jij komt toch ook eens kijken? 🙂
It’s official, I’ll exhibit the entire summer vacation in the magnificent building of ‘het GODSHUIS’ in Sint-Laureins. Great architecture, great pictures, I hope you find the time to enjoy this exhibit, it is open from June 30th till September 2nd. Every day, from 10am till 5pm. (except when there are large events in the building, you can find their event calendar here: http://www.godshuis.be/nieuws/ )
I will show 21 images, some never exhibited, some bigger than ever before.
You can combine the exhibit with an overnight stay at the location, they offer excellent rooms, there’s a restaurant, wellness, (also bookable without room) tea-room etcetera. The village of Sint-Laureins is also very well situated for a bikers out, or a walk along the canal.
Ancient Egyptians worshipped Ra or Re as the Sun God, he was one of the most important gods in the Fifth Dynasty (25th-24th century BC).
• RA •
The obelisk depicted here is one of modern ages (1968-1969) and was built in two ‘size’ stages, because the landlord found that the first one at 27m was not high enough. So he did aks the builders to build a second concrete formwork over the existing one, and ordered it to be 36m in height, which makes it final size bigger than the Paris’ Luxor obelisk at the place de la Concorde!
The obelisk is situated near Brussels, and was erected because the landlord loved the sunrise, but since he had changed his main room to the west side of the castle, he no longer had the sunrise in his room. That’s why he also wanted a large sun disk on the obelisk.
The park was meant to have a large water surface in front of the surface, but the owner died before completion of the surroundings and the lake was never realised.
thank you for reading,
last weekend I had a meetup with Lisa and her friend, both dancers, she’s more into the classic dance, he’s more of a break-dancer.
I will show you some images, but I would also love to talk about the technique that I used to get to these.
first some images:
nice hey 🙂
thanks to both athletes, they had a good exercise session.
How is it done?
We wanted both the movement, and a good image of the static phase. I rarely work with flash but here it is absolutely needed.
this is the setup: I have one studio flash with large softbox on the left of the scene, providing the main illumination of the stationary phase. (flash) I have a second studioflash at the right side of the scene, providing a rim light at the moment of flash. I have a third flash on the camera, Canon does not allow to fire remote flashes at the end of the shutter time without a dedicated Canon flash. This is a Canon 580EX II and is used in manual settings at 1/64th of full power. It is merely used as a ‘master’ or ‘trigger’ for the studio flashes, synchronising on the second curtain, this means just before the shutter closes. I have available light from the right side, just behind me. (outside light, strong enough to make the motion trails during shutter time, but not to strong to overly brighten the environment. This is actually better done with a strong continuous light like a 500W halogen spot, but I don’t have one.)
The camera is set to bulb, on a tripod, and with a cable release. This is all part of a relatively simple preparation phase. 😉
Now comes the tricky part, how to get just the good shot? Simple: You activate the shutter time by pressing and holding the shutter button, let the movement roll and close the shutter when the movement has finished. Simple? Yeah, think again. Some movements only take a blink of an eye before they are gone, finished, over and out. For some movements you need to have the flash triggered exactly at the end of the movement, and you have to be aware that there’s a little ‘delay’ between pressing the button and the actual start of the shutter time. My best images came with shutter times between 1/5th and 2/5th of a second!
to illustrate the process of the Bulb-shutter time:
Easy, isn’t it. Well, both dancers have at least 20 times repeated every move, before I could define the right starting moment, and the right moment to stop. Then 10 more times to get the one lucky shot we needed. Maybe I’m getting old, or slow in reactions. 🙂
Make sure to have your models wear dark clothing, otherwise you’ll get a lot of messy blotches from the movement phase. You want them to wear light coloured clothing at hand or feet, unfortunately they did not have white gloves. The brighter, the more visible the movement trail will be.
no movement visible – too little continuous light, only the flash fixes the image
cable release gets stuck, way too long exposure
start too early, left foot clearly visible in starting point, stop also a little too late, left foot is coming down already.
start and stop too late, left foot is almost up at start, and way over the best position at stop.
thanks for reading, it was fun to do, and I learned a lot about dancing
cheers, come back again soon.
Let’s celebrate female beauty and the joy it brings us.
Let’s celebrate life and the good things it brings us.
