valentine shoots available 😉
Hi, it’s been a while since my last post, I think this one will make it worth the wait.
• MUST READ •
you probably have noticed I worked together with Charisse a lot last year, I would like to show you some pictures from our first collaboration to our last one, as some sort of a tribute to this young woman, that in front of my lens, evolved from a shy and uncertain person, to a very self-aware and confident model.
We met at an exhibition in Damme, Belgium, she seemed interested in my work. She flipped trough my book ‘Women’ and showed even greater interest after that. We agreed to keep in touch.
First shoot together, June 20, 2016. We met at Godshuis in Sint-Laureins, Belgium, and we shot a couple of rolls of 120 film, and a digital session. She was very shy at the moment, and there were too many people running around at the Godshuis, so we moved outdoors for the rest of the day.
Second shoot together, she came to my place, I have an old, small confectioners workshop in my garden, and we did an afternoon session there. She showed more courage and confidence already. She hurt her leg while smashing the radiators with a big sledgehammer. April 5, 2017.
Third time around, I still had to get my ways around the studio, and we worked there for the first time. It was a very fruitful day, with an apple as desert 🙂 Charisse had changed, she had become very much aware of her female figure, and the sensuality in her poses was suddenly obvious. Februari 22, 2018.
Shortly after that we met again, for a shoot in the castle I’m able to use as a location if I want to, here we shot ‘the beauty and the beast’, ‘the great great granddaughter’, and a lot more beautiful images. We are march 23d, 2018
5th shoot together, a hot summer day last year, and not really arranged long before, I just called to find out if she was available, and ready for an experiment, and a day later she took the train to Ronse again. Shot in my garden workshop, and outdoors. ‘when things get messy’ and ‘statue’ … July 3d, 2018.
And hopefully not the last collaboration, and certainly not the least, again in the studio on October 30th, 2018. Long time since I used flash light, so let’s get up-to speed again with some different settings. Charisse is always ready for some new things, she is physically limited due to a muscle disease, but she has never let me down in her efforts of making every shoot successful and worthwhile, she understands what I want to achieve as a result, but she’s not afraid of giving input if she things it would make images even better,
Thank you Charisse, it is a pleasure working with you! I might do a book on you some day!
Some images you might have seen before, but I tried to show you some previously unpublished pictures too, as from a session there’s always a lot of material, so I cannot publish all, sometimes I forget about a series, sometimes when I review, new ‘keeper’s get my attention …
thanks for reading, maybe you might consider buying a large print from any of these? …
She can be found on facebook now as Sahri Nimi – https://www.facebook.com/sahrinimi/
not safe for work, except of course if you work in an open-minded place, which I hope everyone does. A little edgy maybe, glossy and slippery, these nudes I did with Sara Scarlet.
I’m enjoying the studio in these cold winter days. Shooting outdoors is not really handy now, especially if you want to do glamour or nude work … I put up the heating a little higher in the studio, and I can work at ease, without my model turning blue … so the blue you see here is purely a post-processing effect.
• Slippery •
and he left me with some nice images.
I love walking the boundaries of erotica and art, I’m not sure how and where the limits are, but I kind of like these images. For me they are erotic, artsy, tasteful, beautiful. It’s winter in Belgium, and the weather forces me to work in the studio more than I would like, but this session boosted my confidence in the studio a lot. Some things could have gone better, I should have paid more attention to my light levels overall, but the division of light and the addition of water and the poses and the model worked out all very well. Working in the studio is a completely different game than working with available light outdoors, it has other challenges, it needs a totally different approach. I used a couple of different light setups, all based on minimal lighting, creating only highlights on the models body. I was inspired by the nude work from Andreas Bitesnich, and wanted to experiment within his style. I especially love the way he works with highlights accentuating the body shapes, and I was not really able to recreate what he did, but then I didn’t really care, since I created something new 🙂
Thanks to my great model, Charisse again 🙂 small and pretty, she never thought she could become a model due to her size, but is making her way trough faster than she could imagine I guess.
Thank you for visiting, I will soon have my own Patreon page, where you will be able to financially support my work! You will be able to choose between a set of tiers that I’m sure will please any of tastes. Be it just supporters, apprentice photographers, or collectors of art-nude!
Please don’t hesitate to leave a comment!
Travelling art-nude models mostly rent very small rooms, to make their travelling as cheap as possible. Shooting in their room is most often not an option. This one was different. Some other photographer booked her a spacious and very well lit room in the centre of Brussels, and for some reason he only booked the model for a very short period of time, so she had a couple of days available for other photographers. A bit of a last minute arrangement and I was of to Brussels. The room had a line of windows facing south/west, and every widow had its own curtains. A perfect spot for a shoot.
It’s a tedious process, developing, scanning, retouching the dust …
… but when the results are good, it’s all worthwhile. From a shoot I did in the beginning of june, taken with the Rolleiflex, on Ilford HP5 plus film (ISO400).
A rough carpet, a little bit of sun, and a big black curtain to block te rest of it. That is all that was needed for this series with Charisse. I had a bit forgotten about this series, it was made the same day as we did ‘an apple a day’, and I was so fond about that series that this one got a bit lost. Here we go, all images taken with Canon 5Ds and 50mm f1.4 from Sigma.
The settings are very similar between images, shutter speeds varying between 1/400 and 1/500 and aperture f:3,5 or f:4.0. ISO is at 100.
