Deux heures cinq

Analog, location, Nude

5 minutes past 2

Shot in a beautiful house somewhere in Belgium.

Model: Sahri Nimi model

Camera: Rolleiflex tlr 3.5

Film: Ilford HP5 plus 400 – developed in Ilfotech LC29

and a couple of minutes earlier it was exactly 2 O’clock and the behind the scene’s cameraman was looking at what I was about to be doing 😉

 

sorry it took me so long to post again, I have been working on a lot of different things lately, and I’m having my first ‘available light’ workshop in about a week now, so things have been busy.

see you again soon, I have some wonderful images on the shelf.

Ludwig

two for the price of one …

Analog, location, Nude

well yes, sometimes things don’t go as expected, certainly when shooting with an old camera and film, you are having no instant feedback and surprises occur 🙂

there is no automatic film advance stop, so you have to look for film frame numbers in the dark red window at the back of the camera. Clearly I saw something that wasn’t there.

shot with a Voightländer Bessa I 6×9 film camera, with Kodak TMax400 film, in a small roof flat in Leuven (Belgium)

Model Yana Mood, click for bigger version

 

the camera:

The birdkeeper

beauty, location, Nude

• The birdkeeper •

Summer is long gone it seems, but this shoot was taking place on one of those hot summer days, when models do not hesitate to pose in lingerie or nude, sun will keep them warm.

The image was taken in a little castle near my hometown, on a shady terrace. The owner had opened the door and then vanished. Eva was in a good mood, the birds were singing all around.

Shot with my old Rolleiflex TLR, on Kodak TMax 400 film. Shooting on film is a strange thing, it is slow, expensive, delicate, cumbersome … but I love it. It makes the experience more real, and the waiting for the negatives makes you take some distance from your own work. It is always exciting to see the images coming, 3, 4 weeks after you’ve shot them.

have a nice Sunday afternoon,

 

ludwig

 

Strolling trough Paris part II – shooting with the Rolleiflex

Analog, street

this is from a while ago.

Visiting Paris is something I love a lot. I have been there many times now, and I feel no real urge anymore in visiting particular places or monuments, and I enjoy more and more just being there, and observing people, looking at things happening, or seeing things being just things.

Documenting with the old Rolleiflex helps me being a more attentive observer. Trying to shoot whatever presents itself is a challenge, but is also fun and maybe a bit contradictory, a very relaxing thing to me. It is a mixture of being an observer, and in a certain way being part of the city life.

Next to this, it is also a way to get socially engaged in a certain way. I get many conversations when shooting with this old camera, from people interested in what camera it is, how it works, if it is still able to find film etcetera etcetera. I try to go unnoticed, but that is difficult sometimes, and I don’t mind.

All shot on Rolleiflex 3.5 and Kodak TMax 400/100 film.

thank you for passing by.

 

Ludwig

 

Strolling trough Antwerp with the Rolleiflex

Analog, street

sometimes you find a roll of film you didn’t remember anymore taking it.

I found one a couple of weeks ago, in a corner of my desk … I had no clue of what was on it. I’m still missing a roll of Paris, (must have been lost in luggage somewhere) but this was not it. This is Antwerp. I remember having dropped of Nathalie for an appointment, near Antwerp train station, an ideal opportunity to shoot a roll of film with the Rolleiflex, just to learn to observe, have fun, enjoy slow shooting.

All shot on my Rolleiflex 3.5, with Kodak TMax400 film.

thank you for watching.

come again soon for some more Paris strolling with the Rolleiflex.

Ludwig