My model of that hot summer day in april was named Vita, which stands for ‘Life‘ …
I have taken a lot of pictures with her, so more will follow, see it as a little preview.
Often I have to convince professional models not to pose, or in any way not to pose as a fashion model would do. I love it when they are not trying to seduce me or the camera, but in stead they manage to be just themselves, fierce, self confident, somehow unattainable women, living the life and enjoying their own bodies.
oh, and I have another thing to celebrate, I just saw today that in the last 365 days I had over 100.000 visitors on my site and blog. It was for the first time I noticed it. Thank you for being so present!
I published a new video to my Vimeo and Youtube channel today, you can see it here:
this is a condensed summary of a 45 minutes session of the shoot day I did with Charisse, you can figure out some of the light situations I make, see which poses get it to the final selection of images, etcetera. Learn by looking 🙂
for your info, all images were shot at f1.6, ISO100, Shutter speed 1/80 or 1/100s.
you can find more details about the reflector panels I use ‘by clicking here’
thanks for watching, if you liked the video, you might as well give it a thumbs up or subscribe to my channel(s)
well yes, sometimes things don’t go as expected, certainly when shooting with an old camera and film, you are having no instant feedback and surprises occur 🙂
there is no automatic film advance stop, so you have to look for film frame numbers in the dark red window at the back of the camera. Clearly I saw something that wasn’t there.
shot with a Voightländer Bessa I 6×9 film camera, with Kodak TMax400 film, in a small roof flat in Leuven (Belgium)
Model Yana Mood, click for bigger version
I had worked with Charisse before, we had met each other at an exhibit in Damme (B) where I had my work exposed, she seemed interested in my work and browsed trough my book attentively, we talked briefly and I gave her my card.
Early this year we agreed to work together again, and besides fixing a date, we also discussed what style we were going to work on. She told me she had found more confidence in herself and that posing went better since she had been working with another photographer intensively some time ago.
I have tried not to interfere too much in the posing, and had her work on her own flow of poses without interrupting her. She managed to ignore me, and we found a good subject to guide her: an apple I left in the studio since I had been painting there two weeks before that. I kind of lost a bit of its freshness, but Charisse managed to compensate for it 200%.
First I would like to show a little behind the scene’s video, fastforward trough the entire session, if you are a photographer, you might even learn something from my light setup:
I am working with two camera’s here, one with the Sigma 50mm f1.4, the other with the Canon 100mm Macro lens. I have light all over on the left side, I work with the sun screens from time to time, and I have one large reflector panel on the right side (styrofoam board)
Then the images.
I think they came out particularly well, Charisse well understood my style and she worked on different poses in an endless flow, God, wouldn’t you want to be that apple? 🙂
images all shot at my studio in Ronse (Belgium)
Canon 5Ds and Canon 5DII
Sigma 50mm f1.4 DG and Canon 100mm f2.8 L Macro
1/250-400 f1.6 ISO 100 – 1/200 f3.2 ISO100
thank you for watching,
As it is difficult in wintertimes (temperature!) to shoot in grand locations, exquisite gardens or castle halls, I have been working a little more on emotions and body-poses lately. Enjoy this wonderful image I made with Yana last thursday. This was shot in a small attic living room, we had to move a little furniture around to be able to capture the best light in the spot I wanted it, but I think this worked out quite well. An overhead roof window and some ‘available Swedish furniture’ was all that was needed to make this image look well. Remember to look at the light, and pose your model accordingly 😉
Thanks to Hanne for providing the last minute location, I hope you could still find your stuff after all the moving around with things.
Thanks to Yana for being my wonderful model.
I’ts been about a month that I have the new studio space available, it took me a couple of days to get the walls freshened up (two coats of paint) and a couple of weeks before I got some furniture and props ready and moved in, but I’m about to call it ‘ready’ for work.
I think it probably never be a steady setup, because I want to keep some variation in my images, and variation will probably mean that I will bring in some new stuff from time to time and get rid of some ‘used’ furniture in the same pace.
Some observations so far just in case you think about setting up your own studio space:
• I have windows (large) only on one side of the room. Not easy to work with, so get yourself some large reflectors to bring some light back from the non-window side of the room. I use styrofoam boards 120x180cm, painted black on one side.
• The wooden floor gives me a particular white balance in the space, some warm tone that is not easy to get right all the time.
