I have never met her before, except on the internet. She’s all around the internet, google her and you’ll know what I mean: Julia Yaroshenko.
We worked together a couple of weeks ago, I rent an Airbnb in Brussels and we did an afternoon session. A first image as a little preview.
This weekend I’m giving the first two of my workshops, about working with available light in portrait/boudoir/art-nude photography. The above portrait was created in a small bedroom with only one window. Not everything is possible, but a lot can be done with a little creativity and bounced light. If you’re interested, there are still two spots available for next Saturday (01/06), tomorrows workshop is fully booked.
5 minutes past 2
Shot in a beautiful house somewhere in Belgium.
Model: Sahri Nimi model
Camera: Rolleiflex tlr 3.5
Film: Ilford HP5 plus 400 – developed in Ilfotech LC29
and a couple of minutes earlier it was exactly 2 O’clock and the behind the scene’s cameraman was looking at what I was about to be doing 😉
sorry it took me so long to post again, I have been working on a lot of different things lately, and I’m having my first ‘available light’ workshop in about a week now, so things have been busy.
see you again soon, I have some wonderful images on the shelf.
still working on my workshop program for this summer, and I have the honor to announce an exclusive Art-Nude 4 day workshop on a unique location:
Together with 2 professional models, I will guide you through the entire process of doing art-nude photography. From the location scouting, over measuring light, viewing your composition, working with and guiding models up to images selection and post-processing. A condensed all-in-one workshop for the enthusiast photographer.
Who is this workshop meant for: You are an enthusiast hobbyist and you are looking to upgrade your skills. You like to work with people in your photography, and you enjoy the female subject. You always wanted to try sensual art-nude in your photography but never found a way to get started. You want to taste the privilege of working with professional models, under controlled and safe circumstances. You fancy a nice castle and park as a shooting environment and you prefer the looks of natural light. If your answer is yes to the majority of these allegations, then this is meant for YOU!
What will be the setting? The setting will be a splendid privately owned castle near Tournai (Belgium) with surrounding green areas and annex buildings. The entire location (except a small private area in the castle) is available for shooting. An ideal place to work at ease and enjoy a vast amount of photography possibilities. Study the light and work with models. Talking about models, I will have 2 professional art-nude models present for three days. (one extra model may be added if the number of participants exceeds 5. They are easy to work with and know a lot about posing, if you are not so familiar with that part, they will guide you. The number of photographers is kept very limited, to allow every photographer individual time with the models.
If you are interested in this workshop or one of the other workshops: CLICK HERE
hi there, (Nederlandse tekst hieronder)
thanks for being still here, after my little rant in the previous post. …
I have the honour to announce a first-ever event in my photography career: I will give tuition in three one-day workshops this spring/summer, about working with available light only, and in the different subjects I tackle: Glamour portraits, ladies in fine lingerie, art-nude photographs.
Who are these workshops meant for: You are an enthusiast hobbyist and you are looking to upgrade your skills. You like to work with people in your photography, and you enjoy the female subject. You always wanted to try the nude in your photography but never found a way to get started. You prefer the look of natural light or you are not able and not willing to invest in a complete studio, and you want to learn more about working with available light only, then these are meant for YOU!
What will be the setting? The setting will be my own studio and annex rooms. I occupy a studio space in Ronse (Belgium) and this studio is part of a larger complex containing all empty rooms. An ideal place to study the light and work at ease with models. Talking about models, I will have 2 professional models present at each workshop. They are easy to work with and know a lot about posing, if you are not so familiar with that part, they will guide you. The number of photographers is kept very limited, to allow every photographer individual time with the models.
If you are interested in one or more workshops: CLICK HERE
Bedankt om hier nog te komen zien na mijn korte klaagzang in de vorige post. …
Ik heb de eer en het genoegen u in première mijn zomer-workshop programma voor te stellen: Drie ééndaagse workshops rond het werken met beschikbaar licht, opgedeeld in de drie onderwerpen die ik zelf in mijn fotografie heb: Glamour portretten, vrouwen in fijne lingerie, en kunstig naakt.
Voor wie zijn deze workshops bedoeld? Je bent een enthousiaste hobbyist en je wil graag je kennis bijspijkeren. Je hebt altijd al zin gehad om eens met naaktfotografie aan de slag te gaan, maar nooit echt de stap durven zetten om te starten. Je houdt er van om mensen te fotograferen, en je hebt een bijzondere voorkeur voor dames voor je lens. Je verkiest het om met natuurlijk licht te werken, of je bent niet in de mogelijkheid om een complete studio in te richten, dus wil je het maximum halen uit werken met aanwezig licht. Dan is deze workshop voor JOU bedoeld!
