two for the price of one …

Analog, location, Nude

well yes, sometimes things don’t go as expected, certainly when shooting with an old camera and film, you are having no instant feedback and surprises occur 🙂

there is no automatic film advance stop, so you have to look for film frame numbers in the dark red window at the back of the camera. Clearly I saw something that wasn’t there.

shot with a Voightländer Bessa I 6×9 film camera, with Kodak TMax400 film, in a small roof flat in Leuven (Belgium)

Model Yana Mood, click for bigger version


the camera:

3x3m hotel room shoot

beauty, location, Nude, Uncategorized

I arrived at Leuven train station at about 11 O’clock, the people from the hotel had guaranteed me that I could do an early check in at about 13:00hrs. That was the time that I had fixed for the model and the make up lady. They pointed me a different building than the adres on the website, about 100 meters further. They gave me the entrance key.

I should ask the cleaning lady to clean my room first. … No it was not cleaned yet, yes, she would take care of it right after she finished a room on the upper floor. (3rd, I was on second) I had the time to get my gear out of the car and have a quick bite.

Fifteen minutes to one, and I’m back at the hotel. I get pointed to my room, it is available …

… at least if you can call this a room, it is more like place for a bed, and half a meter around to manoeuvre around it. How on earth am I going to do a photoshoot here. There’s no room for movement, there is no free wall, and there is no light. It is freezing cold outside so that is no option, even worse, it is a dark grey day.

How to shoot in a really tiny Hotel room, on a dark winter day?

Both the model and the make up lady are more or less on time, so we can start preparing. I get them installed by the window, when the chair is between the bed and the window, there’s no more room to pass besides it. … this promises no good …

No panic though, I’m thinking about the options, outdoors, at 3°C, rather not, … dark corridors in the hotel, no light at all, … public places other than this, … probably not for the sake of clothing changes …

move the beds … move the beds, … are they fitted to the walls, no, that’s great, let’s move the beds: We moved the beds to the ‘entrance hall’ of the room, so we acquired a 3x3meter ‘free space’ to work in, talking about luxury.

(3D rendering below, showing a before and after situation, done by me, I still own and run remember 🙂

On the far left is the entrance door and hallway, upper left corner, the black chunk taken out of the volume is the bathroom, then the ‘main room’ with two single beds and window at the right, three night reading lamps (one on each side of the bed, one over the small table.)

And look, there’s a heart in the lighting pattern, that was unintended, but definitely good sign. It was Valentine’s day the day before I wrote this post …

It helps having a patient model in such cases. I worked with Pauline several times now, and we’ve got a good mutual understanding. She will express her goals, I will try to relate them to mine and we proceed from there.

I tried using off-camera flashes, but those gave me very hard and overly bright light, with no interesting light patterns.

We ended up using only the reading lights, (one of them can be seen above, next to Pauline) to create some kind of theatrical look, sometimes I used a plastic bag to make the light source a little bigger and hence soften it a bit, but that was our only source of light for these images:

It was rather important to have the lights positioned accurately, as you can see the shadows are really hard, due to the small size of the lights. In the last images I had to tweak the blacks a little in post production, but they came out quite well. The light sources had a really narrow beam, and they gave very little spill within the room.

A couple of hours later, we moved back the beds, nobody noticed anything, me happy, my model happy …


Settings on the first series of images (1/10s f3.5 ISO 400 – Canon 5Ds, Sigma 50mm f1.4 A DG)

Settings on the upright pose with curtain background (1/80s f2.8 ISO 1600, 50mm f1.4 A DG)

Settings on the nudes (1/8 f4.5 ISO1250 – Canon 5Ds with Canon 100mm f2.8 macro IS L)

I was rather surprised how sharp the images came out at 1/10th with no stabilisation 🙂


thank you for reading