• Too much light will kill you, or at least will often create overly bright images. I love to work with light and shadow equally, sometimes even more shadow than light. So I bought a large theatre cloth (6x3m) to cover up 2/3 of the windows when needed. I use additional styrofoam boards if needed to cover up even more window area.
• The space has sun-screens, I didn’t even notice when I agreed to rent it. These are great to work with when there’s direct sun falling in. The screens are fine woven, so they create no patterns, and they lower the light level not too much. They help evening out the hard contrasts in sunny situations. They are neutral in color. Perfect!
• The wooden parquet is kind of slippery, very good for moving around mattresses and large carpets without too much of an effort. For furniture I have a wheeled board for easy moving.
• The ceiling is at 2.90m, that is an absolute minimum. I have some curtain rails hanging up, they are kind of permanent, and sometimes they are hindering my viewing angles.
• I have an adjacent stock room, where I can move all unnecessary items (flash lights and their tripods when I don’t need them, drinks, clothing, background system, paint, cleaning materials, … Perfect again!
• I have brought in a large trunk (some kind of monastery huge heavy dark wood piece) that I use for quick storage nearby. It makes your stored stuff invisible, it is useful as a decor piece, there’s always something you might need in a minute, it’s there.
some images taken in the new studio:
2 white walls, a black wall, a wall with plenty of windows, and some creativity …
more to come,
quite a while since my last post, great news, exciting changes.
no more doubts
no more last minute panics
no more goosebumps
no more begging other people
I’ve got my own dedicated shooting studio !
I’ve rent a space in my home town, 6 x 11 meters open space, 3m ceiling height … nice oakwood parquet floor, big windows south side …
Started gathering decor elements and painting about two weeks ago, and yesterday I had my first shoot there. It takes a bit of getting used to, where do I have good light, what are the best looking lines, etcetera, but I’ll manage to make this into a fine shooting space!
enjoy this first image of yesterday’s shoot
• inspiration •
thanks Valérie, for being my ‘test’ model in this new space.
thanks Joyce, for being my make up artist,
settings: 1/100 f2.8 ISO250 – Canon 5Ds with Canon 100mm f2.8 L Macro IS
An image that has been shot about a year ago, with the kind cooperation of Riona, my model for that day. I haven’t posted a lot of this shoot yet. It was on a cold december day, in an empty house with minimal heating.
Although she was clearly suffering the cold, she did not complain. We were all dressed in winter clothes, she was completely nude. Of course, as a photographer, you will take measures so the model can have some time off with a warm blanket or clothing, so she does not get ill in the process, but Riona has a very good understanding of what a cooperation is supposed to be like, of what a photographer has in mind and why a photographer would invest in a professional model. In doing so she has built a good reputation among photographers internationally. Besides her perfect work attitude, she has a very beautiful body. Not extremely skinny, and with beautiful female shapes. On top of that, she has an angel-like face, that is strongly emphasised with her white hair.
• Angel •
for those who find it interesting,
shot on Canon 5Ds with Sigma 50mm DG A – settings 1/50s f/2.0 ISO800
For those interested in working with Riona:
more info and a behind the scene’s look (also of this very same image) HERE
A cactus (plural: cacti, cactuses, or cactus) is a member of the plant family Cactaceae, a family comprising about 127 genera with some 1750 known species of the order Caryophyllales. (From Wikipedia)
A small series of images I did about a year ago together with Kate in some semi-public glasshouse. The glasshouse was the only place where it was more or less hot enough to do nude work, and Kate didn’t care about the public character of the place, we met only very limited people, and managed to keep out of sight of most of them, at least we think. 😉
Taken with the Rolleiflex 6×6 TLR, on Kodak TMax400 film.
hope you liked that,
come again soon,
Coming from Glentrool, and taking the ferry in Ardrossan late in the evening, I could spend a couple of hours at ease in Dunure, a very small fishermen’s town a couple of miles south-west from Ayr.
That is one of the main joys of travelling alone, not being influenced by companions, to make way, or to discover more things on the go, but just decide for yourself when and where to stop. I had driven past a small road sign along the A719 pointing to Dunure, and then another one, and I saw the rooftops of the houses just along the coast, from this main road, so I decided to turn around and check it out. It proved to be the ideal midday stop. What you see in the pictures is Dunure Castle and surroundings, in some images you will see an island in the distance, (Isle of Arran). Some images of the harbour area, and the facade of the Harbour View Coffee shop, where I had lunch that day. It is the first place that shows up on Google maps when you zoom in on Dunure, and very well documented by pictures as well. Little did I know 🙂 They provided me with a fine meal, and a place to charge my cellphone. Lovely lady-owner, very friendly and servile.
