon with your model. Most professional models don’t care much, some don’t like it. Vita didn’t mind at all. When somebody shows more interest than normal, I just go to them an say hello. I do a little chit-chat and then I give them one of my business cards and mostly they disappear after that, or they take some more (comfortable) distance. Some even send me an email about my website or my work afterwards. I even had one person sending me some behind the scenes images. (with Erika in Brussels)
The weather was splendid, the camera did very well, All shot on Ilford film, with the Rolleiflex TLR camera. I love the look of film, it gives a soft, rich tonality and it has some imperfections that are creating a romantic atmosphere. It has a natural grain, that adds to the softness of the images. The medium format (6x6cm) camera has a great shallow depth of field, (hard to focus though) and enough detail in the negatives for really big enlargements. It can’t beat the current 50Mpx camera’s, but its very close. I also love the time-span between shooting the images and having the developed film ready for scanning. The fact that you do not see results is a benefit for working slowly. When shooting digital, I get a little overwhelmed by the immediate results, which stresses me to shoot more and more and more. When shooting analog, I thing about every image, about light, about framing, about what to leave out of the frame and what to get into it, about pose, about a possible story, … I feel that I do not take the same amount of time when shooting digital. You shoot far less images when shooting film, but you get as many good ones than when shooting hundreds of digital images. … I experience a great feeling of joy when seeing the images on the developed film for the first time. They are a physical result, they have a more ‘real’ presence in my opinion than digital files. Film is not dead, at least not for me, and I’m sure for a lot of people with me. 🙂
I have about ten more films that just have been developed, but need scanning and retouching … come back again soon,
I had a nice stay with my wife in Bretagne (France) this summer, and we surfed on the hot summer days that covered all of Europe in July. A lot of sun and a cool sea-breeze made the weather perfect for hiking and discovery. It was the first time I was in Bretagne, and I have discovered a different part of France, one that I haven’t met yet. Here ‘la douce France’ is to be taken literally. The people are nice, the landscape is beautiful and divers, the food is excellent, with fresh oysters and mussels and fish as much as you like, the climate is moderate and tourism is present, but not overwhelming. We haven’t hurried to see all the main attractions, but we really plunged into it, enjoying all our senses.
I have photographed mainly with the Fujifilm x100F, all images except two were shot with this camera. I have liked working with it a lot, it takes some time to get used to the fixed focal length, and sometimes you would want a little wider view, or a little narrower, but I didn’t matter too much.
I have chosen for a 2:1 image aspect ratio, I like it for landscape, sometimes I would even choose 2.5:1, but for the sake of uniformity, I kept one aspect ratio in this series. This also meant skipping some images that were shot vertically. For people who have never visited Bretagne, I hope this series will be a good appetizer for your visit. Enjoy, feel the sun and the atmosphere, smell the sea and hear the seagulls scream!
For those who wonder where these images were taken, you probably have recognised the Mont-Saint-Michel, one of the ‘incontournables’ (must see things), all the other images are taken west from there, up to Plougrescant along the cost, except for the last image, which was taken at Lanvellec, showing a part of the garden of the ‘Château de Rozanbo’.
Oh, and I had a hard time selecting only 20 images, there’s so much more to see 😉
thanks for watching, comments or questions always welcome!
somewhere in the Netherlands, I could say, they have a very particular flight club, with nude hostesses and so on, … but alas, it was only for this single occasion that Michelle posed nude at the gliders hangaar.
I had no clue as to where to shoot, just up to two days before we had our meeting. I started looking on Google Maps, just to get an idea of the surroundings, and to look for an eventually interesting spot. I could find three possible locations: 1. the place where we stayed (I accompanied my wife to The Netherlands since she wanted to take a weekend course there) had a big garden, with a very funny glasshouse (to be seen in the next image I will be posting) so that could become interesting. 2. There was a very beautiful garden and antique glasshouse at a event location just next doors. 3. I noticed a gliding plane terrain at about 5kms distance from where we stayed.
