not much to celebrate in a confined Europe, no egg search parties either.
#stayathome #flattenthecurve #yeswecan
I sincerely hope this image will do for now. …
• easter •
Same as last week, you’re getting spoiled, aren’t you 🙂
Some results I managed to capture during my own workshop Model/lingerie photography with available light. Models during this workshop: Riona Neve and Sahri Nimi – behind the scenes video at the bottom of this post.
All images are available as a fine art print, inquiries please send me an email.
Hidden gems 2019, workshop Lingerie with available light
behind the scenes video on my Youtube Channel
thanks for watching, make sure to come by next week!
You can see the video on my youtube channel:
It was a fun day, I didn’t really adapt my shooting to the cameraman, but still, there was some influence at least. I’m quite pleased with the results of this day, look for yourself, you’ll probably recognise some of the scenes from the video. The film shots are black framed.
Shot on film: (Rolleiflex Tlr 3.5 Planar on Ilford Film)
and then one more, as a tribute to the cameraman Franswa. You can see me make this shot at 4.52 in the film!!
thanks for looking, If you want to make sure to see everything I publish, you might consider subscribing to my blog. You can do this on the bottom of the welcome page, click the + sign.
I have a huge problem, literally huge …
a have recuperated two prints from a previous exhibit that I can’t store, so they go for sale. Only one of each available.
100×150 cm (approx 50×75″) fine art archival print,
10 cm white edge (within the 100x150cm size)
the back has a mounting pad on top, a weight pad on the bottom, so the print can hang as is, though it has no protection.
to give you an idea of the size of the prints, you can see them here in the exhibit, first shot left and right, second shot left image: (requires Facebook account) https://www.facebook.com/zinkae/videos/402924687154651/?v=402924687154651
if you are interested, or if you want to know about pricing/framing options, please contact me: ludwig-at-ludwigdesmet.com
a long time ago I made some studio setup diagrams for this blog, … time to make a new one. First the image, it dates from a while ago, last fall I invited two friends to do some studio work. I rarely use my studio equipment for light, but in winter times it can be handy to have an alternative to available light sometimes.
I wanted Steven to get some sort of gangster look, cool looking, hood, sunglasses …
I wanted a soft light and deep shadows under the hood, so I went for some sort of symmetrical light setup, using two studio flashes with 60x60cm softboxes, and two large reflector panels to even enlarge the light source.
it was only a matter of finding the good ‘depth’ position of the model, to create just enough light on the face, and keep the light only on the front.
another one without the hood:
thanks for watching, come again soon,
or at least I often think about quitting …
… because when I think about all the costs I have been making – for photography gear, for exhibition prints, for locations, models, make-up artists – then I must realize that it does not generate any money, quite the contrary.
Then I sit down, try gathering all my courage for the next shoot, try to find a good location, a model, a make up artist, find a moment that fits for everybody involved, phone calls, emails, messenger … and then after the shoot I get home, more or less exhausted. But then when scrolling trough hundreds of images from that day, I see that again we could make some beautiful shots and I think, ‘come on, just hang on a little longer, things will turn out ok one day’ …
thanks to Sahri Nimi Modelpage for being my model once again, thanks Isabelle Eeckhout for making her look gorgeous again, thank you Vergucht Franswa for joining us for making a reportage about me during this shoot, and a big thank you to the family that opened their fabulous house for me as if it were my house. And last but not least, thank you to my wife, who has even more patience with me than I have myself, that even pushes me harder than I could do so myself, and that still believes 200% in what I do.
• Bath with a view •
not safe for work, except of course if you work in an open-minded place, which I hope everyone does. A little edgy maybe, glossy and slippery, these nudes I did with Sara Scarlet.
I’m enjoying the studio in these cold winter days. Shooting outdoors is not really handy now, especially if you want to do glamour or nude work … I put up the heating a little higher in the studio, and I can work at ease, without my model turning blue … so the blue you see here is purely a post-processing effect.
• Slippery •
Two weeks ago I did a model call for a freestyle shooting session in the studio, just to try out some light setups and to not forget about working with studio strobes. Remember, 90% of my work is purely based on available light.
I had two models coming over, one male that I never worked with (lets call him Steven) , one female that I had regular cooperations with since about two years, lets call her Charisse 😉
Steven never modelled, he said the day before he came to me. Ok great, I told him, that’s cool, so we can find out if newbies can lead to great results. And he did, 200% he did. See for yourself:
the images above are all made with two studio strobes.