Hoe ziet de setting van de workshop er uit? De workshop gaat door in m’n eigen studio in Ronse. Hierin bekijken we wat verschillende setups, de manier van licht meten, hoe omgaan met je model, enzovoort, … na de middag is een groter deel van het gebouw beschikbaar om op zoek te gaan naar ideaal licht, waar je de modellen kan fotograferen. Over modellen gesproken, voor elke workshop zullen 2 professionele modellen aanwezig zijn, die zelf heel goed weten hoe ze horen te poseren. Dus als jij met dit deel niet echt vertrouwd bent, zij helpen je er wel door. Het aantal deelnemers is heel beperkt gehouden om elke fotograaf individuele tijd te geven met elk model.
Als je interesse hebt in het volgen van één of meer workshops, KLIK DAN HIER
or at least I often think about quitting …
… because when I think about all the costs I have been making – for photography gear, for exhibition prints, for locations, models, make-up artists – then I must realize that it does not generate any money, quite the contrary.
Then I sit down, try gathering all my courage for the next shoot, try to find a good location, a model, a make up artist, find a moment that fits for everybody involved, phone calls, emails, messenger … and then after the shoot I get home, more or less exhausted. But then when scrolling trough hundreds of images from that day, I see that again we could make some beautiful shots and I think, ‘come on, just hang on a little longer, things will turn out ok one day’ …
thanks to Sahri Nimi Modelpage for being my model once again, thanks Isabelle Eeckhout for making her look gorgeous again, thank you Vergucht Franswa for joining us for making a reportage about me during this shoot, and a big thank you to the family that opened their fabulous house for me as if it were my house. And last but not least, thank you to my wife, who has even more patience with me than I have myself, that even pushes me harder than I could do so myself, and that still believes 200% in what I do.
• Bath with a view •
Hi, it’s been a while since my last post, I think this one will make it worth the wait.
• MUST READ •
you probably have noticed I worked together with Charisse a lot last year, I would like to show you some pictures from our first collaboration to our last one, as some sort of a tribute to this young woman, that in front of my lens, evolved from a shy and uncertain person, to a very self-aware and confident model.
I asked her yesterday to write down in her own words about our cooperations, and she did, Italic words is her writing.
We met at an exhibition in Damme, Belgium, she seemed interested in my work. She flipped trough my book ‘Women’ and showed even greater interest after that. We agreed to keep in touch.
Ludwig and I met on an exhibit in Damme, May 2016. He gave me a business card so that I could contact him if I would be interested in working with him. At that time I was an insecure model with limited experience, but the pictures he was exposing and the atmosphere they contained were very into my liking.
First shoot together, June 20, 2016. We met at Godshuis in Sint-Laureins, Belgium, and we shot a couple of rolls of 120 film, and a digital session. She was very shy at the moment, and there were too many people running around at the Godshuis, so we moved outdoors for the rest of the day.
Not much later, we agreed on doing a photoshoot at Godshuis in Sint-Laureins. He arranged a MUA because I wasn’t skilled in make up back then. I felt pretty nervous but he immediately put me at ease during my posing. He was very tranquil, careful, polite and made me adjust my poses in a very respectful way. He never made me do anything I wasn’t comfortable with. So it became pretty easy to feel comfortable and my confidence was slightly growing. This first shoot resulted in pretty images and we were both feeling content.
Second shoot together, she came to my place, I have an old, small confectioners workshop in my garden, and we did an afternoon session there. She showed more courage and confidence already. She hurt her leg while smashing the radiators with a big sledgehammer. April 5, 2017.
The year after that, we agreed on shooting a second time, this time in his “studio in progress” in Ronse at his place. Great, because no potential peeping toms. We started working in a similar theme like the first shoot, but after a while he asked me if I wanted to help him smash the studio. I got to put dirt on my face and Ludwig handed me a sledge hammer that was almost my own height in size. “Knock yourself out”, he said. So I smashed the huge radiator with it, resulting in a bruise and scratch on my leg. Ludwig was taking pictures of me doing so, on a safe distance. The images were very cool and tough looking, something a lot different than the romantic, elegant moods we worked on first. It felt good to work on different themes.
