finding my way about in the new studio

beauty, Nude, people, personal tips & tricks, Uncategorized

I’ts been about a month that I have the new studio space available, it took me a couple of days to get the walls freshened up (two coats of paint) and a couple of weeks before I got some furniture and props ready and moved in, but I’m about to call it ‘ready’ for work.

I think it probably never be  a steady setup, because I want to keep some variation in my images, and variation will probably mean that I will bring in some new stuff from time to time and get rid of some ‘used’ furniture in the same pace.

Some observations so far just in case you think  about setting up your own studio space:

• I have windows (large) only on one side of the room. Not easy to work with, so get yourself some large reflectors to bring some light back from the non-window side of the room. I use styrofoam boards 120x180cm, painted black on one side.

• The wooden floor gives me a particular white balance in the space, some warm tone that is not easy to get right all the time.

• Too much light will kill you, or at least will often create overly bright images. I love to work with light and shadow equally, sometimes even more shadow than light. So I bought a large theatre cloth (6x3m) to cover up 2/3 of the windows when needed. I use additional styrofoam boards if needed to cover up even more window area.

• The space has sun-screens, I didn’t even notice when I agreed to rent it. These are great to work with when there’s direct sun falling in. The screens are fine woven, so they create no patterns, and they lower the light level not too much. They help evening out the hard contrasts in sunny situations. They are neutral in color. Perfect!

• The wooden parquet is kind of slippery, very good for moving around mattresses and large carpets without too much of an effort. For furniture I have a wheeled board for easy moving.

• The ceiling is at 2.90m, that is an absolute minimum. I have some curtain rails hanging up, they are kind of permanent, and sometimes they are hindering my viewing angles.

• I have an adjacent stock room, where I can move all unnecessary items (flash lights and their tripods when I don’t need them, drinks, clothing, background system, paint, cleaning materials, … Perfect again!

• I have brought in a large trunk (some kind of monastery huge heavy dark wood piece) that I use for quick storage nearby. It makes your stored stuff invisible, it is useful as a decor piece, there’s always something you might need in a minute, it’s there.

some images taken in the new studio:

2 white walls, a black wall, a wall with plenty of windows, and some creativity …

more to come,

 

best,

Ludwig

3x3m hotel room shoot

beauty, location, Nude, Uncategorized

I arrived at Leuven train station at about 11 O’clock, the people from the hotel had guaranteed me that I could do an early check in at about 13:00hrs. That was the time that I had fixed for the model and the make up lady. They pointed me a different building than the adres on the website, about 100 meters further. They gave me the entrance key.

I should ask the cleaning lady to clean my room first. … No it was not cleaned yet, yes, she would take care of it right after she finished a room on the upper floor. (3rd, I was on second) I had the time to get my gear out of the car and have a quick bite.

Fifteen minutes to one, and I’m back at the hotel. I get pointed to my room, it is available …

… at least if you can call this a room, it is more like place for a bed, and half a meter around to manoeuvre around it. How on earth am I going to do a photoshoot here. There’s no room for movement, there is no free wall, and there is no light. It is freezing cold outside so that is no option, even worse, it is a dark grey day.

How to shoot in a really tiny Hotel room, on a dark winter day?

Both the model and the make up lady are more or less on time, so we can start preparing. I get them installed by the window, when the chair is between the bed and the window, there’s no more room to pass besides it. … this promises no good …

No panic though, I’m thinking about the options, outdoors, at 3°C, rather not, … dark corridors in the hotel, no light at all, … public places other than this, … probably not for the sake of clothing changes …

move the beds … move the beds, … are they fitted to the walls, no, that’s great, let’s move the beds: We moved the beds to the ‘entrance hall’ of the room, so we acquired a 3x3meter ‘free space’ to work in, talking about luxury.

(3D rendering below, showing a before and after situation, done by me, I still own and run www.renderhouse.eu remember 🙂

On the far left is the entrance door and hallway, upper left corner, the black chunk taken out of the volume is the bathroom, then the ‘main room’ with two single beds and window at the right, three night reading lamps (one on each side of the bed, one over the small table.)