Then that same morning, after this first session I had Charisse arriving at the train station for pickup, and we started shooting early in the afternoon. A totally different setup, with both nude and non-nude work, of which I will show you only a small teaser for now. We did a lot of different things, with a lot of good results, so make sure you come back again soon.
thank you for stopping by, visitor of this blog. Consider subscribing if you like what you see. Come back again soon.
thank you Steven and Charisse, for being my interim models for the day, for your patience and your trust!!
ps. I: soon I will be on Patreon, where you can support my activities and get extra behind the scenes video’s, how to tips, and other benefits! Watch out!
ps. II: video: me cleaning the studio afterwards, here you can see more or less all I have in the studio. Limited stuff, a lot of creativity.
Sorry if you have been trying to reach this site and blog in the last 24 hours, it has been down due to a PhP update on the host’s side, and I am by far not a web-tech-geek, so it took me a moment to figure out what happened, and to fix things accordingly.
to compensate, a single image post.
I had this first collaboration with Emily two weeks ago, and we made some nice images. We worked in the studio first, to continue after that on the local city-square, where there was this fair going on. I shot two rolls of film on the Yashica 635. A first glimpse at the developed films shows that either there is something wrong with the film transport mechanism, either I have not paid attention and unintentionally double exposed some of the frames. To be continued.
• The treasurer •
thanks for watching, please come again soon.
from this summer, early in July, I was in the Netherlands with my wife and I could spend some time there photographing. I had a meeting with Michelle, and in a last minute arrangement I could shoot at the local glider plane club. Michelle had this very classy, classic looking set, a slim fitting skirt and a beautiful blouse, and there was this plane waiting for the thermal to build up. I shot a couple of rolls in this setting, this is my selection.
• Michelle at the flight club •
I had the film developed by a local lab here in Belgium, but I was not really pleased with the quality of the development, and the care they have (not) given to the films. Lesson learnt, better take time to do my own developing at home. This has cost me a lot of retouching spots, dust, scratches, and the results are only ‘just good enough’ for publishing on the web.
come again soon, and if you feel like, subscribe to my blog!
I had some very good news last week. I have received an invitation to be the guest artist for a rather well known exhibit next summer. All expenses paid. That is a première for me, and a pleasant one.
I have been checking out the list of guest photographers that have passed in the previous years of this very same exhibit. … some well known names, some great artists, some who I esteem way above my league. Then doubts started coming up … is my work up to this level, will I not be blown away by the other participants (selected by jurors and curated by someone known in the field of art photography) … It struck me rather hard, to be honest.
Take a deep breath, listen to my wife’s saying ‘you have been asked to be the guest photographer, so what are you still worrying about’ … I guess she’s right, so let’s go, … I enrolled in a mentorship program that starts next week. I had confirmed to this before this invitation came in. To be honest I had no real item to work on, till now. I will use this program to fine-tune my work, discuss my work, discuss the selection of images that will be exposed, maybe prepare a book that will go with the exhibit, … exciting times to come, I will keep you updated.
More great news came in this week, when the organizers of the ‘fashion nudes’ contest run by Normal Magazine (France) contacted me to send them the high resolution files of the images I sent in for the contest. This means I got selected in the pre-selection, and my work will be printed for the final jury. Jippiieeeee!!
One of the images I entered for the contest:
• girl with an attitude •
Could there be any greater resemblance? The curves of the female body and the smooth shaped hull of a glider. At least I sea beauty in both, I hope you too can appreciate these smooth curvatures.
Taken with the well appreciated approval of the gliders club director, and the willing club-handyman. Somewhere in the Netherlands.
• Smooth curves •
model: Michelle Alba
Canon 5Ds with Sigma 50mm f1.4 A DG
1/500s f/1.8 ISO 100
Do you remember this one? I do, I was wet and cold to the bone, and then I discovered this moss overgrown forest, and the rain calmed down a little. Something I couldn’t resist to.
• Ariundle National Nature Reserve – Strontian – Scotland •
0,3 sec f11 ISO100 Canon 5Ds with Canon 17-40mm @19mm
The Zinkae exhibit I took part in has ended yesterday,
a lot of people were a bit surprised not to see my women, well, I think it’s good to surprise people from time to time. 😉 See you there next year!