I didn’t really have to contact the first possible location, I would see it the next day, and could find out that in fact the glasshouse was particular, and interesting. The event location responded me within the hour that they had a marriage event the day I would meet Michelle, so this was a no-go. The flight club chairman responded me that he was ok with the idea, and that I could meet him the morning I had my appointment with the model, but that it would be difficult to shoot after midday because then they have a lot of flights going on. We met at 11:00 am and shot till about 1:00 pm, first clothed, on the runway with a parked plane (film photography, so not yet available) then nude at the hangaar. We had a willing assistant during the time of shooting and nobody else seemed to care. The assistant also figures in this image, together with two other club members. His daughter used to work as a striptease girl in theater shows. They are chatting about the club and I thought they might make an excellent backdrop. Michelle didn’t care either, as long as nobody started staring or taking pictures with cellphones … All went well, we said goodbye afterwards and went on shooting in the garden after that.
• flight club •
a huge thanks to the chairman and the assistant of the flight club, both requested not to mention the name of the club for privacy reasons.
just a little message to announce a next exhibit participation, a group exhibit with the Zinkae photoclub in Ghent. This time I will be exhibiting not my usual subject ‘women’, but I will propose two series: ‘Turbulence’ and ‘private’ … Private will show a limited series of 3 images about our tendency to shielding ourselves from the outside world, in order to protect the personal living environment. Fences, doors, security camera’s, hedges … etcetera. …
‘Turbulence’ will show 4 images reflecting a personal view on landscape and nature photography. The inherent structures in nature, that seem largely turbulent on a small scale, lead to a certain order on a bigger scale. Disturbed fractals versus clear equations, and how these structures show themselves to us. Brought to you in delicate black and white images.
the invitation for the exhibit:
then what about Crisis?
Well, things are getting tough, and If I want to continue my work as I do now, I will need to cut some costs, or find a new form of income. I am currently working on it, but of course your help would be welcome too. That’s why I have included a Paypal button on the welcome page. You can donate any amount, all is welcome, (I chose 5€ as a standard) and it will help to pay the costs of exhibiting, models, film, travel, … this is the button: (this one is active too 😉 )
The exhibit in Sint-Laureins is still on and running, so you can go take a look, every day, 10-17hrs, till september 2nd.
for your convenience, and for those who like my work but are at this moment not in the possibility to hang a print of a nude woman on the wall of their living room, my work is also available in book format.
I added a page in the main menu, BOOKS where you can order any of my books, I currently have three listed on my page, if you click further to my Blurb bookstore, you may find four.
The books are well printed and well finished, I picked the best suited paper for my work, and a book size that is handy for all.
A present, to someone else or to yourself, an add-on to your book collection, a source of inspiration, or just some support for me, all reasons are good to go shopping today 😉
Charisse was here again today,
and people who have been following my or her work, know that this is about 100% guaranteed to deliver some stunning images.
We took benefit of the hot weather we have in Belgium these days and made a little mess with some leftover clay I had from the walls of the boys’ rooms on the attic.
Charisse is always in for a little experiment and I had been talking about the clay shoot earlier, so she sent me a text message a couple of days ago ‘about the hot weather and da da da … ‘ . A hint not to be misunderstood.
this image is just a preview of the preparation, a preparation that I gladly took as a photoshoot occasion …
it got even messier than this, and much better as well 😉
make sure to come again soon, for the rest of this magnificent series, again.
The exhibit at Godshuis Sint Laureins (B) has started last Saturday, make sure to visit it if you can, more details in my previous post.
have a nice day,
last weekend I had a meetup with Lisa and her friend, both dancers, she’s more into the classic dance, he’s more of a break-dancer.
I will show you some images, but I would also love to talk about the technique that I used to get to these.
first some images:
nice hey 🙂
thanks to both athletes, they had a good exercise session.
How is it done?
We wanted both the movement, and a good image of the static phase. I rarely work with flash but here it is absolutely needed.
this is the setup: I have one studio flash with large softbox on the left of the scene, providing the main illumination of the stationary phase. (flash) I have a second studioflash at the right side of the scene, providing a rim light at the moment of flash. I have a third flash on the camera, Canon does not allow to fire remote flashes at the end of the shutter time without a dedicated Canon flash. This is a Canon 580EX II and is used in manual settings at 1/64th of full power. It is merely used as a ‘master’ or ‘trigger’ for the studio flashes, synchronising on the second curtain, this means just before the shutter closes. I have available light from the right side, just behind me. (outside light, strong enough to make the motion trails during shutter time, but not to strong to overly brighten the environment. This is actually better done with a strong continuous light like a 500W halogen spot, but I don’t have one.)