And look, there’s a heart in the lighting pattern, that was unintended, but definitely good sign. It was Valentine’s day the day before I wrote this post …

It helps having a patient model in such cases. I worked with Pauline several times now, and we’ve got a good mutual understanding. She will express her goals, I will try to relate them to mine and we proceed from there.

I tried using off-camera flashes, but those gave me very hard and overly bright light, with no interesting light patterns.

We ended up using only the reading lights, (one of them can be seen above, next to Pauline) to create some kind of theatrical look, sometimes I used a plastic bag to make the light source a little bigger and hence soften it a bit, but that was our only source of light for these images:


It was rather important to have the lights positioned accurately, as you can see the shadows are really hard, due to the small size of the lights. In the last images I had to tweak the blacks a little in post production, but they came out quite well. The light sources had a really narrow beam, and they gave very little spill within the room.

A couple of hours later, we moved back the beds, nobody noticed anything, me happy, my model happy …

 

Settings on the first series of images (1/10s f3.5 ISO 400 – Canon 5Ds, Sigma 50mm f1.4 A DG)

Settings on the upright pose with curtain background (1/80s f2.8 ISO 1600, 50mm f1.4 A DG)

Settings on the nudes (1/8 f4.5 ISO1250 – Canon 5Ds with Canon 100mm f2.8 macro IS L)

I was rather surprised how sharp the images came out at 1/10th with no stabilisation 🙂

best,

thank you for reading

 

 

about paintings, erotica and sensorship

beauty, erotic, Nude, personal tips & tricks, Tips and Tricks

John William Waterhouse’s painting ‘Hylas and the nymphs’ dating from 1896, was recently removed from the Manchester Art Gallery’s walls in order to “prompt conversations about how we display and interpret artworks in Manchester’s public collection” …

further in the press release about the event, I could read: ” … but some of his paintings leave people uncomfortable and he has been accused of being one step away from a pornographer.”

Similarly, a request for removal was filed to the Metropolitan Museum of Art in New York, about the image “Thérèse dreaming” by the Polish French painter Balthasar Klossowski de Rosa, also known as Balthus. The request was backed by a 8000 signatures petition.

Can one judge an artwork that has been made about a century ago, using ethical norms (of some of us) of current day?

These events leave me a bit bedazzled and wondering, are we not tipping the balance over here, losing a genuine and healthy view on sexuality, sensuality, erotica and that unstoppable power that has been given to us and that bring men an women together?

As if we could exist without it?

Is it not the puritan regulations that have led to numerous sex-related scandals both in religious as in family context?

I am, as a photographer working with young women, very careful when it comes to being respectful to women, how I treat them during a shooting session, how I care about their photographs being exposed to a wider audience, and the possible reactions of relatives, friends or the wider context.

I am very supportive to the #metoo movement, as I have a couple of close (women)friends that have suffered inappropriate male behaviour, fighting the psychical consequences on a daily basis …

… but I think men and women should not fight each other, on the contrary … we can get a long way if we are mutually respectful and try to understand each other in our differences and similarities.

In this way I think sensuality, erotica and sexuality is not only an enrichment  to our lives, but a (literally) bare necessity for humankind, and in the same understanding, their figurative counterparts a culturally acceptable art form.

 

 

“This love of beauty is taste.

Others have the same love in such excess, that,

not content with admiring,

they seek to embody it in new forms.

The creation of beauty is art.”

Ralph Waldo Emerson

 

 

NEW STUDIO SPACE!

beauty, location

Hi,

quite a while since my last post, great news, exciting changes.

no more doubts

no more last minute panics

no more goosebumps

no more begging other people

I’ve got my own dedicated shooting studio !