Travelling art-nude models mostly rent very small rooms, to make their travelling as cheap as possible. Shooting in their room is most often not an option. This one was different. Some other photographer booked her a spacious and very well lit room in the centre of Brussels, and for some reason he only booked the model for a very short period of time, so she had a couple of days available for other photographers. A bit of a last minute arrangement and I was of to Brussels. The room had a line of windows facing south/west, and every widow had its own curtains. A perfect spot for a shoot.
It’s a tedious process, developing, scanning, retouching the dust …
… but when the results are good, it’s all worthwhile. From a shoot I did in the beginning of june, taken with the Rolleiflex, on Ilford HP5 plus film (ISO400).
A rough carpet, a little bit of sun, and a big black curtain to block te rest of it. That is all that was needed for this series with Charisse. I had a bit forgotten about this series, it was made the same day as we did ‘an apple a day’, and I was so fond about that series that this one got a bit lost. Here we go, all images taken with Canon 5Ds and 50mm f1.4 from Sigma.
The settings are very similar between images, shutter speeds varying between 1/400 and 1/500 and aperture f:3,5 or f:4.0. ISO is at 100.
Charisse feels confident enough to generate a series of sensual, intimate poses, and she hardly needs direction, except for keeping the sun ray in the right place on her body and face. The light is hard to manage in this kind of situations, only one rule: measure for the highlights, and don’t care about the shadows. This gave me these nice, contrasty images, with a little room for imagination and mystery. Thank you Charisse, for this very fruitful day!!
• Sunrays •
Want to get a shoot for yourself, contact me now for your life-changing experience!!
For the last day of the exhibit, i had posted an invitation on Facebook for a guided tour trough the exhibit. It was a cosy gathering, I gave visitors some inside, behind the scenes information, and people could ask questions about my work, my gear, the models, locations, etcetera.
The exhibit is now over, I have no idea about the number of visitors in total, as I was present only now and then. The reactions in the guestbook are mainly positive, some very positive, some very negative. It always shocks me to see how some people are still very narrow minded about nudity, even if it is brought with delicacy and taste. Fortunately I have my wife who is very supportive in getting me over this kind of comments. 🙂
Visitors have very different ‘favourites’, but in this exhibit, one image has received a lot of praise. It was an image not previously shown, and here it was shown in the massive size of 110x165cm (44″x66″), hard to miss. People praised it because it had a lot of ‘naturalness’, it seems not posed and very natural, at the same time intimate, and casual.
the model is Kate Ri, the image is titled • greenhouse flower • it was shot in the Royal Glasshouses in Meise, near Brussels, on a cold day in January.
The image is still for sale, as is all my personal work, if you are interested, send me an email on ludwig(at)ludwigdesmet(dot)com
thanks for reading, see you soon!
from a while ago,
I shot with Vita Goncharuk in a public park near Brussels earlier this year. I was a bit worried about not having a location with full and agreed access, so we shot outside. The park is open to the public, and you might wonder if there are no risks of being caught. There is actually not really a problem as long as you are not shooting porn or really shocking the eventual witnesses. If you get caught by the owner of the place, you might get expelled from the premises, but they can’t file a complaint unless they can prove you did harm to their person/business/property.
Some people have been asking about public wandering around. First of all, get this agreed upon with your model. Most professional models don’t care much, some don’t like it. Vita didn’t mind at all. When somebody shows more interest than normal, I just go to them an say hello. I do a little chit-chat and then I give them one of my business cards and mostly they disappear after that, or they take some more (comfortable) distance. Some even send me an email about my website or my work afterwards. I even had one person sending me some behind the scenes images. (with Erika in Brussels)
The weather was splendid, the camera did very well, All shot on Ilford film, with the Rolleiflex TLR camera. I love the look of film, it gives a soft, rich tonality and it has some imperfections that are creating a romantic atmosphere. It has a natural grain, that adds to the softness of the images. The medium format (6x6cm) camera has a great shallow depth of field, (hard to focus though) and enough detail in the negatives for really big enlargements. It can’t beat the current 50Mpx camera’s, but its very close. I also love the time-span between shooting the images and having the developed film ready for scanning. The fact that you do not see results is a benefit for working slowly. When shooting digital, I get a little overwhelmed by the immediate results, which stresses me to shoot more and more and more. When shooting analog, I thing about every image, about light, about framing, about what to leave out of the frame and what to get into it, about pose, about a possible story, … I feel that I do not take the same amount of time when shooting digital. You shoot far less images when shooting film, but you get as many good ones than when shooting hundreds of digital images. … I experience a great feeling of joy when seeing the images on the developed film for the first time. They are a physical result, they have a more ‘real’ presence in my opinion than digital files. Film is not dead, at least not for me, and I’m sure for a lot of people with me. 🙂
I have about ten more films that just have been developed, but need scanning and retouching … come back again soon,
Als primeur, een post op mijn blog in het Nederlands.
