DANCE ! – shooting some dance movements in the studio

personal tips & tricks, photo gear, Tips and Tricks

Hi there,

last weekend I had a meetup with Lisa and her friend, both dancers, she’s more into the classic dance, he’s more of a break-dancer.

I will show you some images, but I would also love to talk about the technique that I used to get to these.

first some images:

nice hey 🙂

thanks to both athletes, they had a good exercise session.

How is it done?

We wanted both the movement, and a good image of the static phase. I rarely work with flash but here it is absolutely needed.

this is the setup: I have one studio flash with large softbox on the left of the scene, providing the main illumination of the stationary phase. (flash) I have a second studioflash at the right side of the scene, providing a rim light at the moment of flash. I have a third flash on the camera, Canon does not allow to fire remote flashes at the end of the shutter time without a dedicated Canon flash. This is a Canon 580EX II and is used in manual settings at 1/64th of full power. It is merely used as a ‘master’ or ‘trigger’ for the studio flashes, synchronising on the second curtain, this means just before the shutter closes. I have available light from the right side, just behind me. (outside light, strong enough to make the motion trails during shutter time, but not to strong to overly brighten the environment. This is actually better done with a strong continuous light like a 500W halogen spot, but I don’t have one.)

The camera is set to bulb, on a tripod, and with a cable release. This is all part of a relatively simple preparation phase. 😉

Now comes the tricky part, how to get just the good shot? Simple: You activate the shutter time by pressing and holding the shutter button, let the movement roll and close the shutter when the movement has finished. Simple? Yeah, think again. Some movements only take a blink of an eye before they are gone, finished, over and out. For some movements you need to have the flash triggered exactly at the end of the movement, and you have to be aware that there’s a little ‘delay’ between pressing the button and the actual start of the shutter time. My best images came with shutter times between 1/5th and 2/5th of a second!

to illustrate the process of the Bulb-shutter time:

Easy, isn’t it. Well, both dancers have at least 20 times repeated every move, before I could define the right starting moment, and the right moment to stop. Then 10 more times to get the one lucky shot we needed. Maybe I’m getting old, or slow in reactions. 🙂

Make sure to have your models wear dark clothing, otherwise you’ll get a lot of messy blotches from the movement phase. You want them to wear light coloured clothing at hand or feet, unfortunately they did not have white gloves. The brighter, the more visible the movement trail will be.

 

some mistakes:

no movement visible – too little continuous light, only the flash fixes the image

cable release gets stuck, way too long exposure

start too early, left foot clearly visible in starting point, stop also a little too late, left foot is coming down already.

start and stop too late, left foot is almost up at start, and way over the best position at stop.

thanks for reading, it was fun to do, and I learned a lot about dancing

cheers, come back again soon.

 

Ludwig

 

the bed’s too big without you – the series

beauty, location, Nude
Bed’s too big without you
Cold wind blows right through that open door
I can’t sleep with your memory
Dreaming dreams of what used to be
When she left I was cold inside
That look on my face was just pride
No regrets no love no tears
Living on my own was the least of my fears
Bed’s too big without you
The bed’s too big without you
The bed’s too big
Without you
Since that day when you’d gone
Just had to carry on
I get through day but late at night
Made love to my pillow but it didn’t feel right
Every day just the same
Old rules for the same old game
All I gained was heartache
All I made was one mistake
Now the bed’s too big without you
The bed’s too big without you
The bed’s too big
Without you
Bed’s too big without you
The bed’s too big without you
The bed’s too big
Without you
Without you
Bed’s too big without you
Cold wind blows right through that open door
author: Gordon Sumner for The Police

 

 

with the lovely Yana Mood, shot in an attic room in Leuven,

All images f1.8 at ISO 125, shutter speeds vary (1/25-1/200s)

Canon 5Ds with Sigma 50mm f/1.4 DG A

 

thank you for watching, don’t hesitate to leave a comment,

Ludwig

 

the great-great-granddaughter

beauty, erotic, location, Nude

I found another castle lady willing to pose nude for me in her residence:

shot in a castle in Belgium

 

• The great-great-granddaughter •

1/13 sec. f/5.0 at ISO400

Canon 5Ds with Canon TS-E24mm f/3.5 L II tilt-shift lens

Strolling trough Cambridge with the Rolleiflex

Analog, street, travel

in my series ‘strolling trough … ‘ a new chapter, coming South from Scotland last summer I had a stop in Cambride, where I shot a couple of rolls of 120 film with my Rolleiflex.

