always fun to combine digital and film photography, and get my ‘working collectables’ off the shelf again. This time I shot a roll on the Rolleiflex, and one roll on the Voigtländer Bessa 6×9 folding camera. The latter is even more difficult, as it has no matte screen to focus on, and a very tiny visor that ‘remotely’ gives you an idea of the framing of the shot. You might find a dust spot here and there, oops. I have the films developed in a standard photo lab, and then scan them just the way I scan my B&X films, with the Canon 5Ds and 100mm macro lens. I use Negative Lab Pro for converting them to positive, but I need to find my way around in that program. It’s good but I don’t feel I have everything in control yet. Rolleiflex images first, the square ones, then the Voigtländer images.
Both films Kodak Portra 160, enjoy!
when I met Julia in Brussels, the weather was really dull, but I shot some film images anyway. Dull weather is technically less challenging than the harsh sun, at least if there is sufficient light. I had no excess light but could manage to shoot the film at box speed, with the widest aperture of the Rolleiflex, f/3.5 … rather tricky on the focussing, but some of the images came out really well. Hope you like them. Shot on Ilford HP5 Plus
Julia Yaroshenko on the balcony, in the series of hidden gems 2019
thank you for watching and be sure to check out this blog next week, I might have more interesting images coming up
5 minutes past 2
Shot in a beautiful house somewhere in Belgium.
Model: Sahri Nimi model
Camera: Rolleiflex tlr 3.5
Film: Ilford HP5 plus 400 – developed in Ilfotech LC29
and a couple of minutes earlier it was exactly 2 O’clock and the behind the scene’s cameraman was looking at what I was about to be doing 😉
sorry it took me so long to post again, I have been working on a lot of different things lately, and I’m having my first ‘available light’ workshop in about a week now, so things have been busy.
see you again soon, I have some wonderful images on the shelf.
well yes, sometimes things don’t go as expected, certainly when shooting with an old camera and film, you are having no instant feedback and surprises occur 🙂
there is no automatic film advance stop, so you have to look for film frame numbers in the dark red window at the back of the camera. Clearly I saw something that wasn’t there.
shot with a Voightländer Bessa I 6×9 film camera, with Kodak TMax400 film, in a small roof flat in Leuven (Belgium)
Model Yana Mood, click for bigger version
• The birdkeeper •
Summer is long gone it seems, but this shoot was taking place on one of those hot summer days, when models do not hesitate to pose in lingerie or nude, sun will keep them warm.
The image was taken in a little castle near my hometown, on a shady terrace. The owner had opened the door and then vanished. Eva was in a good mood, the birds were singing all around.
Shot with my old Rolleiflex TLR, on Kodak TMax 400 film. Shooting on film is a strange thing, it is slow, expensive, delicate, cumbersome … but I love it. It makes the experience more real, and the waiting for the negatives makes you take some distance from your own work. It is always exciting to see the images coming, 3, 4 weeks after you’ve shot them.
have a nice Sunday afternoon,
• The last ray •
shot with Rolleiflex 3,5 on Ilford Delta Pro 100 film
model and make up: Eva Evian
thank you for watching, I scanned about 170 negatives this week, so there’s much more images coming (Scotland analog, and several beauty shoots analog)
see you soon,
this is from a while ago.
Visiting Paris is something I love a lot. I have been there many times now, and I feel no real urge anymore in visiting particular places or monuments, and I enjoy more and more just being there, and observing people, looking at things happening, or seeing things being just things.
Documenting with the old Rolleiflex helps me being a more attentive observer. Trying to shoot whatever presents itself is a challenge, but is also fun and maybe a bit contradictory, a very relaxing thing to me. It is a mixture of being an observer, and in a certain way being part of the city life.
Next to this, it is also a way to get socially engaged in a certain way. I get many conversations when shooting with this old camera, from people interested in what camera it is, how it works, if it is still able to find film etcetera etcetera. I try to go unnoticed, but that is difficult sometimes, and I don’t mind.
All shot on Rolleiflex 3.5 and Kodak TMax 400/100 film.
thank you for passing by.
sometimes you find a roll of film you didn’t remember anymore taking it.
I found one a couple of weeks ago, in a corner of my desk … I had no clue of what was on it. I’m still missing a roll of Paris, (must have been lost in luggage somewhere) but this was not it. This is Antwerp. I remember having dropped of Nathalie for an appointment, near Antwerp train station, an ideal opportunity to shoot a roll of film with the Rolleiflex, just to learn to observe, have fun, enjoy slow shooting.
All shot on my Rolleiflex 3.5, with Kodak TMax400 film.
thank you for watching.
come again soon for some more Paris strolling with the Rolleiflex.
I think we are kind of ‘creative people’ when arranging spaces 😉
Rolleiflex 3.5 Planar with Kodak TMax 100 film