Time was all overcast when I arrived, but with sun coming trough after noon. A very enjoyable time there. I shot one roll of Kodak TMax400 with the Rolleiflex 3.5 6×6 camera. So here you see the entire film, I have not made a selection, you see what I’ve seen and what I’ve shot. Lab developed, home scanned and digitally redeveloped in Adobe Lightroom. You’ll notice some scratches on the left side of the images. These are probably from the lab, that’s why I decided to start developing film again myself. Oooo, it’s been like 25 years, exciting 😀
a little resume
I have studied to be a graphic designer, that led to a degree back in 1991. I have worked in several pre-press studio’s and a packaging design agency before starting my own company, not in graphic design but in 3D rendering services. I was rather successful, with clients such as product developing companies Barco, Melexis, SAS winches, Duco, Marketing agencies, artists such as Mark Manders, André Rieu, next to a lot of architects and project developers.
I loved being on the front edge of new products, developments, technologies, events, and being able to provide marketing material for these customers. I did this on my own, and home based. Very convenient, but in the end also very lonely as a job. Orders were sent by email, some explanation on the phone if necessary, and finished jobs were sent out by email as well, or by means of online data transfer sites like wetransfer. This meant that in the following years, I had no social contacts anymore. I went looking for a solution, and this showed up in photography. I had started a weekend class in photography when I had just left my studies, but never finished it. Honestly because I was a bit discontent about the chemicals being poured down the drain. (talking about film photography at that time)
But I never really quit photography, and with every job change, I looked for a job related to photography in some way. This has made me decide back in 2009-2010 that I wanted to pick up classes again to further build my photography skills.
I could do some exams to skip some classes, as I was familiar with photography basics (from the two years I did previously) and with retouching (from my graphics background) and I sped up the process by taking two classes at a time. Very soon I could enrol a job into teaching Adobe Lightroom in the same institution I was following my own finishing classes. A kind of a strange situation but it turned out well as most of the students I gave classes to didn’t even realise I hadn’t finished my studies yet.
At the same time I started following classes again I also started portraying women, which led to the portfolio you can see on this website. This started as being very occasionally, but I got more and more into it, and tried to use every free moment of time to get a shoot planned.
Very soon I had a larger amount of classes to teach, and I tried being more selective in my clients/jobs in my self owned business, but nevertheless I worked like 4/5 in teaching classes 3/5 in doing 3D rendering jobs and 1/5 self organised photography shoots.
Too much indeed, so last year in november I announced to all my clients for 3D rendering that I would finish this service, look for somebody interested in acquiring the client base, and only do photography jobs from 2017. I found nobody interested so I had to disappoint some of my customers for sure, some still are customers for photography services, one is hard to convince and stubborn in still giving me 3D rendering jobs. I announced yesterday that I will no longer be of service from 2018 on.
why tough decisions, well, 3D rendering services have long been a good source of income to me, and they still were in 2017, it has paid my photography investments in material, exhibition prints, workshop costs, … photography has grown slightly but not enough to compensate, since I have not enough time to really build up this service due to a lack of time.
This comes down to cutting one safety line before you have another one :/ … of course I have my classes that serve as a stable base income, but they are by far not ‘wealthy paid’ and getting noticed with my photography has proven to be a long and difficult process. I have had a good exhibit with some book sales and some large format print sales, just enough to compensate for the costs made (printing material, giving everybody a drink, making some new large format prints for the exhibit, …).
I would like to invest more time in artistic researches and getting further in analog photography. I am currently investigating the options for working on 4×5 inch format, requiring a large format camera and the need for development in house (till now I had my 120 roll film developed by a lab, but 4×5 film sheet lab development is out of budget)
A whole lot of words to explain why posting rate has dropped a little the last months.
Things should take up again when I finished my last 3D rendering job 🙂 if someone is interested in my earlier client base, just give me a call. The website is here: www.renderhouse.eu
Can’t post without an image, you will understand why photography is so much more pleasant than 3D, it is working with people rather than pixels :