I’ve rent a space in my home town, 6 x 11 meters open space, 3m ceiling height … nice oakwood parquet floor, big windows south side …

Started gathering decor elements and painting about two weeks ago, and yesterday I had my first shoot there. It takes a bit of getting used to, where do I have good light, what are the best looking lines, etcetera, but I’ll manage to make this into a fine shooting space!

enjoy this first image of yesterday’s shoot

• inspiration •

 

thanks Valérie, for being my ‘test’ model in this new space.

thanks Joyce, for being my make up artist,

settings: 1/100 f2.8 ISO250 – Canon 5Ds with Canon 100mm f2.8 L Macro IS

Angel

beauty, Nude, portrait, Uncategorized

An image that has been shot about a year ago, with the kind cooperation of Riona, my model for that day. I haven’t posted a lot of this shoot yet. It was on a cold december day, in an empty house with minimal heating.

Although she was clearly suffering the cold, she did not complain. We were all dressed in winter clothes, she was completely nude. Of course, as a photographer, you will take measures so the model can have some time off with a warm blanket or clothing, so she does not get ill in the process, but Riona has a very good understanding of what a cooperation is supposed to be like, of what a photographer has in mind and why a photographer would invest in a professional model. In doing so she has built a good reputation among photographers internationally. Besides her perfect work attitude, she has a very beautiful body. Not extremely skinny, and with beautiful female shapes. On top of that, she has an angel-like face, that is strongly emphasised with her white hair.

• Angel •

for those who find it interesting,

shot on Canon 5Ds with Sigma 50mm DG A – settings 1/50s f/2.0 ISO800

For those interested in working with Riona:

www.rionaneve.com

 

more info and a behind the scene’s look (also of this very same image) HERE

Cacti

beauty, erotic, location, Nude

cactus (plural: cacticactuses, or cactus) is a member of the plant family Cactaceae, a family comprising about 127 genera with some 1750 known species of the order Caryophyllales. (From Wikipedia)

A small series of images I did about a year ago together with Kate in some semi-public glasshouse. The glasshouse was the only place where it was more or less hot enough to do nude work, and Kate didn’t care about the public character of the place, we met only very limited people, and managed to keep out of sight of most of them, at least we think.  😉

Taken with the Rolleiflex 6×6 TLR, on Kodak TMax400 film.

hope you liked that,

come again soon,

 

Ludwig

Happy new year, and thank you all for 2017!

Uncategorized

I would like to wish all of you a happy new year, I wish you to have some plans or idea’s, some goals and aspirations, and I wish even more, that some of them work out in this coming year, that you can work on personal growth and happiness. 

Time to look ahead, never sure what another year will bring, I love my teaching job, so I hope being able to continue teaching photography, I look forward to further work with women, making beautiful images, I would like to travel some, keep staying in touch with my fast growing boys, try some new photography things, keep my eyes open and try to stay healthy.

Time also to look back at what has been in this previous year. I haven’t really counted it out, but I did less ‘free work’ photoshoots than the year before, but covered more other theme’s like landscape, travel photography and architecture. I think that’s nice, but it also kind of boggles me. What kind of photographer am I, what kind of photographer do I want to be. Is there a way of becoming a good photographer, with a distinct style when tackling all kinds of different subjects. Where does this all lead to? … do you know? This reminds me of the discussion I had with C. Coigny early 2017, when visiting his exhibit in Tournai (Belgium). He said, don’t bother, even if you don’t know where you’re going, you’ll eventually get there …

I often get the remark that it cannot be too difficult making beautiful pictures from good looking, young women. This has lead me to the start of a new project “The age of beauty, the beauty of age” for which I’m looking for 50+ ladies, wanting to pose in my style. This to show my audience that beauty is not solely age-related, and that every age has its own kind of beauty. If you know someone that might be interested in posing, please let me know. I have done two shoots for this project, but I will be waiting till I have a complete series before showing them to the world.