Ik krijg vaak het commentaar dat het gemakkelijk is om mooie jonge vrouwen op een mooie manier te fotograferen, maar dat ‘eens op leeftijd’, dat toch niet meer werkt.
Daarom ben ik een paar maanden terug begonnen met een nieuw project, ‘the Age of Beauty, the Beauty of Age’, waarin ik 50+ dames fotografeer op een vergelijkbare manier als ik met jongedames doe. Ik kreeg hiervoor al enkele dames voor de lens, maar ben op zoek naar meer kandidates hiervoor. Ik wil die in principe ook pas naar buiten brengen als ik een reeks klaar heb. Vandaag maak ik hierop een uitzondering, om het project wat een boost te geven, maar ook omdat ik net een getuigenis binnen kreeg die zo mooi is dat ik dat niet kan laten (met toelating uiteraard)om die te laten lezen. De foto hoort bij deze getuigenis, en lees vooral zelf de woorden van Amélie, onder de foto:
‘Of ik het zag zitten om mezelf bloot te geven, letterlijk dan’… daar kwam de vraag van één van mijn beste vriendinnen op neer in mijn mailbox . Een bevriend fotograaf was begonnen met een mooi project voor vrouwen van onze leeftijd, ‘Age of Beauty, the Beauty of Age’,…
Zij had het aangedurfd, het was een unieke belevenis zei ze. Ik las de tekst met uitleg van de fotograaf en hoorde haar ervaring en dacht in eerste instantie ‘dit durf ik niet’, zoals de meeste vrouwen denken als ze op een leeftijd gekomen zijn waarbij het lichaam niet meer is wat het ooit geweest is…
Wat ben ik blij dat ik mij heb laten overtuigen! Na een eerste gesprek met Ludwig wist ik dat ik dit avontuur met volle vertrouwen kon aanvangen, het was nu of nooit, en enkel met deze fotograaf. Ik had het met niemand anders aangedurfd.
De avond voor de grote dag kroop ik vroeg in bed om er de volgende dag op mijn best uit te zien, maar om middernacht zat ik alweer beneden… toch een beetje stress?
Die dag is er eentje geworden om nooit te vergeten, een unieke dag die steeds een glimlach op mijn gezicht tovert als ik eraan terug denk. Alles is zo vlot verlopen, ook al wist ik helemaal niet hoe eraan te beginnen, deze fotograaf maakt je rustig, laat je genieten van jezelf en de lens, soms vergat ik gewoon dat hij er was.
De resultaten zijn nog mooier dan ik verwachtte, heel kunstige foto’s met oog voor kleine details. Ook hier en daar een foto die mij wat confronteerde met mijn minder mooie kantjes, maar ik ben wie ik ben en zo sta ik ook op de foto’s, puur en soms een tikkeltje speels, een tikkeltje ondeugend 😉
Mijn man was enthousiast en wist meteen welke foto hij op canvas aan onze muur wilde. Ik twijfelde wel even om hem op deze plek te hangen; zichtbaar voor iedereen… maar hij hangt hier prachtig en wij zijn er beiden fier op!
Aan Ludwig en zijn vrouw: jullie zijn beiden prachtige mensen die een heel mooie kijk hebben op het vrouw-zijn, bedankt voor deze fijne dag. Ik had dit waarschijnlijk nooit gedurfd toen ik jong was en strak in het vel zat, maar nu kom ik met plezier nog een keertje terug.
Aan mijn vriendin, bedankt om mij een stukje van mezelf te leren kennen dat nog ergens verborgen zat, zonder jou had ik deze mooie ervaring nooit gehad.
Aan alle vrouwen met een jaartje meer, niet twijfelen, eens kennis maken, genieten van een mooie dag, in ruil krijg je een mooie herinnering voor de rest van je leven en een boost voor je zelfvertrouwen!
Zo hoor je het ook een keer van een ander, dus dames, jullie zijn welkom !!