For the first time I had color film with me for the Rolleiflex. One of the first times I shot Kodak Portra 160 too. I had limited myself to black and white because this is easily self-developed at home but not this time. (although I took a bunch of BW film with me too 😉 You have seen those images here)
Disclaimer, these images have been shot in 2019, you’ll notice why.
I think color has an added value in a lot of these images, and as a photographer it is also fun looking for images that benefit from color. I think I look differently when having the mind set to ‘color film’ than to ‘black and white film’. In this aspect I found this an interesting exercise.
The images were lab developed, scanned using my ‘DSLR setup’ (see movie link above) and imported into Adobe Lightroom using the Negative Lab Pro plugin. This software alone is worth an in depth study. I think the images get a sort of vintage feel due to the colors of this particular film. Enjoy!
I hope that everybody is fine and in good health,
thank you to my public, thank you to my audience, loyal followers and fans of my personal work.
2020 was not an easy year, with Covid measures that have made it largely impossible to photograph people outside the bubble of one’s own family. In the meantime, when regulations were a little less strict, I was able to schedule a number of sessions, both personal work and private sessions, and that was good, I experienced a lot of pleasure doing them, because photographing people is and will remain my favourite activity.
The Covid Lockdown also has had a positive effect. During the first lockdown I rolled up my sleeves and built a separate room for a studio within an outbuilding in my garden. The studio is now ready for use, 4.5mx 8m and 3m high, one side black, the other side white, offering a ton of possibilities. A cozy wood-burning stove has also been installed so that the space can be used in both summer and winter.
My private clients, from fine art prints and private photo sessions, as well as my commercial clients, for product and architectural photography, make it possible to continue financially. Thank you again for that.
Of course I look forward to the opportunity to have more contacts again, I would love to put workshops back on my schedule and I also get a lot of demand for this, but I do not really see possibilities at the moment. Time will tell whether this will be possible again soon. For those who are interested in this, please be patient until then.
please don’t hesitate to comment and share your thoughts trough any channel, instagram, facebook, my blog or email …
Same as last week, you’re getting spoiled, aren’t you 🙂
Some results I managed to capture during my own workshop Model/lingerie photography with available light. Models during this workshop: Riona Neve and Sahri Nimi – behind the scenes video at the bottom of this post.
All images are available as a fine art print, inquiries please send me an email.
Hidden gems 2019, workshop Lingerie with available light
behind the scenes video on my Youtube Channel
thanks for watching, make sure to come by next week!
As a registered 18+ Youtube user you can see the video on my Youtube channel, but for your convenience I’ll put it here trough Vimeo:
It was a fun day, I didn’t really adapt my shooting to the cameraman, but still, there was some influence at least. I’m quite pleased with the results of this day, look for yourself, you’ll probably recognise some of the scenes from the video. The film shots are black framed.
Shot on film: (Rolleiflex Tlr 3.5 Planar on Ilford Film)
and then one more, as a tribute to the cameraman Franswa. You can see me make this shot at 4.52 in the film!!
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I have a huge problem, literally huge …
a have recuperated two prints from a previous exhibit that I can’t store, so they go for sale. Only one of each available.
100×150 cm (approx 50×75″) fine art archival print,
10 cm white edge (within the 100x150cm size)
the back has a mounting pad on top, a weight pad on the bottom, so the print can hang as is, though it has no protection.
to give you an idea of the size of the prints, you can see them here in the exhibit, first shot left and right, second shot left image: (requires Facebook account) https://www.facebook.com/zinkae/videos/402924687154651/?v=402924687154651
if you are interested, or if you want to know about pricing/framing options, please contact me: ludwig-at-ludwigdesmet.com
a long time ago I made some studio setup diagrams for this blog, … time to make a new one. First the image, it dates from a while ago, last fall I invited two friends to do some studio work. I rarely use my studio equipment for light, but in winter times it can be handy to have an alternative to available light sometimes.