I started self-developing my films later this year, bought me some secondhand equipment, a bottle of Ilfotec 29 developer, stop and fixing bath, and went on from there. I developed 9 rolls of 120 film and still have a lot to learn, but self developing opens doors to bigger camera formats like 4×5 Inch. Lab development for sheet film is outrageously expensive and out of reach for my budget, self developing is feasible and reasonably simple. Next step will then be to get a decent digital file from a large format negative. The resolution of my Canon 5Ds will no longer be sufficient for the huge amount of detail in a large format negative. One step at a time, You’ll eventually get there, remember. 🙂

Thank you for your continued support in visiting this site and blog. It drives me to continue writing posts and publishing images. Some articles get more attention than others, but that’s absolutely fine with me. At this moment (dec 31 4:28pm) I count 95.103 Visitors and 412.912 visits. That is roughly +100% visitors and +25% visits compared to last year.

You come from all over the world, with 201 countries represented, USA leading with 27 thousand visitors, next comes Belgium with 11.113 visitors and at the end of the line a lot of countries with one visitor 🙂 some of them I’ve never heard of, sorry. …(Mayotte, Tokelau, Nauru, Vanuatu, …)

I have published 56 posts in 2017, bringing a total of 397 published posts. You’ll need a couple of days if you want to read trough them all. That is probably the small spikes in the yearly visitor chart, someone started reading and couldn’t stop anymore: 

So thank you all again, please do not hesitate to comment, send me a note if you have a question, send me a dollar if you want to sponsor me (Paypal – info(at)renderhouse(dot)eu), and please continue visiting my blog.

some highlights of this year:

from the fantastic cooperation with Riona Neve,

• The spirit of Ecstasy •

 

Discovering the work of Christian Coigny, meeting the artist.

 

Shooting analog only for a short story

• smashing the studio • or how to convince your models to take a sledge hammer and ruin the radiators for a more realistic result,  blood and bruises inclusive.

 

Street photography in Paris with the Rolleiflex TLR

 

Publication in Goodlight Magazine

 

A group exhibit in Ronse, my home town. Invited by the local photography club.

Bald and beautiful with Marlies

 

Memorable motorcycling trip trough Scotland

 

The flower girl series, with Eva Evian

 

Getting soakin’ wet trying to capture this water stream in Scotland

 

Gathering my landscape work in a book volume

• Landscapes and other things that jump into my camera •

An exhibit in my own place. Sold 9 limited edition books, 6 fine art prints. First exhibit that covered its own expenses.

• Vamos a la playa! • an analog picture from my collaboration with Carlotta Kah in Corsica.

Trying some flash studio work with the Rolleiflex TLR. Making portraits from some friends.

Inspired by the work of Coigny: • Forgotten •

Another publication in ModellenlandMagazine

looking for inspiration, late Marc Lagrange

 

Saul Leiter

Don’t hold back, just re-read my 2017 posts if you want to find out all about it.

time to close this post, need to fix some supper, my wife had an unforeseen chirurgical intervention a couple of days ago, so I’ve become master chef, master household, master everything, this last week in 2017. Wish you all the best for 2018! Hope to meet again!

 

Ludwig

below, self portrait with the Voightländer Bessa 6×9 format.

 

 

107 Cubic Inches

Analog, Personal Pictures, street

well yeah, next to beauties of the human race, I also tend to have a certain adoration for mechanical beauties. …

Early november I was strolling the Paris Boulevard Beaumarchais, to look for camera shops, both secondhand an new, to see if I could find some information on view camera’s and to look out if there was something else that interested me, when I came across the Harley dealership situated in this same boulevard. I’m not especially fond of this particular brand of motorbikes, but the boulevard seems to have almost as much motorcycle dealerships as it has camera stores. I happen to like both equally 🙂 . I am however quite charmed about the beautiful finish of the Milwaukee brand, with the chrome, the air cooling fins, the valve push rods and so on. This is mechanics and beauty, and it expresses both power and lifestyle.

I just snapped a small detail of just a random bike parked outside, probably a customer’s bike, before or after servicing. It is in that understanding not polished and it has some weather marks on the chrome, let’s say it’s alive.

I took this picture with my Rolleiflex TLR, probably older than the history of the ‘low rider’ Harley Davidson model. Square frame image format, which I like the best. Image shot on Kodak T-Max 400 film, developed in Ilfotec 29 developer.