Third time around, I still had to get my ways around the studio, and we worked there for the first time. It was a very fruitful day, with an apple as desert 🙂 Charisse had changed, she had become very much aware of her female figure, and the sensuality in her poses was suddenly obvious. Februari 22, 2018.
Another year later, in February 2018, we decided to do a shoot once more, in his new studio. This time he asked me what I wanted to do, and I felt like taking the next step. Something more sensual, maybe even a little erotic. In the 2 months before that, I had the chance to express that side of me in poses and expressions, because I had worked with another photographer intensively. Now I wanted to do something with it in Ludwig’s style. Grown strongly and without any obligations coming from Ludwig, I got in an endless flow of poses, and he just let me work by myself, he let me be myself. It all resulted in an awfully long day for the both of us. Exhausted but extremely happy about the resulting images, we agreed upon working together a lot more in the future. Those mutual satisfied feelings gave me an enormous boost.
Shortly after that we met again, for a shoot in the castle I’m able to use as a location if I want to, here we shot ‘the beauty and the beast’, ‘the great great granddaughter’, and a lot more beautiful images. We are march 23d, 2018
Only 2 months after that, we got together again to shoot, this time in a beautiful little castle in Tournai. The shoot went like all previous shoots, except now we started to understand each other more and communicating got even better. It got easier to get into eachother’s minds and create images fitting in a certain theme.
5th shoot together, a hot summer day last year, and not really arranged long before, I just called to find out if she was available, and ready for an experiment, and a day later she took the train to Ronse again. Shot in my garden workshop, and outdoors. ‘when things get messy’ and ‘statue’ … July 3d, 2018.
After that shoot we had another shoot on a hot summer dat where we experimented with some leftover clay he had in his garage. The shoot contained the preparation (me mixing the clay powder with water in a big pot, with my bare hands), the execution (me rubbing the mixture all over my body, including my face, neck and hair) and the result (the drying of the clay on my body while I was sitting still on a big cube). The whole process was a lot of fun to do, getting all dirty and feeling like a child. Again, Ludwig made beautiful images of it. Afterwards I first got a cold shower from the garden hose and then I could take a warm shower.
And hopefully not the last collaboration, and certainly not the least, again in the studio on October 30th, 2018. Long time since I used flash light, so let’s get up-to speed again with some different settings. Charisse is always ready for some new things, she is physically limited due to a muscle disease, but she has never let me down in her efforts of making every shoot successful and worthwhile, she understands what I want to achieve as a result, but she’s not afraid of giving input if she things it would make images even better,
After that we had another shoot in the studio on a cold and rainy day, working on images based on the work of Andreas Bitesnich, but also a heavy make up and water combination theme. That’s what I like about the collaborations I’m having with Ludwig: the exchange and being open towards each other’s ideas, always trying new things in a style we both like, but especially the mutual trust we built in these past few years.
We have a very good relation with each other, but the professional level we work in stays very well maintained. In the mean time I got to know a lot of photographers with whom I got to work together as well, but Ludwig stays an absolute favourite to me. Because of his professional attitude, easy personality, and the endless respect he has towards his models and their limits and conditions.
Thank you very much Ludwig, for this amazing journey. I’m looking forward to keep working with you in the future.
Thank you Charisse, it is a pleasure working with you! I might do a book on you some day!
Some images you might have seen before, but I tried to show you some previously unpublished pictures too, as from a session there’s always a lot of material, so I cannot publish all, sometimes I forget about a series, sometimes when I review, new ‘keeper’s get my attention …
thanks for reading, maybe you might consider buying a large print from any of these? …
She can be found on facebook now as Sahri Nimi – https://www.facebook.com/sahrinimi/
A long time ago I started a couple of posts called collectibles, old and forgotten (or maybe not?) film photo camera’s, but still working fine. Today a new chapter to this series, the Yashica 635 TLR.
This camera is a twin lens reflex camera, featuring a Yashicor 80mm f/3.5 viewing lens and taking lens. It has a Copal shutter with shutter speeds from B – 1sec to 1/500sec.
This camera is visually very comparable to the much wanted Rolleiflex TLR camera that I use often in my sessions with models, it has about the same size and weight, both have a waist level viewfinder and a back lid that opens from the bottom. This Yashica 635 has the the added benefit that it came with a 35mm film adaptor (next to the standard 120 roll film system) that allowed for a more versatile use. I have never used mine with 35mm film (I don’t have the adaptor), so I can not report about that. The use of 120 roll film is very straightforward, and very similar to the Rolleiflex camera. An empty roll goes on top, the film roll goes in the bottom and is guided with rollers towards the top roll.