I wanted Steven to get some sort of gangster look, cool looking, hood, sunglasses …
I wanted a soft light and deep shadows under the hood, so I went for some sort of symmetrical light setup, using two studio flashes with 60x60cm softboxes, and two large reflector panels to even enlarge the light source.
it was only a matter of finding the good ‘depth’ position of the model, to create just enough light on the face, and keep the light only on the front.
another one without the hood:
thanks for watching, come again soon,
or at least I often think about quitting …
… because when I think about all the costs I have been making – for photography gear, for exhibition prints, for locations, models, make-up artists – then I must realize that it does not generate any money, quite the contrary.
Then I sit down, try gathering all my courage for the next shoot, try to find a good location, a model, a make up artist, find a moment that fits for everybody involved, phone calls, emails, messenger … and then after the shoot I get home, more or less exhausted. But then when scrolling trough hundreds of images from that day, I see that again we could make some beautiful shots and I think, ‘come on, just hang on a little longer, things will turn out ok one day’ …
thanks to Sahri Nimi Modelpage for being my model once again, thanks Isabelle Eeckhout for making her look gorgeous again, thank you Vergucht Franswa for joining us for making a reportage about me during this shoot, and a big thank you to the family that opened their fabulous house for me as if it were my house. And last but not least, thank you to my wife, who has even more patience with me than I have myself, that even pushes me harder than I could do so myself, and that still believes 200% in what I do.
• Bath with a view •
not safe for work, except of course if you work in an open-minded place, which I hope everyone does. A little edgy maybe, glossy and slippery, these nudes I did with Sara Scarlet.
I’m enjoying the studio in these cold winter days. Shooting outdoors is not really handy now, especially if you want to do glamour or nude work … I put up the heating a little higher in the studio, and I can work at ease, without my model turning blue … so the blue you see here is purely a post-processing effect.
• Slippery •
Two weeks ago I did a model call for a freestyle shooting session in the studio, just to try out some light setups and to not forget about working with studio strobes. Remember, 90% of my work is purely based on available light.
I had two models coming over, one male that I never worked with (lets call him Steven) , one female that I had regular cooperations with since about two years, lets call her Charisse 😉
Steven never modelled, he said the day before he came to me. Ok great, I told him, that’s cool, so we can find out if newbies can lead to great results. And he did, 200% he did. See for yourself:
the images above are all made with two studio strobes.
Then that same morning, after this first session I had Charisse arriving at the train station for pickup, and we started shooting early in the afternoon. A totally different setup, with both nude and non-nude work, of which I will show you only a small teaser for now. We did a lot of different things, with a lot of good results, so make sure you come back again soon.
thank you for stopping by, visitor of this blog. Consider subscribing if you like what you see. Come back again soon.
thank you Steven and Charisse, for being my interim models for the day, for your patience and your trust!!
ps. I: soon I will be on Patreon, where you can support my activities and get extra behind the scenes video’s, how to tips, and other benefits! Watch out!
ps. II: video: me cleaning the studio afterwards, here you can see more or less all I have in the studio. Limited stuff, a lot of creativity.
Sorry if you have been trying to reach this site and blog in the last 24 hours, it has been down due to a PhP update on the host’s side, and I am by far not a web-tech-geek, so it took me a moment to figure out what happened, and to fix things accordingly.
to compensate, a single image post.
I had this first collaboration with Emily two weeks ago, and we made some nice images. We worked in the studio first, to continue after that on the local city-square, where there was this fair going on. I shot two rolls of film on the Yashica 635. A first glimpse at the developed films shows that either there is something wrong with the film transport mechanism, either I have not paid attention and unintentionally double exposed some of the frames. To be continued.
• The treasurer •
thanks for watching, please come again soon.
from this summer, early in July, I was in the Netherlands with my wife and I could spend some time there photographing. I had a meeting with Michelle, and in a last minute arrangement I could shoot at the local glider plane club. Michelle had this very classy, classic looking set, a slim fitting skirt and a beautiful blouse, and there was this plane waiting for the thermal to build up. I shot a couple of rolls in this setting, this is my selection.