The camera is set to bulb, on a tripod, and with a cable release. This is all part of a relatively simple preparation phase. 😉
Now comes the tricky part, how to get just the good shot? Simple: You activate the shutter time by pressing and holding the shutter button, let the movement roll and close the shutter when the movement has finished. Simple? Yeah, think again. Some movements only take a blink of an eye before they are gone, finished, over and out. For some movements you need to have the flash triggered exactly at the end of the movement, and you have to be aware that there’s a little ‘delay’ between pressing the button and the actual start of the shutter time. My best images came with shutter times between 1/5th and 2/5th of a second!
to illustrate the process of the Bulb-shutter time:
Easy, isn’t it. Well, both dancers have at least 20 times repeated every move, before I could define the right starting moment, and the right moment to stop. Then 10 more times to get the one lucky shot we needed. Maybe I’m getting old, or slow in reactions. 🙂
Make sure to have your models wear dark clothing, otherwise you’ll get a lot of messy blotches from the movement phase. You want them to wear light coloured clothing at hand or feet, unfortunately they did not have white gloves. The brighter, the more visible the movement trail will be.
no movement visible – too little continuous light, only the flash fixes the image
cable release gets stuck, way too long exposure
start too early, left foot clearly visible in starting point, stop also a little too late, left foot is coming down already.
start and stop too late, left foot is almost up at start, and way over the best position at stop.
thanks for reading, it was fun to do, and I learned a lot about dancing
cheers, come back again soon.
with the lovely Yana Mood, shot in an attic room in Leuven,
All images f1.8 at ISO 125, shutter speeds vary (1/25-1/200s)
Canon 5Ds with Sigma 50mm f/1.4 DG A
thank you for watching, don’t hesitate to leave a comment,
in my series ‘strolling trough … ‘ a new chapter, coming South from Scotland last summer I had a stop in Cambride, where I shot a couple of rolls of 120 film with my Rolleiflex.
I find the Rolleiflex to be a fairly good camera for street photography. Since you are looking down as a photographer, people don’t really notice you as being one, and you can stay unnoticed a little longer, enhancing the chances of taking a good shot. I got trapped once in this series, you’ll see 🙂
All shot with Kodak TMax 400 film, on a grey day.
Enjoyable time with friends. Not.
Cows on the bike path
And two more shots from a village called Osmotherley, near North York moors National Park (UK), where I camped the night before.
I had worked with Charisse before, we had met each other at an exhibit in Damme (B) where I had my work exposed, she seemed interested in my work and browsed trough my book attentively, we talked briefly and I gave her my card.
Early this year we agreed to work together again, and besides fixing a date, we also discussed what style we were going to work on. She told me she had found more confidence in herself and that posing went better since she had been working with another photographer intensively some time ago.
I have tried not to interfere too much in the posing, and had her work on her own flow of poses without interrupting her. She managed to ignore me, and we found a good subject to guide her: an apple I left in the studio since I had been painting there two weeks before that. I kind of lost a bit of its freshness, but Charisse managed to compensate for it 200%.
First I would like to show a little behind the scene’s video, fastforward trough the entire session, if you are a photographer, you might even learn something from my light setup:
I am working with two camera’s here, one with the Sigma 50mm f1.4, the other with the Canon 100mm Macro lens. I have light all over on the left side, I work with the sun screens from time to time, and I have one large reflector panel on the right side (styrofoam board)
Then the images.
I think they came out particularly well, Charisse well understood my style and she worked on different poses in an endless flow, God, wouldn’t you want to be that apple? 🙂
images all shot at my studio in Ronse (Belgium)
Canon 5Ds and Canon 5DII
Sigma 50mm f1.4 DG and Canon 100mm f2.8 L Macro
1/250-400 f1.6 ISO 100 – 1/200 f3.2 ISO100
thank you for watching,