For the noobs, 107 cubic inches is the cylinder displacement volume of this particular engine, or 1753 cc, in other words, this is a big engine for a motorbike. It has plenty of torque, and as we now from H-D, “more than enough” horsepower.

thank you for watching and reading, come again soon, I have other images from Paris that I would like to show you.

 

Ludwig

Analog or digital?

Analog, people, Personal Pictures, photo gear, portrait

I have invited two people to my studio and did a small analog vs. digital test.

I have, for the first time ever, linked my studio flashes with my old Rolleiflex 6×6 camera, and shot a roll of images with it, next to my Canon 5Ds with 100mm Macro lens.

What about the outcome, is high res digital better than medium format analog?

I think quality wise that is a no-brainer, our new camera’s and lenses are waay, no waaaaaaaay better than the old stuff, they are sharper, AF is spot on every time,  they have less grain (or noise) (films shots done on Ilford FP4 Plus 125) and for sure less dust to retouch. Digital is more convenient, more flexible, more secure (with immediate feedback) … it seems to be more of everything.

Then why still use analog? To me it is more fun, more concentration, at the same time more relaxing, it lets you look forward to the results, it’s more challenging, … people react differently when shooting with a 60 year old camera, they are curious, they are amused, wondering what might be the result, … I also find the images to have some sort of ‘alive’ feeling, the out of focus area’s are more interesting, the framing is square by nature, which I love … although the last arguments might all be nostalgia.

Here are the images, the square ones are analog:

 

 

 

With the Rolleiflex in Scotland – Part III – Ardrossan harbour

Analog, travel

I still had time to spend, same day as part II – Dunure

I had a ferry at about 18:30 hrs, for good three hours to Campbeltown. Waiting time always inspired me to take pictures, for me it is a perfect pastime, and it might result in some nice souvenir images. I tried to check in at 16:15, but they didn’t take checkin for my ferry until half an hour before departure time, because they have very limited waiting lines. One at a time is their slogan 🙂

I had parked my motorbike along the harbour quay, quite deserted at that time, except for two young men fishing. Time to eat a bit and look around. Always something to discover in a harbour. It’s an important traffic hub, and it mostly has plenty of character. It started raining and I pulled my motor into the open garage for shelter, I shouldn’t have done that, because the floor was full of oil and diesel smudge, and almost caused me a crash late in the evening, because my tyres were all slippery. (didn’t realise it until I took a sharper bend). What you see in the images: the local fuel store, the ferry before mine, waiting to be loaded, the harbour, a boat workshop more of the harbour.

After shooting and waiting for a couple of hours I could check in, but not board yet. Rain started pouring again, now for real. I got wet, I got cold, couldn’t go anywhere because I was stuck in the waiting line. The ferry went well but I didn’t really get warm again. I managed to put up my tent at about 22:30hrs, in the dark. Happy to have a good warm down sleeping bag. (I slept at Peninver Sands – I hadn’t seen the owner in the evening, so in the morning I called him to pay my bill. ‘I’ll be there in 3 minutes he said’ when he arrived we did a little chat, when I asked him how much I owed him, ‘a bike and a tent’ hes said, he thought a bit and made a little calculation and then said ‘Oh, never mind, a lot of people wouldn’t even bother calling me’ and he wished me a good trip. Scottish hospitality I presume.

One roll of Kodak TMax400, shot with the Rolleiflex 3,5. All images of this film shown.

next I had three days of bad, really cold weather ahead, I left the Rolleiflex in the bag till my arrival at Osmotherly, back south (North York Moors NP.) for a village stroll. Soon to come.

thank you for watching,

Ludwig

With the Rolleiflex in Scotland – Part II – Dunure

Analog, landscapes, location, photo gear, travel

See here for part one – Glentrool.

Coming from Glentrool, and taking the ferry in Ardrossan late in the evening, I could spend a couple of hours at ease in Dunure, a very small fishermen’s town a couple of miles south-west from Ayr.