I find the Rolleiflex to be a fairly good camera for street photography. Since you are looking down as a photographer, people don’t really notice you as being one, and you can stay unnoticed a little longer, enhancing the chances of taking a good shot. I got trapped once in this series, you’ll see 🙂

All shot with Kodak TMax 400 film, on a grey day.

 

Selfie time

Graveyard

Aftermarket

Mall security

Sale

Arbitrage

EAT.

Trapped 😮

Enjoyable time with friends. Not.

Cows on the bike path

 

And two more shots from a village called Osmotherley, near North York moors National Park (UK), where I camped the night before.

MG

Chinese warriors

An apple a day … – the entire series

beauty, erotic, Nude

I had worked with Charisse before, we had met each other at an exhibit in Damme (B) where I had my work exposed, she seemed interested in my work and browsed trough my book attentively, we talked briefly and I gave her my card.

Early this year we agreed to work together again, and besides fixing a date, we also discussed what style we were going to work on. She told me she had found more confidence in herself and that posing went better since she had been working with another photographer intensively some time ago.

I have tried not to interfere too much in the posing, and had her work on her own flow of poses without interrupting her. She managed to ignore me, and we found a good subject to guide her: an apple I left in the studio since I had been painting there two weeks before that. I kind of lost a bit of its freshness, but Charisse managed to compensate for it 200%.

First I would like to show a little behind the scene’s video, fastforward trough the entire session, if you are a photographer, you might even learn something from my light setup:

Ludwig Desmet behind the scenes fine art nude photoshoot from ludwig desmet on Vimeo.

I am working with two camera’s here, one with the Sigma 50mm f1.4, the other with the Canon 100mm Macro lens. I have light all over on the left side, I work with the sun screens from time to time, and I have one large reflector panel on the right side (styrofoam board)

 

Then the images.

I think they came out particularly well, Charisse well understood my style and she worked on different poses in an endless flow, God, wouldn’t you want to be that apple? 🙂


 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

images all shot at my studio in Ronse (Belgium)
Canon 5Ds and Canon 5DII
Sigma 50mm f1.4 DG and Canon 100mm f2.8 L Macro
1/250-400 f1.6 ISO 100 – 1/200 f3.2 ISO100

thank you for watching,

Ludwig

body patterns

beauty, location, Nude

As it is difficult in wintertimes (temperature!) to shoot in grand locations, exquisite gardens or castle halls, I have been working a little more on emotions and body-poses lately. Enjoy this wonderful image I made with Yana last thursday. This was shot in a small attic living room, we had to move a little furniture around to be able to capture the best light in the spot I wanted it, but I think this worked out quite well. An overhead roof window and some ‘available Swedish furniture’ was all that was needed to make this image look well. Remember to look at the light, and pose your model accordingly 😉

Thanks to Hanne for providing the last minute location, I hope you could still find your stuff after all the moving around with things.

Thanks to Yana for being my wonderful model.

 

 

NEW STUDIO SPACE!

beauty, location

Hi,

quite a while since my last post, great news, exciting changes.

no more doubts

no more last minute panics

no more goosebumps

no more begging other people

I’ve got my own dedicated shooting studio !