A very important difference in both camera’s is that with the Yashica, the shutter is not linked to the film transport. I have been used to the Rolleiflex, and this camera prevents to fire the shutter twice in a row, so you have to transport film in order to be able to expose film. With the Yashica you have a separate shutter winder, so you can do as many exposures you want on a single sheet of film. This is an important difference, that caused me quite some double exposures lately, as well as some missed shots because the shutter had not been tensioned.
Quality wise, this camera produces good negatives, a bit softer maybe than those coming from the Rolleiflex, but certainly having a good sharpness (if you manage to focus right, which is hard to do with the old matte screens).
Now for some images taken with this camera. (a series I did on the local fair in Ronse a couple of weeks ago) All images on Ilford FP4 Plus 125 ISO rated as 100 ISO)
thanks to my model for the day, Emily, this was our first collaboration.
If you would be interested in buying a camera like this, they are very affordable, especially compared to Rolleiflexes.
thank you for coming by, come again soon for a year-round review about 2018
things are calming down a little here, with fall offering less possibilities for shooting outdoors, I have to get back behind the computer to finish some series shot earlier. You might have seen a first image here.
From the series I did with Charisse, early this summer. It was very hot that day, and I decided to play around with some natural plaster (easy and soft on the skin) outdoors.
this is my final series, definitely something I want to explore more when the weather allows for it.
• Statue in my garden •
thank you for watching!!
from this summer, early in July, I was in the Netherlands with my wife and I could spend some time there photographing. I had a meeting with Michelle, and in a last minute arrangement I could shoot at the local glider plane club. Michelle had this very classy, classic looking set, a slim fitting skirt and a beautiful blouse, and there was this plane waiting for the thermal to build up. I shot a couple of rolls in this setting, this is my selection.
• Michelle at the flight club •
I had the film developed by a local lab here in Belgium, but I was not really pleased with the quality of the development, and the care they have (not) given to the films. Lesson learnt, better take time to do my own developing at home. This has cost me a lot of retouching spots, dust, scratches, and the results are only ‘just good enough’ for publishing on the web.
come again soon, and if you feel like, subscribe to my blog!
Could there be any greater resemblance? The curves of the female body and the smooth shaped hull of a glider. At least I sea beauty in both, I hope you too can appreciate these smooth curvatures.
Taken with the well appreciated approval of the gliders club director, and the willing club-handyman. Somewhere in the Netherlands.
• Smooth curves •
model: Michelle Alba
Canon 5Ds with Sigma 50mm f1.4 A DG
1/500s f/1.8 ISO 100
Travelling art-nude models mostly rent very small rooms, to make their travelling as cheap as possible. Shooting in their room is most often not an option. This one was different. Some other photographer booked her a spacious and very well lit room in the centre of Brussels, and for some reason he only booked the model for a very short period of time, so she had a couple of days available for other photographers. A bit of a last minute arrangement and I was of to Brussels. The room had a line of windows facing south/west, and every widow had its own curtains. A perfect spot for a shoot.
It’s a tedious process, developing, scanning, retouching the dust …
… but when the results are good, it’s all worthwhile. From a shoot I did in the beginning of june, taken with the Rolleiflex, on Ilford HP5 plus film (ISO400).
For the last day of the exhibit, i had posted an invitation on Facebook for a guided tour trough the exhibit. It was a cosy gathering, I gave visitors some inside, behind the scenes information, and people could ask questions about my work, my gear, the models, locations, etcetera.
The exhibit is now over, I have no idea about the number of visitors in total, as I was present only now and then. The reactions in the guestbook are mainly positive, some very positive, some very negative. It always shocks me to see how some people are still very narrow minded about nudity, even if it is brought with delicacy and taste. Fortunately I have my wife who is very supportive in getting me over this kind of comments. 🙂
Visitors have very different ‘favourites’, but in this exhibit, one image has received a lot of praise. It was an image not previously shown, and here it was shown in the massive size of 110x165cm (44″x66″), hard to miss. People praised it because it had a lot of ‘naturalness’, it seems not posed and very natural, at the same time intimate, and casual.
the model is Kate Ri, the image is titled • greenhouse flower • it was shot in the Royal Glasshouses in Meise, near Brussels, on a cold day in January.