That is one of the main joys of travelling alone, not being influenced by companions, to make way, or to discover more things on the go, but just decide for yourself when and where to stop. I had driven past a small road sign along the A719 pointing to Dunure, and then another one, and I saw the rooftops of the houses just along the coast, from this main road, so I decided to turn around and check it out. It proved to be the ideal midday stop. What you see in the pictures is Dunure Castle and surroundings, in some images you will see an island in the distance, (Isle of Arran). Some images of the harbour area, and the facade of the Harbour View Coffee shop, where I had lunch that day. It is the first place that shows up on Google maps when you zoom in on Dunure, and very well documented by pictures as well. Little did I know 🙂 They provided me with a fine meal, and a place to charge my cellphone. Lovely lady-owner, very friendly and servile.

Time was all overcast when I arrived, but with sun coming trough after noon. A very enjoyable time there. I shot one roll of Kodak TMax400 with the Rolleiflex 3.5 6×6 camera. So here you see the entire film, I have not made a selection, you see what I’ve seen and what I’ve shot. Lab developed, home scanned and digitally redeveloped in Adobe Lightroom. You’ll notice some scratches on the left side of the images. These are probably from the lab, that’s why I decided to start developing film again myself. Oooo, it’s been like 25 years, exciting 😀

 

Film ‘scanning’ with the DSLR camera

Analog, Lightroom, personal tips & tricks, photo gear, Tips and Tricks

Ok, something I wanted to do for a long time:

On some fora, people have been asking how I scan my negatives, actually I’ve quit scanning, and digitise my 6×6 negatives with the Canon 5Ds high resolution camera, and a Canon 100mm Macro lens. For me it is quicker than scanning, I get a RAW negative file to work with, and I had all gear I needed for building a simple setup.

I have been looking for a new scanner for a while, genre Epson V800, but found them to be a little too expensive for my taste and limited use. I already had this Canon 5Ds camera, and I had a Macro lens, so I wanted to give it a try digitising with the camera in stead. I’ve built this setup to do so, (actually writing this blog post has inspired me to make it even better) …

see images below …

• I have two lamps (generic building LED lamps from a DIY store) that I point to the back, where I have a white foam board installed. I don’t care about the white balance because I work with black and white film, so I get rid of all colour anyway.

• At a relatively small distance (30cm – 1 foot) I have a cardboard box, fixed to a base board (same white foam board, cardboard box taped to it), with a hole in the back end, a little bigger than the negatives I am working with. On the inside of the box, I have put a black paper, with a square cut hole in it, to better fit the actual size of the negatives. The front side of the cardboard box is open, and takes the camera.

• I use a negative holder from an old scanner, but I cut the film frame a tad wider, to be able to see the negative’s edges all around. I kept the original diffusor window.

• On the base foam board, I fixed a sort of slot (foam board strip with double sided tape fixing) that holds the bottom of the film holder, between the slot and the cardboard box. On top of the cardboard box, I fixed a second slot, that holds the top edge lid of the film holder, and I slide the film holder in from left to right (right to left on the images)

• I put my camera to fit the film frame (with a little margin all around) and I have my settings to give best quality: ISO100, f8 1/6 sec … I vary shutter speeds based on the negatives I have (sometimes the negatives are a tad under- or overexposed, I try to have as much light as possible in my ‘scans’ without clipping the highlights). Low Iso for the least noise possible, f8 seems to be the limit aperture before diffraction sets in on this camera, shutter speed long enough to get rid of the flickering effect in the lamps. I work on a tripod and with a 2 second interval between mirror lock-up and opening the shutter. (standard available on the Canon 5Ds, to prevent camera shake due to the mirror flipping up)

• I import the images in LR and reverse them by using the tone curve panel. In this same panel I also manage the white and black point settings by moving in the left and right corner point to where the histogram starts/ends, and eventually a lightening or contrast tone curve.

• Then I further develop the image using the standard development panel and local adjustments (that takes the most ‘getting used to’ because all sliders work ‘negative’)

• I remove dust and scratches in photoshop.