I’ve rent a space in my home town, 6 x 11 meters open space, 3m ceiling height … nice oakwood parquet floor, big windows south side …

Started gathering decor elements and painting about two weeks ago, and yesterday I had my first shoot there. It takes a bit of getting used to, where do I have good light, what are the best looking lines, etcetera, but I’ll manage to make this into a fine shooting space!

enjoy this first image of yesterday’s shoot

• inspiration •

 

thanks Valérie, for being my ‘test’ model in this new space.

thanks Joyce, for being my make up artist,

settings: 1/100 f2.8 ISO250 – Canon 5Ds with Canon 100mm f2.8 L Macro IS

Cacti

beauty, erotic, location, Nude

cactus (plural: cacticactuses, or cactus) is a member of the plant family Cactaceae, a family comprising about 127 genera with some 1750 known species of the order Caryophyllales. (From Wikipedia)

A small series of images I did about a year ago together with Kate in some semi-public glasshouse. The glasshouse was the only place where it was more or less hot enough to do nude work, and Kate didn’t care about the public character of the place, we met only very limited people, and managed to keep out of sight of most of them, at least we think.  😉

Taken with the Rolleiflex 6×6 TLR, on Kodak TMax400 film.

hope you liked that,

come again soon,

 

Ludwig

107 Cubic Inches

Analog, Personal Pictures, street

well yeah, next to beauties of the human race, I also tend to have a certain adoration for mechanical beauties. …

Early november I was strolling the Paris Boulevard Beaumarchais, to look for camera shops, both secondhand an new, to see if I could find some information on view camera’s and to look out if there was something else that interested me, when I came across the Harley dealership situated in this same boulevard. I’m not especially fond of this particular brand of motorbikes, but the boulevard seems to have almost as much motorcycle dealerships as it has camera stores. I happen to like both equally 🙂 . I am however quite charmed about the beautiful finish of the Milwaukee brand, with the chrome, the air cooling fins, the valve push rods and so on. This is mechanics and beauty, and it expresses both power and lifestyle.

I just snapped a small detail of just a random bike parked outside, probably a customer’s bike, before or after servicing. It is in that understanding not polished and it has some weather marks on the chrome, let’s say it’s alive.

I took this picture with my Rolleiflex TLR, probably older than the history of the ‘low rider’ Harley Davidson model. Square frame image format, which I like the best. Image shot on Kodak T-Max 400 film, developed in Ilfotec 29 developer.

For the noobs, 107 cubic inches is the cylinder displacement volume of this particular engine, or 1753 cc, in other words, this is a big engine for a motorbike. It has plenty of torque, and as we now from H-D, “more than enough” horsepower.

thank you for watching and reading, come again soon, I have other images from Paris that I would like to show you.

 

Ludwig

The study

Analog, beauty, Nude, portrait

there is a collection in this house, of wild boar’s, in all shapes and sizes, on paintings, sculptures, drawings, teeth, … everything that reminds of the wild animal living in the heart of the Belgian Ardennes has received its place on these walls, in this castle …

the study is the most quiet space in the castle, where one can stay all day without being disturbed. Old books are being well taken care of, and this place is not influenced by day-to-day matters.

Meet Eva Evian, my model for this day, experiencing the atmosphere of the place, enjoying the quite and calm of the day.

All shot on Kodak TMax400, with Rolleiflex 3.5 camera.

#everypictureastory

 

thank you for watching,

Ludwig

Sunrise

erotic, location, Nude

an early morning sunbath on some deserted beach in Corsica

Model Carlotta K.

• Sunrise •

 
06:00 O’clock, we meet at some recognisable point on a coastal road in Corsica, it is still dark, but we see dawn coming in. We drive for about 10 minutes, then we have a 15 minutes walk to the beach. There is no one, yesterday the beach was crowded. We discuss different options and start working, I rarely have a preset plan, so we improvise a lot. There is a large log on the beach, we try different standing poses, then this pose lying back, the size of the log is perfect for her I take several shots, me flat on the ground, …
#everypictureastory

thank you for watching

Ludwig

tough decisions in life

Uncategorized

a little resume

I have studied to be a graphic designer, that led to a degree back in 1991. I have worked in several pre-press studio’s and a packaging design agency before starting my own company, not in graphic design but in 3D rendering services. I was rather successful, with clients such as product developing companies Barco, Melexis, SAS winches, Duco, Marketing agencies, artists such as Mark Manders, André Rieu, next to a lot of architects and project developers.