Charisse feels confident enough to generate a series of sensual, intimate poses, and she hardly needs direction, except for keeping the sun ray in the right place on her body and face. The light is hard to manage in this kind of situations, only one rule: measure for the highlights, and don’t care about the shadows. This gave me these nice, contrasty images, with a little room for imagination and mystery. Thank you Charisse, for this very fruitful day!!
• Sunrays •
Want to get a shoot for yourself, contact me now for your life-changing experience!!
Charisse was here again today,
and people who have been following my or her work, know that this is about 100% guaranteed to deliver some stunning images.
We took benefit of the hot weather we have in Belgium these days and made a little mess with some leftover clay I had from the walls of the boys’ rooms on the attic.
Charisse is always in for a little experiment and I had been talking about the clay shoot earlier, so she sent me a text message a couple of days ago ‘about the hot weather and da da da … ‘ . A hint not to be misunderstood.
this image is just a preview of the preparation, a preparation that I gladly took as a photoshoot occasion …
it got even messier than this, and much better as well 😉
make sure to come again soon, for the rest of this magnificent series, again.
The exhibit at Godshuis Sint Laureins (B) has started last Saturday, make sure to visit it if you can, more details in my previous post.
have a nice day,
I had worked with Charisse before, we had met each other at an exhibit in Damme (B) where I had my work exposed, she seemed interested in my work and browsed trough my book attentively, we talked briefly and I gave her my card.
Early this year we agreed to work together again, and besides fixing a date, we also discussed what style we were going to work on. She told me she had found more confidence in herself and that posing went better since she had been working with another photographer intensively some time ago.
I have tried not to interfere too much in the posing, and had her work on her own flow of poses without interrupting her. She managed to ignore me, and we found a good subject to guide her: an apple I left in the studio since I had been painting there two weeks before that. I kind of lost a bit of its freshness, but Charisse managed to compensate for it 200%.
First I would like to show a little behind the scene’s video, fastforward trough the entire session, if you are a photographer, you might even learn something from my light setup:
I am working with two camera’s here, one with the Sigma 50mm f1.4, the other with the Canon 100mm Macro lens. I have light all over on the left side, I work with the sun screens from time to time, and I have one large reflector panel on the right side (styrofoam board)
Then the images.
I think they came out particularly well, Charisse well understood my style and she worked on different poses in an endless flow, God, wouldn’t you want to be that apple? 🙂
images all shot at my studio in Ronse (Belgium)
Canon 5Ds and Canon 5DII
Sigma 50mm f1.4 DG and Canon 100mm f2.8 L Macro
1/250-400 f1.6 ISO 100 – 1/200 f3.2 ISO100
thank you for watching,
A cactus (plural: cacti, cactuses, or cactus) is a member of the plant family Cactaceae, a family comprising about 127 genera with some 1750 known species of the order Caryophyllales. (From Wikipedia)
A small series of images I did about a year ago together with Kate in some semi-public glasshouse. The glasshouse was the only place where it was more or less hot enough to do nude work, and Kate didn’t care about the public character of the place, we met only very limited people, and managed to keep out of sight of most of them, at least we think. 😉
Taken with the Rolleiflex 6×6 TLR, on Kodak TMax400 film.
hope you liked that,
come again soon,
In a castle somewhere in the French part of Belgium I found this treasure, hidden on the attic.
Model and make up: Eva Evian
Photography: Ludwig Desmet
Shot on Canon 5Ds with Sigma 50mm f1.4 DG Art. 1/60s f 2.2 ISO 800
the complete series of this shoot will be published on august 15th.
thank you for passing by,
see you again soon,
These images were taken on a ‘available light’ workshop with Sacha Leyendecker in Köln.
He has a great available light studio, and gives plenty workshops throughout the year. Be sure to check his site here. Main goal of this one on one training day was to review my habits and to try to learn some more about light usage. I made use of the available -lockers-on-wheels for this setting and Rubia acted perfectly as a stand in worker. All images Canon 5Ds with Sigma 50mm f1.4 DG A. All images f1.6 at 1000ISO, varying shutter speeds.
Model and make up: Steffi Rubia Stringsi
photography by me
thank you for watching.
a small preview of the shoot I did with Erika Albonetti in Brussels.
model and make up: Erika Albonetti
assistance: Nathalie Renard
photography: Ludwig Desmet
• way too hot today •
Erika is a wonderful model to work with, you’ll see more of her appear here in the weeks to come. Photographed with Rolleiflex 3,5 on Kodak T-Max100 film.
location: Kunstberg/Mont des Arts – Brussels.
A second series with Ava at the Castle.
The weather is fine, not much to do but being beautiful
and spend the afternoon on the quiet back-terrace of the castle.
All except the last images on Canon 5Ds and Canon 100mm f2.5 Macro L IS.
Last image Sigma 50mm f1.4 A DG.
thank you for watching – I’m on instagram too now, but there you won’t find any nude images: instagram.com/ludwigdesmet
talking about archetypes 😉
I developed these images a bit ‘off style’ or at least off my style, like or not?
All images with Canon 5D II and Sigma 50 mm f1.4 A DG.
1/25s f2.2 ISO 500 (close up images)
1/8s f2.2 ISO 250 (full body images) on tripod.
thank you for watching,