 

the images should clarify a lot:

the complete setup:

 

a look over the camera’s shoulder:

the negative holder removed to change the film strip

the back end of the cardboard box, notice the black paper frame on the inside, and the (modified today) film holder slot for top and bottom edge of the film holder.

film holder sliding in place, notice the top ‘tab’ being held by the slot

film holder in place, looking on the diffusor

Lightroom, tone curve for negative-positive conversion

I manage to scan a film of 12 exposures in about 15 minutes, with a resolution of at least 5000×5000 pixels. That is perfectly fine with me, and gives me all film detail, up to the grain in the film.

The study

Analog, beauty, Nude, portrait

there is a collection in this house, of wild boar’s, in all shapes and sizes, on paintings, sculptures, drawings, teeth, … everything that reminds of the wild animal living in the heart of the Belgian Ardennes has received its place on these walls, in this castle …

the study is the most quiet space in the castle, where one can stay all day without being disturbed. Old books are being well taken care of, and this place is not influenced by day-to-day matters.

Meet Eva Evian, my model for this day, experiencing the atmosphere of the place, enjoying the quite and calm of the day.

All shot on Kodak TMax400, with Rolleiflex 3.5 camera.

#everypictureastory

 

thank you for watching,

Ludwig

Paradise lost – the series

erotic, location, Nude

after the preview of a couple of months ago already, here’s the complete selection.

All images taken on film – Kodak TMax400 and Ilford FP4 Plus125

All shot with the Rolleiflex 3.5 TLR

assistance: Nathalie, Model: Carlotta Kah

location, some abandoned hotel in Corsica

 

• Paradise Lost •

 

thank you for watching,

Ludwig

Sunrise

erotic, location, Nude

an early morning sunbath on some deserted beach in Corsica

Model Carlotta K.

• Sunrise •

 
06:00 O’clock, we meet at some recognisable point on a coastal road in Corsica, it is still dark, but we see dawn coming in. We drive for about 10 minutes, then we have a 15 minutes walk to the beach. There is no one, yesterday the beach was crowded. We discuss different options and start working, I rarely have a preset plan, so we improvise a lot. There is a large log on the beach, we try different standing poses, then this pose lying back, the size of the log is perfect for her I take several shots, me flat on the ground, …
#everypictureastory

thank you for watching

Ludwig

tough decisions in life

Uncategorized

a little resume

I have studied to be a graphic designer, that led to a degree back in 1991. I have worked in several pre-press studio’s and a packaging design agency before starting my own company, not in graphic design but in 3D rendering services. I was rather successful, with clients such as product developing companies Barco, Melexis, SAS winches, Duco, Marketing agencies, artists such as Mark Manders, André Rieu, next to a lot of architects and project developers.

I loved being on the front edge of new products, developments, technologies, events, and being able to provide marketing material for these customers. I did this on my own, and home based. Very convenient, but in the end also very lonely as a job. Orders were sent by email, some explanation on the phone if necessary, and finished jobs were sent out by email as well, or by means of online data transfer sites like wetransfer. This meant that in the following years, I had no social contacts anymore. I went looking for a solution, and this showed up in photography. I had started a weekend class in photography when I had just left my studies, but never finished it. Honestly because I was a bit discontent about the chemicals being poured down the drain. (talking about film photography at that time)

But I never really quit photography, and with every job change, I looked for a job related to photography in some way. This has made me decide back in 2009-2010 that I wanted to pick up classes again to further build my photography skills.

I could do some exams to skip some classes, as I was familiar with photography basics (from the two years I did previously) and with retouching (from my graphics background) and I sped up the process by taking two classes at a time. Very soon I could enrol a job into teaching Adobe Lightroom in the same institution I was following my own finishing classes. A kind of a strange situation but it turned out well as most of the students I gave classes to didn’t even realise I hadn’t finished my studies yet.

At the same time I started following classes again I also started portraying women, which led to the portfolio you can see on this website. This started as being very occasionally, but I got more and more into it, and tried to use every free moment of time to get a shoot planned.