I loved being on the front edge of new products, developments, technologies, events, and being able to provide marketing material for these customers. I did this on my own, and home based. Very convenient, but in the end also very lonely as a job. Orders were sent by email, some explanation on the phone if necessary, and finished jobs were sent out by email as well, or by means of online data transfer sites like wetransfer. This meant that in the following years, I had no social contacts anymore. I went looking for a solution, and this showed up in photography. I had started a weekend class in photography when I had just left my studies, but never finished it. Honestly because I was a bit discontent about the chemicals being poured down the drain. (talking about film photography at that time)

But I never really quit photography, and with every job change, I looked for a job related to photography in some way. This has made me decide back in 2009-2010 that I wanted to pick up classes again to further build my photography skills.

I could do some exams to skip some classes, as I was familiar with photography basics (from the two years I did previously) and with retouching (from my graphics background) and I sped up the process by taking two classes at a time. Very soon I could enrol a job into teaching Adobe Lightroom in the same institution I was following my own finishing classes. A kind of a strange situation but it turned out well as most of the students I gave classes to didn’t even realise I hadn’t finished my studies yet.

At the same time I started following classes again I also started portraying women, which led to the portfolio you can see on this website. This started as being very occasionally, but I got more and more into it, and tried to use every free moment of time to get a shoot planned.

Very soon I had a larger amount of classes to teach, and I tried being more selective in my clients/jobs in my self owned business, but nevertheless I worked like 4/5 in teaching classes 3/5 in doing 3D rendering jobs and 1/5 self organised photography shoots.

Too much indeed, so last year in november I announced to all my clients for 3D rendering that I would finish this service, look for somebody interested in acquiring the client base, and only do photography jobs from 2017. I found nobody interested so I had to disappoint some of my customers for sure, some still are customers for photography services, one is hard to convince and stubborn in still giving me 3D rendering jobs. I announced yesterday that I will no longer be of service from 2018 on.

why tough decisions, well, 3D rendering services have long been a good source of income to me, and they still were in 2017, it has paid my photography investments in material, exhibition prints, workshop costs, … photography has grown slightly but not enough to compensate, since I have not enough time to really build up this service due to a lack of time.

This comes down to cutting one safety line before you have another one :/ … of course I have my classes that serve as a stable base income, but they are by far not ‘wealthy paid’ and getting noticed with my photography has proven to be a long and difficult process. I have had a good exhibit with some book sales and some large format print sales, just enough to compensate for the costs made (printing material, giving everybody a drink, making some new large format prints for the exhibit, …).

I would like to invest more time in artistic researches and getting further in analog photography. I am currently investigating the options for working on 4×5 inch format, requiring a large format camera and the need for development in house (till now I had my 120 roll film developed by a lab, but 4×5 film sheet lab development is out of budget)

A whole lot of words to explain why posting rate has dropped a little the last months.

Things should take up again when I finished my last 3D rendering job 🙂 if someone is interested in my earlier client base, just give me a call. The website is here: www.renderhouse.eu

Can’t post without an image, you will understand why photography is so much more pleasant than 3D, it is working with people rather than pixels :

 

 

Europe – Holland/Scotland/Corsica

exhibition, landscapes, location

It seems I have been shooting landscapes for ages, without really knowing what I looked for. I think now I have got a better understanding of the kind of landscapes I like, the kind of things I want to show. In my latest exhibit, next to a lot of sensual female portraits, I showed this triptych of landscape images:

Europe – Holland/Scotland/Corsica

 

I feel like in my beauty portraits, I can better express volume and light in black and white photography, hence the choice for converting them. In my landscape book, there are only three images in colour. The above images are the result of both family travels and solitary motorcycle travels, and my love for photography. Lucky me, to be able to do the things I love doing.

 

come again soon,

best,

Ludwig

Two days … building the exhibit

exhibition, Personal Pictures

two days to the exhibit in my own space.

 

you are all very welcome of course:

A little exciting it is.

from the 4500 invitations I received from my print shop (www.degrotearend.be) about 3500 have been dropped into local mailboxes in Ronse.