The image is still for sale, as is all my personal work, if you are interested, send me an email on ludwig(at)ludwigdesmet(dot)com
thanks for reading, see you soon!
from a while ago,
I shot with Vita Goncharuk in a public park near Brussels earlier this year. I was a bit worried about not having a location with full and agreed access, so we shot outside. The park is open to the public, and you might wonder if there are no risks of being caught. There is actually not really a problem as long as you are not shooting porn or really shocking the eventual witnesses. If you get caught by the owner of the place, you might get expelled from the premises, but they can’t file a complaint unless they can prove you did harm to their person/business/property.
Some people have been asking about public wandering around. First of all, get this agreed upon with your model. Most professional models don’t care much, some don’t like it. Vita didn’t mind at all. When somebody shows more interest than normal, I just go to them an say hello. I do a little chit-chat and then I give them one of my business cards and mostly they disappear after that, or they take some more (comfortable) distance. Some even send me an email about my website or my work afterwards. I even had one person sending me some behind the scenes images. (with Erika in Brussels)
The weather was splendid, the camera did very well, All shot on Ilford film, with the Rolleiflex TLR camera. I love the look of film, it gives a soft, rich tonality and it has some imperfections that are creating a romantic atmosphere. It has a natural grain, that adds to the softness of the images. The medium format (6x6cm) camera has a great shallow depth of field, (hard to focus though) and enough detail in the negatives for really big enlargements. It can’t beat the current 50Mpx camera’s, but its very close. I also love the time-span between shooting the images and having the developed film ready for scanning. The fact that you do not see results is a benefit for working slowly. When shooting digital, I get a little overwhelmed by the immediate results, which stresses me to shoot more and more and more. When shooting analog, I thing about every image, about light, about framing, about what to leave out of the frame and what to get into it, about pose, about a possible story, … I feel that I do not take the same amount of time when shooting digital. You shoot far less images when shooting film, but you get as many good ones than when shooting hundreds of digital images. … I experience a great feeling of joy when seeing the images on the developed film for the first time. They are a physical result, they have a more ‘real’ presence in my opinion than digital files. Film is not dead, at least not for me, and I’m sure for a lot of people with me. 🙂
I have about ten more films that just have been developed, but need scanning and retouching … come back again soon,
the tomatoes need a lot of water in this warm weather don’t they?
second shooting location after • flight club • the garden of the AirBnB where we stayed. Michelle is ready to do some role playing, and gladly gives the gardener a hand.
• taking care of the vegetables •
thanks to Michelle Alba for being my model on this very hot day, in a very hot glasshouse.
thanks to Bas for lending me her garden as a shoot location and for the hospitality all over the weekend.
somewhere in the Netherlands, I could say, they have a very particular flight club, with nude hostesses and so on, … but alas, it was only for this single occasion that Michelle posed nude at the gliders hangaar.
I had no clue as to where to shoot, just up to two days before we had our meeting. I started looking on Google Maps, just to get an idea of the surroundings, and to look for an eventually interesting spot. I could find three possible locations: 1. the place where we stayed (I accompanied my wife to The Netherlands since she wanted to take a weekend course there) had a big garden, with a very funny glasshouse (to be seen in the next image I will be posting) so that could become interesting. 2. There was a very beautiful garden and antique glasshouse at a event location just next doors. 3. I noticed a gliding plane terrain at about 5kms distance from where we stayed.
I didn’t really have to contact the first possible location, I would see it the next day, and could find out that in fact the glasshouse was particular, and interesting. The event location responded me within the hour that they had a marriage event the day I would meet Michelle, so this was a no-go. The flight club chairman responded me that he was ok with the idea, and that I could meet him the morning I had my appointment with the model, but that it would be difficult to shoot after midday because then they have a lot of flights going on. We met at 11:00 am and shot till about 1:00 pm, first clothed, on the runway with a parked plane (film photography, so not yet available) then nude at the hangaar. We had a willing assistant during the time of shooting and nobody else seemed to care. The assistant also figures in this image, together with two other club members. His daughter used to work as a striptease girl in theater shows. They are chatting about the club and I thought they might make an excellent backdrop. Michelle didn’t care either, as long as nobody started staring or taking pictures with cellphones … All went well, we said goodbye afterwards and went on shooting in the garden after that.
• flight club •
a huge thanks to the chairman and the assistant of the flight club, both requested not to mention the name of the club for privacy reasons.