• Michelle at the flight club •
I had the film developed by a local lab here in Belgium, but I was not really pleased with the quality of the development, and the care they have (not) given to the films. Lesson learnt, better take time to do my own developing at home. This has cost me a lot of retouching spots, dust, scratches, and the results are only ‘just good enough’ for publishing on the web.
come again soon, and if you feel like, subscribe to my blog!
I had some very good news last week. I have received an invitation to be the guest artist for a rather well known exhibit next summer. All expenses paid. That is a première for me, and a pleasant one.
I have been checking out the list of guest photographers that have passed in the previous years of this very same exhibit. … some well known names, some great artists, some who I esteem way above my league. Then doubts started coming up … is my work up to this level, will I not be blown away by the other participants (selected by jurors and curated by someone known in the field of art photography) … It struck me rather hard, to be honest.
Take a deep breath, listen to my wife’s saying ‘you have been asked to be the guest photographer, so what are you still worrying about’ … I guess she’s right, so let’s go, … I enrolled in a mentorship program that starts next week. I had confirmed to this before this invitation came in. To be honest I had no real item to work on, till now. I will use this program to fine-tune my work, discuss my work, discuss the selection of images that will be exposed, maybe prepare a book that will go with the exhibit, … exciting times to come, I will keep you updated.
More great news came in this week, when the organizers of the ‘fashion nudes’ contest run by Normal Magazine (France) contacted me to send them the high resolution files of the images I sent in for the contest. This means I got selected in the pre-selection, and my work will be printed for the final jury. Jippiieeeee!!
One of the images I entered for the contest:
• girl with an attitude •
Could there be any greater resemblance? The curves of the female body and the smooth shaped hull of a glider. At least I sea beauty in both, I hope you too can appreciate these smooth curvatures.
Taken with the well appreciated approval of the gliders club director, and the willing club-handyman. Somewhere in the Netherlands.
• Smooth curves •
model: Michelle Alba
Canon 5Ds with Sigma 50mm f1.4 A DG
1/500s f/1.8 ISO 100
Do you remember this one? I do, I was wet and cold to the bone, and then I discovered this moss overgrown forest, and the rain calmed down a little. Something I couldn’t resist to.
• Ariundle National Nature Reserve – Strontian – Scotland •
0,3 sec f11 ISO100 Canon 5Ds with Canon 17-40mm @19mm
The Zinkae exhibit I took part in has ended yesterday,
a lot of people were a bit surprised not to see my women, well, I think it’s good to surprise people from time to time. 😉 See you there next year!
Travelling art-nude models mostly rent very small rooms, to make their travelling as cheap as possible. Shooting in their room is most often not an option. This one was different. Some other photographer booked her a spacious and very well lit room in the centre of Brussels, and for some reason he only booked the model for a very short period of time, so she had a couple of days available for other photographers. A bit of a last minute arrangement and I was of to Brussels. The room had a line of windows facing south/west, and every widow had its own curtains. A perfect spot for a shoot.
It’s a tedious process, developing, scanning, retouching the dust …
… but when the results are good, it’s all worthwhile. From a shoot I did in the beginning of june, taken with the Rolleiflex, on Ilford HP5 plus film (ISO400).
A rough carpet, a little bit of sun, and a big black curtain to block te rest of it. That is all that was needed for this series with Charisse. I had a bit forgotten about this series, it was made the same day as we did ‘an apple a day’, and I was so fond about that series that this one got a bit lost. Here we go, all images taken with Canon 5Ds and 50mm f1.4 from Sigma.
The settings are very similar between images, shutter speeds varying between 1/400 and 1/500 and aperture f:3,5 or f:4.0. ISO is at 100.
Charisse feels confident enough to generate a series of sensual, intimate poses, and she hardly needs direction, except for keeping the sun ray in the right place on her body and face. The light is hard to manage in this kind of situations, only one rule: measure for the highlights, and don’t care about the shadows. This gave me these nice, contrasty images, with a little room for imagination and mystery. Thank you Charisse, for this very fruitful day!!
• Sunrays •
Want to get a shoot for yourself, contact me now for your life-changing experience!!