My book ‘LANDSCAPES – and other things that jump into my camera’ arrived yesterday. It smells fresh ink, but it looks great. I’m very pleased with the results and the selection of images I’ve made. The book ‘WOMEN’ I had from the previous exhibit stays unchanged

Drinks have been bought, but I have no idea how many people I should expect. I heard some rumours about people who were saying they would come, I have a Facebook event that some people confirmed on, but will it be 50-100-200?

The weather announces great, 21°C – 23°C is much more than we could expect here in Belgium around half October. I feel lucky!

The exhibit space is ready, the frames have been hung (without prints for now, I work with front-open frames that contain a support for the prints within. I will hang the mounted prints in the frames today. That means … all but one … Koert (my printer – laminator – finisher) called me last Friday that the largest print for the exhibit had suffered a fault during the mounting process (mount on Dibond). It is a landscape print of 50x150cm. So he had to order a new Dibond board to redo the print this week. No news till now. … keep the fingers crossed. By the way, I’m very pleased by his work! (www.fift.be)

Lighting has been fitted as well, called my brother in law (who is an electrician) for some help, he offered me a couple of up-lighters and smaller spots to add to the existing light in the room.

things that need to be done:

finish the digital presentation, set up a monitor for viewing, hang the prints, … relax a bit 😉

some impressions of the space preparations

Paradise lost – the Hotel

architecture, location

last month in Corsica we were looking for a model shoot location and we found out that just next to our vacation location there was an abandoned hotel. Flooded 7 years ago by the river running just next to it, it got deserted. Insurance companies still arguing about the responsibilities, the owners couldn’t afford to repair the damages and re-open the hotel.

It looked like an ideal location for a ‘stranded tourist story’ shoot, images will follow later.

This is how the building looked after 7 years of non-attention.

All images shot on Canon 5Ds with Canon 17-40mm f4L,  f13 ISO 125, shutter speeds vary between 66 and 184 seconds. (Big stopper filter for the movement in the trees and clouds)

flower girl

erotic, location, Nude, portrait

• Flower girl •

I’ve read an article recently in ‘Chasseur d’Images’ , a French photography magazine, with the latest issue covering some articles about nude photography. They stressed quite a lot about being well prepared and having some shots ready in your head or even sketched out on paper, …

I’m afraid I don’t really agree 😉 One of my biggest pleasures in this kind of photography is improvisation, inspiration of the moment, going with the flow, … I seldom prepare ‘shots’. My main preparation consists of up front communication with the model, about style, level of nudity, clothing and other practical issues, and finding a good location for the shoot. I have since I started doing this work built up a set of available locations, so I can vary and I don’t have to return to the same locations often. This keeps me sharp and the images different every time. This is the second set with Eva Evian in a remote castle in Belgium. We found a vase with dried flowers and started working with them. I hope you like the images. All shot on Canon 5Ds with sigma 50mm f1.4 DG A. All on ISO400, other settings vary.

Come again soon!

Ludwig

 

 

 

A treasure on the attic, …

beauty, erotic, location, Nude

as promised here by the full series from this part of the shoot with Eva Evian,

• A treasure on the attic •

all images shot on Canon 5Ds with Sigma 50 mm f1.4 DG Art or Canon 135mm f2.0 L
all at f2.2 ISO 800, shutter speeds vary.

come again soon,
Ludwig

Strolling trough Antwerp with the Rolleiflex

Analog, street

sometimes you find a roll of film you didn’t remember anymore taking it.

I found one a couple of weeks ago, in a corner of my desk … I had no clue of what was on it. I’m still missing a roll of Paris, (must have been lost in luggage somewhere) but this was not it. This is Antwerp. I remember having dropped of Nathalie for an appointment, near Antwerp train station, an ideal opportunity to shoot a roll of film with the Rolleiflex, just to learn to observe, have fun, enjoy slow shooting.

All shot on my Rolleiflex 3.5, with Kodak TMax400 film.

thank you for watching.

come again soon for some more Paris strolling with the Rolleiflex.

Ludwig