Very soon I had a larger amount of classes to teach, and I tried being more selective in my clients/jobs in my self owned business, but nevertheless I worked like 4/5 in teaching classes 3/5 in doing 3D rendering jobs and 1/5 self organised photography shoots.

Too much indeed, so last year in november I announced to all my clients for 3D rendering that I would finish this service, look for somebody interested in acquiring the client base, and only do photography jobs from 2017. I found nobody interested so I had to disappoint some of my customers for sure, some still are customers for photography services, one is hard to convince and stubborn in still giving me 3D rendering jobs. I announced yesterday that I will no longer be of service from 2018 on.

why tough decisions, well, 3D rendering services have long been a good source of income to me, and they still were in 2017, it has paid my photography investments in material, exhibition prints, workshop costs, … photography has grown slightly but not enough to compensate, since I have not enough time to really build up this service due to a lack of time.

This comes down to cutting one safety line before you have another one :/ … of course I have my classes that serve as a stable base income, but they are by far not ‘wealthy paid’ and getting noticed with my photography has proven to be a long and difficult process. I have had a good exhibit with some book sales and some large format print sales, just enough to compensate for the costs made (printing material, giving everybody a drink, making some new large format prints for the exhibit, …).

I would like to invest more time in artistic researches and getting further in analog photography. I am currently investigating the options for working on 4×5 inch format, requiring a large format camera and the need for development in house (till now I had my 120 roll film developed by a lab, but 4×5 film sheet lab development is out of budget)

A whole lot of words to explain why posting rate has dropped a little the last months.

Things should take up again when I finished my last 3D rendering job 🙂 if someone is interested in my earlier client base, just give me a call. The website is here: www.renderhouse.eu

Can’t post without an image, you will understand why photography is so much more pleasant than 3D, it is working with people rather than pixels :

 

 

Europe – Holland/Scotland/Corsica

exhibition, landscapes, location

It seems I have been shooting landscapes for ages, without really knowing what I looked for. I think now I have got a better understanding of the kind of landscapes I like, the kind of things I want to show. In my latest exhibit, next to a lot of sensual female portraits, I showed this triptych of landscape images:

Europe – Holland/Scotland/Corsica

 

I feel like in my beauty portraits, I can better express volume and light in black and white photography, hence the choice for converting them. In my landscape book, there are only three images in colour. The above images are the result of both family travels and solitary motorcycle travels, and my love for photography. Lucky me, to be able to do the things I love doing.

 

come again soon,

best,

Ludwig

Two days … building the exhibit

exhibition, Personal Pictures

two days to the exhibit in my own space.

 

you are all very welcome of course:

A little exciting it is.

from the 4500 invitations I received from my print shop (www.degrotearend.be) about 3500 have been dropped into local mailboxes in Ronse.

My book ‘LANDSCAPES – and other things that jump into my camera’ arrived yesterday. It smells fresh ink, but it looks great. I’m very pleased with the results and the selection of images I’ve made. The book ‘WOMEN’ I had from the previous exhibit stays unchanged

Drinks have been bought, but I have no idea how many people I should expect. I heard some rumours about people who were saying they would come, I have a Facebook event that some people confirmed on, but will it be 50-100-200?

The weather announces great, 21°C – 23°C is much more than we could expect here in Belgium around half October. I feel lucky!

The exhibit space is ready, the frames have been hung (without prints for now, I work with front-open frames that contain a support for the prints within. I will hang the mounted prints in the frames today. That means … all but one … Koert (my printer – laminator – finisher) called me last Friday that the largest print for the exhibit had suffered a fault during the mounting process (mount on Dibond). It is a landscape print of 50x150cm. So he had to order a new Dibond board to redo the print this week. No news till now. … keep the fingers crossed. By the way, I’m very pleased by his work! (www.fift.be)

Lighting has been fitted as well, called my brother in law (who is an electrician) for some help, he offered me a couple of up-lighters and smaller spots to add to the existing light in the room.

things that need to be done:

finish the digital presentation, set up a monitor for viewing, hang the prints, … relax a bit 😉

some impressions of the space preparations